Katherine R. Tsiang – författare

Carved into the mountains of northern China, the Buddhist cave temples of Xiangtangshan were the crowning cultural achievement of the sixth-century Northern Qi dynasty. Once home to a magnificent array of limestone sculptures, the caves were heavily damaged during the first half of the twentieth century, and much of the work housed there was lost to the international art market. The exhibition Echoes of the Past - co-organized by the University of Chicago's Smart Museum of Art and the Smithsonian Institution's Arthur M. Sackler Gallery - draws upon the findings of a multiyear research project headed by Katherine R. Tsiang at the University of Chicago's Center for the Arts of East Asia. Using such twenty-first-century technologies as 3-D scanning, Tsiang and an international team of technicians and scholars have identified many of the dispersed sculptures from Xiangtangshan in an effort to shed new light on the original beauty and meaning of the cave temples.This exhibition catalog features entries with full-color illustrations of the works in the exhibition, as well as six new essays discussing the artistic, historical, and religious significance of the caves and their sculptures and recent research dedicated to their digital reconstruction.

Exploring the history of art in China from its earliest incarnations to the present day, this comprehensive volume includes two dozen newly-commissioned essays spanning the theories, genres, and media central to Chinese art and theory throughout its history.

Provides an exceptional collection of essays promoting a comparative understanding of China’s long record of cultural production Brings together an international team of scholars from East and West, whose contributions range from an overview of pre-modern theory, to those exploring calligraphy, fine painting, sculpture, accessories, and more Articulates the direction in which the field of Chinese art history is moving, as well as providing a roadmap for historians interested in comparative study or theory Proposes new and revisionist interpretations of the literati tradition, which has long been an important staple of Chinese art history Offers a rich insight into China’s social and political institutions, religious and cultural practices, and intellectual traditions, alongside Chinese art history, theory, and criticism

Exploring the history of art in China from its earliest incarnations to the present day, this comprehensive volume includes two dozen newly-commissioned essays spanning the theories, genres, and media central to Chinese art and theory throughout its history.

Provides an exceptional collection of essays promoting a comparative understanding of China’s long record of cultural production Brings together an international team of scholars from East and West, whose contributions range from an overview of pre-modern theory, to those exploring calligraphy, fine painting, sculpture, accessories, and more Articulates the direction in which the field of Chinese art history is moving, as well as providing a roadmap for historians interested in comparative study or theory Proposes new and revisionist interpretations of the literati tradition, which has long been an important staple of Chinese art history Offers a rich insight into China’s social and political institutions, religious and cultural practices, and intellectual traditions, alongside Chinese art history, theory, and criticism

Exploring the history of art in China from its earliest incarnations to the present day, this comprehensive volume includes two dozen newly-commissioned essays spanning the theories, genres, and media central to Chinese art and theory throughout its history. Provides an exceptional collection of essays promoting a comparative understanding of China’s long record of cultural productionBrings together an international team of scholars from East and West, whose contributions range from an overview of pre-modern theory, to those exploring calligraphy, fine painting, sculpture, accessories, and moreArticulates the direction in which the field of Chinese art history is moving, as well as providing a roadmap for historians interested in comparative study or theoryProposes new and revisionist interpretations of the literati tradition, which has long been an important staple of Chinese art historyOffers a rich insight into China’s social and political institutions, religious and cultural practices, and intellectual traditions, alongside Chinese art history, theory, and criticism