Katherine Soper – författare

National Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year.This anthology brings together 10 new plays by some of the UK's most prolific and current writers and artists alongside notes on each of the texts exploring performance for schools and youth groups. SaltLife is never plain sailing, but when a new government initiative comes into place offering young people the chance to train and learn skills overseas, droves of teens jump at the chance to secure their future. Once on board the transport ship, the promises of the glossy advert seem a far cry from what lies ahead. A play about generations, choices and hope.Class It’s school election time and while most of the school is busy enjoying their lunch break, a deadlock is taking place amongst the members of the school council. Bitter rivalries, secret alliances and false promises are laid bare. As a ruthless battle ensues, who will win and does anyone really care? A play about politics, populism and the ‘ping’ of a text message.The Sad ClubThis is a musical about depression and anxiety. It’s a collection of monologues, songs and duologues from all over time and space exploring what about living in this world stops us from being happy and how we might go about tackling those problems. ChaosA girl is locked in a room. A boy brings another boy flowers. A girl has tied herself to a railing. A boy doesn’t know who he is. A girl worries about impending catastrophe. A woman jumps in front of a train. A boy’s heart falls out his chest. A butterfly has a broken wing.StuffVinny's organising a surprise birthday party for his mate, Anita. It's not going well: his choice of venue is a bit misguided, Anita's not keen on leaving the house, and everyone else has their own stuff going on. Maybe a surprise party wasn’t the best idea? A play about trying (but not really managing) to help.FleshA group of teenagers wake up in a forest with no clue how they got there. They find themselves separated into two different teams but have no idea what game they are expected to play. With no food, no water and seemingly no chance of escape, it’s only a matter of time before things start to get drastic. But whose side are people on and how far will they go to survive?AgelessIn a not too distant future, Temples pharmaceutical corporation has quite literally changed the face of ageing. Their miracle drug keeps its users looking perpetually teenage. With an ever youthful population, how can society support those who are genuinely young?The Small HoursIt’s the middle of the night and Peebs and Epi are the only students left at school over half-term. At the end of their night out, former step-siblings Red and Jazz try to navigate their reunion. With only a couple of hours until morning, Jaffa tries to help Keesh finish an essay. As day breaks, Wolfie is getting up the courage to confess a secret to VJ at a party. Their choices are small yet momentous. The hours are small but feel very, very long. And when the night finally ends, the future is waiting – all of it.terraA group of classmates is torn apart by the opportunity to perform their own dance. As they disagree and bicker, two distinct physical groups emerge and separate into opposing teams. When a strange outsider appears – out of step with everyone else – the divide is disrupted. A contemporary narrative dance piece about individuality, community and heritage.VariationsThirteen-year-old Alice wishes her life was completely different. She wakes up one morning to find that her life is different. In fact, it's so different that all she wants to do is get back to normality. But how does she do that?

Three electrifying, fresh takes on Greek classics, adapting their stories to the modern day to address contemporary issues.Protest, desire, free will; the central themes of Greek classics have never been more prescient. In this specially commissioned trio of plays, modern writers utilise these well-known plays and their timeless themes to speak to 21st century issues.Lysistrata by Sophie Ellerby. Between working a zillion part-time jobs and campaigning to save the NHS, sixth year medical student Lysistrata is struggling to stay afloat. When a viral social media thread calls for all medical students to strike, she knows the perfect place to stage her protest – the local STI clinic.The Bacchae by Katherine Soper. When a group of young women discover the mysterious and charming Bacchus, they instantly form an unshakeable devotion to him and each other – it has awakened something inside of them that cannot be contained.The Trojan Women by Dipo Baruwa-Etti. The country is in a terrible financial state and the cost of living destroying lives. At a foodbank, a local councillor works with and helps others, mostly single mothers, though even the volunteers are struggling – not just monetarily, but in their spirits, wondering how much power they have and if they have control over their destinies.These plays were first commissioned by the Lyric Hammersmith Theatre for the SPRINGBOARD programme - a course that finds, inspires, and champions the next generation of performers from underrepresented backgrounds - this trio of plays offers not only imaginative and thought-provoking takes on Greek classics, but fantastic performance opportunities for students and actors.

Three electrifying, fresh takes on Greek classics, adapting their stories to the modern day to address contemporary issues.Protest, desire, free will; the central themes of Greek classics have never been more prescient. In this specially commissioned trio of plays, modern writers utilise these well-known plays and their timeless themes to speak to 21st century issues.Lysistrata by Sophie Ellerby. Between working a zillion part-time jobs and campaigning to save the NHS, sixth year medical student Lysistrata is struggling to stay afloat. When a viral social media thread calls for all medical students to strike, she knows the perfect place to stage her protest – the local STI clinic.The Bacchae by Katherine Soper. When a group of young women discover the mysterious and charming Bacchus, they instantly form an unshakeable devotion to him and each other – it has awakened something inside of them that cannot be contained.The Trojan Women by Dipo Baruwa-Etti. The country is in a terrible financial state and the cost of living destroying lives. At a foodbank, a local councillor works with and helps others, mostly single mothers, though even the volunteers are struggling – not just monetarily, but in their spirits, wondering how much power they have and if they have control over their destinies.These plays were first commissioned by the Lyric Hammersmith Theatre for the SPRINGBOARD programme - a course that finds, inspires, and champions the next generation of performers from underrepresented backgrounds - this trio of plays offers not only imaginative and thought-provoking takes on Greek classics, but fantastic performance opportunities for students and actors.

A sensitive, delicate and powerful play that asks what our labour is worth and how life can be lived when the system is stacked against you.‘I dreamt about this last night. I dreamt that I was packing boxes in boxes in boxes.’Tamsin packs boxes in a warehouse, on the clock, to a target, with a zero-hour contract. Her brother Dean is housebound, working to obsessive-compulsive rituals of his own.When Dean is declared fit for work, their benefits are cut. There are phone calls to make, appeals to lodge and endless forms to fill in. Tamsin must pack faster, work harder, and fight to get the support she and her brother so desperately need.Katherine Soper's play Wish List won the 2015 Bruntwood Prize for Playwriting and was co-produced by the Royal Exchange Theatre, Manchester, and the Royal Court Theatre, London. It premiered at the Royal Exchange in September 2016 and the Royal Court in January 2017, and Katherine Soper was named Best Writer in the 2017 Stage Debut Awards.‘The play has such eloquence, such quiet craft, such dignity and such compassion’ Sir Nicholas Hytner

‘I dunno. Like…I think I just wanna do something different, I don’t wanna do things the way everyone else is doing them but I don’t know how and I don’t know what I even mean.’It's the middle of the night, and Peebs and Epi are the only students left at school over half-term. At the end of their night out, former step-siblings Red and Jazz try to navigate their reunion. With only a couple of hours until morning, Jaffa tries to help Keesh finish an essay. As day breaks, Wolfie is getting up the courage to confess a secret to VJ at a party.Their choices are small yet momentous. The hours are small but feel very, very long. And when the night finally ends, the future is waiting – every last bit of it.Katherine Soper's play The Small Hours was written specifically for young people. It formed part of the 2019 National Theatre Connections Festival and was premiered by youth theatres across the UK. The play offers rich opportunities for a large cast of young performers.