Katheryn Russell-Brown – författare

Inspired by the #1 New York Times bestseller She Persisted by Chelsea Clinton and Alexandra Boiger, a chapter book series about women who spoke up and rose up against the odds--including Marian Anderson!When renowned classical singer Marian Anderson wasn't allowed to sing at a theater in Washington, DC, because she was Black, First Lady Eleanor Roosevelt invited her to sing at the Lincoln Memorial, at a concert attended by thousands of people. Marian went on to sing around the world on behalf of the UN and the US State Department, and as a part of the Civil Rights Movement, she also performed at the March on Washington. She went on to win many awards, including the first ever Presidential Medal of Freedom and a Grammy Lifetime Achievement Award--and she inspired countless people along the way.In this chapter book biography by award-winning author Katheryn Russell-Brown, readers learn about the amazing life of Marian Anderson--and how she persisted.  Complete with an introduction from Chelsea Clinton, black-and-white illustrations throughout, and a list of ways that readers can follow in Marian Anderson's footsteps and make a difference! A perfect choice for kids who love learning and teachers who want to bring inspiring women into their curriculum. And don’t miss out on the rest of the books in the She Persisted series, featuring so many more women who persisted, including Coretta Scott King, Harriet Tubman, Ruby Bridges, and more!

Inspired by the O.J. Simpson case, Protecting Our Own explores the reasons behind the rise of the "black protectionism" phenomenon and its implications for the future. Comparing the plight of the African American community to the melancholy lyrics but vibrant beat of the blues, Russell-Brown uses the lyrics of these songs to paint a vivid picture of the African American community struggling through the burdens of racial oppression such as second tier status and lynchings solely due to the color of their skins. Russell-Brown explains the feelings of protectionism towards African American celebrities, as many African Americans feel that they have to "protect their own" because no one else will. Many African Americans, Russell-Brown argues, feel that African American are still under siege and that the few lucky African Americans who find a way into the spotlight deserve a break. However, with more and more African Americans in the spotlight, this practice has new consequences. Protecting Our Own considers these issues in detail. The book sets out to accomplish three goals: to define Black protectionism, to explain how it works and how it can be reformulated to work in the best interests of the African American community. The book uses cases such as the infamous O.J. Simpson case to illustrate and explain the motivations behind black protectionism, even if the defendant is accused of grievous moral and ethical wrongdoing. Russell-Brown criticizes the use of black protectionism as a knee jerk reaction and expresses the need to hold African American celebrities accountable for their misdeeds. She suggests a selective approach to black protectionism that will benefit the African American community at large rather than just a lucky few. This book praises black protectionism at its best—a fight that will ensure racial justice in the future.

A broad and inclusive volume of the celebrations and critiques of performance artsFocusing on the living arts—dance, theatre, music, performance art, ritual, and popular entertainment—performance studies expands our understanding of "performance" as both a vital artistic practice and a means by which to understand social and cultural processes. Bridging the gap between cultural studies, performing arts, and anthropology, performance studies explores myriad ways in which performance creates meaning and shapes our everyday lives.The broadest and most inclusive volume to date, The Ends of Performance both celebrates and critiques the institutionalization of the field. Only recently has the field given keen attention to the interpretive force and consequences of performance events, and it is these consequences that the The Ends of Performance articulates. Here performance studies illuminates the complex social and cultural formations of our time--the impact of virtual technology, the racialized discourses of legal and cultural citizenship, the impact of new medical discourses, and the medicalization of the body. Featuring work by leading theorists such as Joseph Roach, Diana Taylor, and Richard Schechner, excursions into performative writing by Eve Kosofsky Sedgwick and Della Pollock, and texts by performance artists Orlan and Deb Margolin, The Ends of Performance illuminates the provocative intellectual ends which motivate these varied approaches to performing writing, and to writing performance.

Winner of a 2005 Gustavus Myers Outstanding Book Award (Honorable MentionAmericans fear crime, are rattled by race and avoid honest discussions of both. Anxiety, denial, miscommunication, and ignorance abound. Imaginary connections between minorities and crime become real, self-fulfilling prophecies and authentic links to race, class, gender and crime go unexplored. Katheryn Russell-Brown, author of the highly acclaimed The Color of Crime, makes her way through this intellectual minefield, determined to shed light on the most persistent and perplexing domestic policy issues.The author tackles a range of race and crime issues. From outdated research methods that perpetuate stereotypes about African Americans, women, and crime to the over hyped discourse about gangsta rap and law breaking, Russell-Brown challenges the conventional wisdom of criminology. Underground Codes delves into understudied topics such as victimization rates for Native Americans—among the highest of any racial group—and how racial profiling affects the day-to-day lives of people of color.Innovative, well-researched and meticulously documented, Underground Codes makes a case for greater public involvement in the debate over law enforcement—and our own language—that must be heard if we are to begin to have a productive national conversation about crime and race.

Winner of a 2005 Gustavus Myers Outstanding Book Award (Honorable MentionAmericans fear crime, are rattled by race and avoid honest discussions of both. Anxiety, denial, miscommunication, and ignorance abound. Imaginary connections between minorities and crime become real, self-fulfilling prophecies and authentic links to race, class, gender and crime go unexplored. Katheryn Russell-Brown, author of the highly acclaimed The Color of Crime, makes her way through this intellectual minefield, determined to shed light on the most persistent and perplexing domestic policy issues.The author tackles a range of race and crime issues. From outdated research methods that perpetuate stereotypes about African Americans, women, and crime to the over hyped discourse about gangsta rap and law breaking, Russell-Brown challenges the conventional wisdom of criminology. Underground Codes delves into understudied topics such as victimization rates for Native Americans—among the highest of any racial group—and how racial profiling affects the day-to-day lives of people of color.Innovative, well-researched and meticulously documented, Underground Codes makes a case for greater public involvement in the debate over law enforcement—and our own language—that must be heard if we are to begin to have a productive national conversation about crime and race.

How we can understand race, crime, and punishment in the age of Black Lives MatterWhen The Color of Crime was first published in 1998, it was heralded as a path-breaking book on race and crime. Now, in its third edition, Katheryn Russell-Brown's book is more relevant than ever, as police killings of unarmed Black civilians—such as George Floyd, Breonna Taylor, and Daniel Prude—continue to make headlines around the world. She continues to ask, why do Black and white Americans perceive police actions so differently? Is white fear of Black crime justified?With three new chapters, over forty new racial hoax cases, and other timely updates, this edition offers an even more expansive view of crime and punishment in the twenty-first century. Russell-Brown gives us much-needed insight into some of the most recent racial hoaxes, such as the one perpetrated by Amy Cooper. Should perpetrators of racial hoaxes be charged with a felony? Further, Russell-Brown makes a compelling case for race and crime literacy and the need to address and name White crime. Russell-Brown powerfully concludes the book with a parable that invites readers to imagine what would happen if Blacks decided to abandon the United States. Russell-Brown explores the tacit and subtle ways that crime is systematically linked to people of color. The Color of Crime is a lucid and forceful volume that calls for continued vigilance on the part of scholars, policymakers, journalists, and others in the age of Black Lives Matter.

How we can understand race, crime, and punishment in the age of Black Lives MatterWhen The Color of Crime was first published in 1998, it was heralded as a path-breaking book on race and crime. Now, in its third edition, Katheryn Russell-Brown's book is more relevant than ever, as police killings of unarmed Black civilians—such as George Floyd, Breonna Taylor, and Daniel Prude—continue to make headlines around the world. She continues to ask, why do Black and white Americans perceive police actions so differently? Is white fear of Black crime justified?With three new chapters, over forty new racial hoax cases, and other timely updates, this edition offers an even more expansive view of crime and punishment in the twenty-first century. Russell-Brown gives us much-needed insight into some of the most recent racial hoaxes, such as the one perpetrated by Amy Cooper. Should perpetrators of racial hoaxes be charged with a felony? Further, Russell-Brown makes a compelling case for race and crime literacy and the need to address and name White crime. Russell-Brown powerfully concludes the book with a parable that invites readers to imagine what would happen if Blacks decided to abandon the United States. Russell-Brown explores the tacit and subtle ways that crime is systematically linked to people of color. The Color of Crime is a lucid and forceful volume that calls for continued vigilance on the part of scholars, policymakers, journalists, and others in the age of Black Lives Matter.

From acclaimed author and illustrator pairing comes a beautiful picture book biography about the Queen of Soul Aretha Franklin and how she fought for respect throughout her life.Aretha Franklin is the Queen of Soul, a legend. But before she became a star, she was a shy little girl with a voice so powerful it made people jump up, sway, and hum along.Raised in a house full of talking and singing, Aretha learned the values that would carry her through life--from her church choir in Detroit to stages across the world. When she moved to New York City to start her career, it took years of hard work before she had a hit song. In the turbulent 1960s, she sang about "Respect" and refused to perform before segregated audiences. The first woman inducted into the Rock & Roll Hall of Fame, Aretha always remembered who she was and where she came from.In this stirring biography of a true artistic and social icon, award-winning creators Katheryn Russell-Brown and Laura Freeman show young readers how Aretha''s talent, intelligence, and perseverance made her a star who will shine on for generations to come.Acclaim for Little Melba and Her Big Trombone2015 NAACP Image Award Nominee Outstanding Literary Work--Children2015 Coretta Scott King Illustrator Award Honor2015 ALA Notable Children''s Book2015 Amelia Bloomer Project - Feminist Task Force2015 Orbis Pictus Award for Outstanding Nonfiction, Recommended Title

From acclaimed author and illustrator pairing comes a beautiful picture book biography about the Queen of Soul Aretha Franklin and how she fought for respect throughout her life.Aretha Franklin is the Queen of Soul, a legend. But before she became a star, she was a shy little girl with a voice so powerful it made people jump up, sway, and hum along. Raised in a house full of talking and singing, Aretha learned the values that would carry her through life--from her church choir in Detroit to stages across the world. When she moved to New York City to start her career, it took years of hard work before she had a hit song. In the turbulent 1960s, she sang about "Respect" and refused to perform before segregated audiences. The first woman inducted into the Rock & Roll Hall of Fame, Aretha always remembered who she was and where she came from. In this stirring biography of a true artistic and social icon, award-winning creators Katheryn Russell-Brown and Laura Freeman show young readers how Aretha''s talent, intelligence, and perseverance made her a star who will shine on for generations to come.Acclaim for Little Melba and Her Big Trombone2015 NAACP Image Award Nominee Outstanding Literary Work--Children 2015 Coretta Scott King Illustrator Award Honor2015 ALA Notable Children''s Book2015 Amelia Bloomer Project - Feminist Task Force2015 Orbis Pictus Award for Outstanding Nonfiction, Recommended Title