Kathleen Farrell – författare

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This book is about the story of James T. Farrell's role in the debate over the relationship between literature and politics during the 1930s. It is useful for American literary and intellectual history, American Left, and rhetoric and communication scholars interested in political controversy. .

This book is about the story of James T. Farrell's role in the debate over the relationship between literature and politics during the 1930s. It is useful for American literary and intellectual history, American Left, and rhetoric and communication scholars interested in political controversy. .

This book is about the story of James T. Farrell''s role in the debate over the relationship between literature and politics during the 1930s. It is useful for American literary and intellectual history, American Left, and rhetoric and communication scholars interested in political controversy. .

This book is about the story of James T. Farrell''s role in the debate over the relationship between literature and politics during the 1930s. It is useful for American literary and intellectual history, American Left, and rhetoric and communication scholars interested in political controversy. .

A dysfunctional family reunites for the Christmas holiday from hell in this rediscovered festive classic with fangs for fans of Barbara Pym, Elizabeth Taylor and Stella Gibbons.'Literary comfort and joy. It got me out of mourning for the Cazelet Chronicles.' Meg Mason (author of Sorrow and Bliss)'A stylish and penetrating comedy of manners. My favourite Christmas book by far - and you can read it all year round.' Rachel Joyce (author of The Unlikely Pilgrimage of Harold Fry)'A horribly delicious snapshot of post-war family life, in which tensions ensnare the reader in tinsel-covered barbed wire.' Janice Hallett (author of The Appeal)'I loved it.' Wendy Cope (author of The Orange)The fire is on, sherry poured, presents wrapped, and claws are being sharpened. In a seaside cottage perched on a cliff, one family reunites for Christmas. While snow falls, a tyrannical widowed matriarch presides over her unruly brood. Her niece tends to her whims, but fantasises about eloping; and as more guests arrive, each bringing their secret truths and dreams, the Christmas tree explodes, a brawl erupts, an escape occurs - and their 'midwinter madness' climaxes ...

A dysfunctional family reunites for the Christmas holiday from hell in this rediscovered festive classic with fangs for fans of Barbara Pym, Dodie Smith, Nancy Mitford, Elizabeth Taylor and Stella Gibbons.'Literary comfort and joy. It got me out of mourning for the Cazelet Chronicles.' Meg Mason (author of Sorrow and Bliss)'A stylish and penetrating comedy of manners. My favourite Christmas book by far - and you can read it all year round.' Rachel Joyce (author of The Unlikely Pilgrimage of Harold Fry)'A horribly delicious snapshot of post-war family life, in which tensions ensnare the reader in tinsel-covered barbed wire.' Janice Hallett (author of The Appeal)The fire is on, sherry poured, presents wrapped, and claws are being sharpened. In a seaside cottage perched on a cliff, one family reunites for Christmas. While snow falls, a tyrannical widowed matriarch presides over her unruly brood. Her niece tends to her whims, but fantasises about eloping; and as more guests arrive, each bringing their secret truths and dreams, the Christmas tree explodes, a brawl erupts, an escape occurs - and their 'midwinter madness' climaxes ...

Rediscover the brilliance of The Cost of Living in the Mermaid Collection - classic books by popular pioneering female authors republished to delight new generations of readers. A witty and characterful novel about the aftermath of a party thrown by singletons Marianne, a freelance typist in her mid-thirties and twenty-six year old Alexandra, a freelance portrait painter, who live in the same apartment building and have decided it's time to meet some men . . . With a foreword by Jane Fallon‘You’re always so cynical. It doesn’t do. It makes men feel inferior.’‘Quite a few of them are . . .’Idealistic Alexandra is throwing a party to meet a more glamorous crowd. Marianne, more sardonic, worries it’ll be the usual sort.The party is in Alexandra’s attic flat. Marianne will contribute a few bottles of red optimistically labelled Bordeaux. Can it be judged a success? There’s Donald the bus conductor with high-brow dreams, nervous bespectacled Bernhardt and Marius the ghostwriter. Not to mention a brace of Peters. It’s left to sexy, young Pisa and riotous, middle-aged Mummy (neither invited) to steal the show.Yet, after the party both Marianne and Alexandra find themselves caught in unexpected – sometimes far from romantic – relationships. Meeting people, it turns out, has the most peculiar consequences. Is that really the cost of living?Praise for Kathleen Farrell: ‘Genuine wit, an acute feminine intelligence and a natural distinction of style’ Spectator‘A distinctive voice, and she provided her readers with subtle pleasures’ Guardian

Rediscover the brilliance of The Cost of Living in the Mermaid Collection - classic books by popular pioneering female authors republished to delight new generations of readers. A witty and characterful novel about the aftermath of a party thrown by singletons Marianne, a freelance typist in her mid-thirties and twenty-six year old Alexandra, a freelance portrait painter, who live in the same apartment building and have decided it's time to meet some men . . . With a foreword by Jane Fallon‘You’re always so cynical. It doesn’t do. It makes men feel inferior.’‘Quite a few of them are . . .’Idealistic Alexandra is throwing a party to meet a more glamorous crowd. Marianne, more sardonic, worries it’ll be the usual sort.The party is in Alexandra’s attic flat. Marianne will contribute a few bottles of red optimistically labelled Bordeaux. Can it be judged a success? There’s Donald the bus conductor with high-brow dreams, nervous bespectacled Bernhardt and Marius the ghostwriter. Not to mention a brace of Peters. It’s left to sexy, young Pisa and riotous, middle-aged Mummy (neither invited) to steal the show.Yet, after the party both Marianne and Alexandra find themselves caught in unexpected – sometimes far from romantic – relationships. Meeting people, it turns out, has the most peculiar consequences. Is that really the cost of living?Praise for Kathleen Farrell: ‘Genuine wit, an acute feminine intelligence and a natural distinction of style’ Spectator‘A distinctive voice, and she provided her readers with subtle pleasures’ Guardian