Kathleen M. Coleman – författare

This book is the first full-scale edition of the so-called Liber spectaculorum by Martial. A comprehensive introduction addresses the role of epigram in commemorating monuments and occasions, the connection between spectacle and imperial panegyric in Martial's oeuvre, characteristics of the collection, possible circumstances of composition and 'publication', transmission of the text, and related issues. Each epigram is followed by an apparatus criticus, an English translation, and a detailed commentary on linguistic, literary, and historical matters, adducing extensive evidence from epigraphy and art as well as literary sources. The book is accompanied by four concordances, five tables, two maps, 30 plates, and an appendix.

This book is the first full-scale edition of the so-called Liber spectaculorum by Martial. A comprehensive introduction addresses the role of epigram in commemorating monuments and occasions, the connection between spectacle and imperial panegyric in Martial's oeuvre, characteristics of the collection, possible circumstances of composition and 'publication', transmission of the text, and related issues. Each epigram is followed by an apparatus criticus, an English translation, and a detailed commentary on linguistic, literary, and historical matters, adducing extensive evidence from epigraphy and art as well as literary sources. The book is accompanied by four concordances, five tables, two maps, 30 plates, and an appendix.

This volume includes Carolyn Higbie, “Divide and Edit: A Brief History of Book Divisions”; Ho Kim, “Aristotle’s Hamartia Reconsidered”; Andrew Faulkner, “Callimachus and His Allusive Virgins: Delos, Hestia, and the Homeric Hymn to Aphrodite”; José M. González, “Theokritos’ Idyll 16: The Χάριτες [Kharites] and Civic Poetry”; Matthew Leigh, “Boxing and Sacrifice: Apollonius, Vergil, and Valerius”; Sviatoslav Dmitriev, “The Rhodian Loss of Caunus and Stratonicea in the 160s”; Radosław Piętka, “Trina tempestas (Carmina Einsidlensia 2.33)”; James Uden, “The Vanishing Gardens of Priapus”; Maria Ypsilanti, “Trimalchio and Fortunata as Zeus and Hera: Quarrel in the Cena and Iliad 1”; Martin Korenjak, “Ps.-Dionysius Ars Rhetorica I–VII: One Complete Treatise”; Jarrett T. Welsh, “The Grammarian C. Iulius Romanus and the Fabula Togata”; Silvio Bär, “Quintus of Smyrna and the Second Sophistic”; and Simon Price, “The Road to Conversion: The Life and Work of A. D. Nock.”

This volume includes Natasha Bershadsky, “A Picnic, a Tomb, and a Crow: Hesiod’s Cult in the Works and Days”; Alexander Dale, “Sapphica”; Andrew Faulkner, “Fast, Famine, and Feast: Food for Thought in Callimachus’ Hymn to Demeter”; Guillermo Galán Vioque, “A New Manuscript of Classical Authors in Spain”; Jarrett T. Welsh, “The Dates of the Dramatists of the Fabula Togata”; Andrea Cucchiarelli, “Ivy and Laurel: Divine Models in Virgil’s Eclogues”; John Henkel, “Nighttime Labor: A Metapoetic Vignette Alluding to Aratus at Georgics 1.291–296”; Salvatore Monda, “The Coroebus Episode in Virgil’s Aeneid”; Mark Toher, “Herod’s Last Days”; Bart Huelsenbeck, “The Rhetorical Collection of the Elder Seneca: Textual Tradition and Traditional Text”; Robert Cowan, “Lucan’s Thunder-Box: Scatology, Epic, and Satire in Suetonius’ Vita Lucani”; Erin Sebo, “Symphosius 93.2: A New Interpretation”; Christopher P. Jones, “Imaginary Athletics in Two Followers of John Chrysostom”; and William T. Loomis and Stephen V. Tracy, “The Sterling Dow Archive: Publications, Unfinished Scholarly Work, and Epigraphical Squeezes.”

This volume includes: Rachel Zelnick-Abramovitz, “Half Slave, Half Free: Partial Manumission in the Ancient Near East and Beyond”; Chris Eckerman, “I Weave a Variegated Headband: Metaphors for Song and Communication in Pindar’s Odes”; Alexander Nikolaev, “Through the Thicket: The Text of Pindar Olympian 6.54 (βατιᾶι τ’ ἐν ἀπειράτωι)”; Tobias Joho, “Alcibiadean Mysteries and Longing for ‘Absent’ and ‘Invisible Things’ in Thucydides’ Account of the Sicilian Expedition”; Peter Barrios Lech, “Menander and Catullus 8—Revisited: Menander Misoumenos and Catullus Carmen 8”; Katharina Volk, “Varro and the Disorder of Things”; John T. Ramsey, “The Date of the Consular Elections in 63 and the Inception of Catiline’s Conspiracy”; Brian D. McPhee, “Erulus and the Moliones: An Iliadic Intertext in Aeneid 8.560–567”; Julia Scarborough, “Eridanus in Elysium: The Underground Poetics of Virgil’s Violent River”; Geert Roskam, “Providential Gods and Social Justice: An Ancient Controversy on Theonomous Ethics”; Rafael J. Gallé Cejudo, “Progymnasmatic Alteration in the Love Letters of Philostratus”; Moysés Marcos, “Callidior ceteris persecutor: The Emperor Julian and His Place in Christian Historiography”; Valéry Berlincourt, “Dea Roma and Mars: Intertext and Structure in Claudian’s Panegyric for the Consuls Olybrius and Probinus”; Fabio Stok, “What is the Spangenberg Fragment?”; George M. Hollenback, “Do Not Steal Seed: An Overlooked Double Entendre in Oracula Sibyllina 2.71”; and Paolo Pellegrini, “R. A. B. Mynors and Harvard: An Unpublished Letter to E. K. Rand (10.10.1944).”

This volume includes: Daniel Kölligen, “Ὄρθος, The Watchdog”; Richard L. Phillips, “Invisibility and Sight in Homer: Some Aspects of A. S. Pease Reconsidered”; Antonio Tibiletti, “Pondering Pindaric Superlatives in Context”; Matthew Hiscock, “Αὐθέντης: A ‘Mot Fort’ in the Discourse of Classical Athens”; James T. Clark, “Off-Stage Cries? The Performance of Sophocles’ Philoctetes 201–218, Trachiniae 863–870, and Euripides’ Electra 747–760”; Giuseppe Pezzini, “Terence and the Speculum Vitae: ‘Realism’ and (Roman) Comedy”; Neil O’Sullivan, “Quotations from Epicurean Philosophy and Greek Tragedy in Three Letters of Cicero”; Ernesto Paparazzo, “A Study of Varro’s Account of Roman Civil Theology in the Antiquitates Rerum Divinarum and Its Reception by Augustine and Modern Readers”; Joseph P. Dexter and Pramit Chaudhuri, “Dardanio Anchisae: Hiatus, Homer, and Intermetricality in the Aeneid”; Michael A. Tueller, “Dido the Author: Epigram and the Aeneid”; Benjamin Victor, Nancy Duval, and Isabelle Chouinard, “Subordinating si and ni in Virgil: Some Characteristic Uses, with Remarks on Aeneid 6.882–883”; Richard Gaskin, “On Being Pessimistic about the End of the Aeneid”; Gregory R. Mellen, “Num Delenda est Karthago? Metrical Wordplay and the Text of Horace Odes 4.8”; Kyle Gervais, “Dominoque legere superstes? Epic and Empire at the End of the Thebaid”; D. Clint Burnett, “Temple Sharing and Throne Sharing: A Reconsideration of Σύνναος and Σύνθρονος in the Hellenistic and Roman Periods”; Charles H. Cosgrove, “Semi-Lyrical Reading of Greek Poetry in Late Antiquity”; Byron MacDougall, “Better Recognize: Anagnorisis in Gregory of Nazianzus’s First Invective against Julian”; Alan Cameron, “Jerome and the Historia Augusta”; Jessica H. Clark, “Adfirmare and Appeals to Authority in Servius Danielis”; and Jarrett T. Welsh, “Nonius Marcellus and the Source Called ‘Gloss. i.’”

How did the Greeks translate tales into images? Why do artistic depictions of ancient myths sometimes “contradict” the textual versions that we think of as canonical? What caused the Romans to be anxious about decorated ceilings? Can numismatic images solve problems in Augustan politics or explain the provenance of the Warren Cup? How are the curators of ancient artifacts to supply the high-quality digital images that scholars need in order to answer these questions? And how are text-based scholars to make productive use of them? Images have their own semantic language, and their survival, usually divorced from their original context, makes it hard to interpret them with nuance and sophistication. Images for Classicists starts from the premise that the visual and textual records from antiquity are indispensable complements to one another and demonstrates some of the ways in which text and image, taken together, can complicate and enrich our understanding of ancient culture. While attempting to dissolve the distinctions between text- and artifact-based scholars, it also tries to bridge the gap between academy and museum by exploring the challenges that the digital revolution poses to curators and sketching some of the ways in which image-based collections may be deployed in the future.