Kathleen Rooney – författare

NOW A NATIONAL INDIE BESTSELLER A love letter to city life in all its guts and grandeur, Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop. “In my reckless and undiscouraged youth,” Lillian Boxfish writes, “I worked in a walnut-paneled office thirteen floors above West Thirty-Fifth Street…” She took 1930s New York by storm, working her way up writing copy for R.H. Macy’s to become the highest paid advertising woman in the country. It was a job that, she says, “in some ways saved my life, and in other ways ruined it.” Now it’s the last night of 1984 and Lillian, 85 years old but just as sharp and savvy as ever, is on her way to a party. It’s chilly enough out for her mink coat and Manhattan is grittier now—her son keeps warning her about a subway vigilante on the prowl—but the quick-tongued poetess has never been one to scare easily. On a walk that takes her over 10 miles around the city, she meets bartenders, bodega clerks, security guards, criminals, children, parents, and parents-to-be, while reviewing a life of excitement and adversity, passion and heartbreak, illuminating all the ways New York has changed—and has not. Lillian figures she might as well take her time. For now, after all, the night is still young.“Transporting…witty, poignant and sparkling.” —People (People Picks Book of the Week)

"Between author Rooney''s story and narrator Xe Sands''s craftsmanship, this Walk will sweep listeners off their feet...Through Sands we feel the force of Lillian''s personality — with all its drive, wit, and grace — as well as the counterforces that want to constrain it." — AudioFile MagazineNOW A NATIONAL INDIE BESTSELLER A love letter to city life in all its guts and grandeur, Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop. “In my reckless and undiscouraged youth,” Lillian Boxfish writes, “I worked in a walnut-paneled office thirteen floors above West Thirty-Fifth Street…” She took 1930s New York by storm, working her way up writing copy for R.H. Macy’s to become the highest paid advertising woman in the country. It was a job that, she says, “in some ways saved my life, and in other ways ruined it.” Now it’s the last night of 1984 and Lillian, 85 years old but just as sharp and savvy as ever, is on her way to a party. It’s chilly enough out for her mink coat and Manhattan is grittier now—her son keeps warning her about a subway vigilante on the prowl—but the quick-tongued poetess has never been one to scare easily. On a walk that takes her over 10 miles around the city, she meets bartenders, bodega clerks, security guards, criminals, children, parents, and parents-to-be, while reviewing a life of excitement and adversity, passion and heartbreak, illuminating all the ways New York has changed—and has not. Lillian figures she might as well take her time. For now, after all, the night is still young.“Transporting…witty, poignant and sparkling.” —People (People Picks Book of the Week)

Adored by its fans, deplored by its critics, Oprah’s Book Club has been at the center of arguments about cultural authority and literary taste since it began in 1996. Reading with Oprah explores the club’s revolutionary fusion of books, television, and commerce and tells the engaging and in-depth story of the OBC phenomenon.

Kathleen Rooney combines extensive research with a dynamic voice to reveal the club’s far-reaching cultural impact and its role as crucible for the clash between “high” and “low” literary taste. Comprehensive and up-to-date, the book covers the club from its inception in 1996, through the Jonathan Franzen contretemps, the surprising suspension in 2002, and, after the club’s return in 2003, the progression from “great books” to memoir. New material includes an extensive look at the James Frey scandal and Oprah’s turn to contemporary fiction, including The Road and Middlesex.

Through close examination of Winfrey’s picks and personal interviews with book club authors and readers, Rooney demonstrates how the club that Barbara Kingsolver calls “one of the best possible uses of a television set” has, according to Wally Lamb, “gotten people of all ages to read, to read more, and to read widely.”

First edition published in 2005.

Where Are the Snows takes its title from the famous refrain of François Villon’s 15th Century poem “Ballad of the Ladies of Times Past.” Like that poem, the book functions, among other things, as an ubi sunt, Latin for “Where are they?” as in “Where are the ones who came before us?”—the beautiful, the strong, the virtuous, all of them? In keeping with that long tradition, these poems offer a way to think about life’s transience—its beauty, its absurdity, and of course its mortality. Allusive and associative, anti-capitalist and unapologetically political, aligned somewhere between comedy and anger, this poetry juxtaposes the triumphs and tragedies (mostly tragedies) of our current age with those of history, and—by wondering “Where are they?”—explores the questions of where we are now and where we might be going.