Kathrin Koslicki – författare

Kathrin Koslicki offers an analysis of ordinary materials objects, those material objects to which we take ourselves to be committed in ordinary, scientifically informed discourse. She focuses particularly on the question of how the parts of such objects are related to the wholes which they compose.Many philosophers today find themselves in the grip of an exceedingly deflationary conception of what it means to be an object. According to this conception, any plurality of objects, no matter how disparate or gerrymandered, itself composes an object, even if the objects in question fail to exhibit interesting similarities, internal unity, cohesion, or causl interaction amongst each other.This commitment to initially counterintuitive objects follows from the belief that no principled set of criteria is available by means of which to distinguish intuitively gerrymandered objects from commonsensical ones; the project of this book is to persuade the reader that systematic principles can be found by means of which composition can be restricted, and hence that we need not embrace this deflationary approach to the question of what it means to be an object.To this end, a more full-blooded neo-Aristotelian account of parthood and composition is developed according to which objects are structured wholes: it is integral to the existence and identity of an object, on this conception, that its parts exhibit a certain manner of arrangement. This structure-based conception of parthood and composition is explored in detail, along with some of its historical precursors as well as some of its contemporary competitors.

Kathrin Koslicki offers an analysis of ordinary materials objects, those material objects to which we take ourselves to be committed in ordinary, scientifically informed discourse. She focuses particularly on the question of how the parts of such objects are related to the wholes which they compose.Many philosophers today find themselves in the grip of an exceedingly deflationary conception of what it means to be an object. According to this conception, any plurality of objects, no matter how disparate or gerrymandered, itself composes an object, even if the objects in question fail to exhibit interesting similarities, internal unity, cohesion, or causl interaction amongst each other.This commitment to initially counterintuitive objects follows from the belief that no principled set of criteria is available by means of which to distinguish intuitively gerrymandered objects from commonsensical ones; the project of this book is to persuade the reader that systematic principles can be found by means of which composition can be restricted, and hence that we need not embrace this deflationary approach to the question of what it means to be an object.To this end, a more full-blooded neo-Aristotelian account of parthood and composition is developed according to which objects are structured wholes: it is integral to the existence and identity of an object, on this conception, that its parts exhibit a certain manner of arrangement. This structure-based conception of parthood and composition is explored in detail, along with some of its historical precursors as well as some of its contemporary competitors.

In Form, Matter, Substance, Kathrin Koslicki develops a contemporary defense of the Aristotelian doctrine of hylomorphism. According to this approach, objects are compounds of matter (hule) and form (morphe or eidos) and a living organism is not exhausted by the body, cells, organs, tissue and the like that compose it. Koslicki argues that a hylomorphic analysis of concrete particular objects is well equipped to compete withalternative approaches when measured against a wide range of criteria of success. However, a plausible application of the doctrine of hylomorphism to the special case of concrete particular objects hinges on how hylomorphists conceive of the matter composing a concrete particular object, its form, and the hylomorphic relations which holdbetween a matter-form compound, its matter and its form. Koslicki offers detailed answers these questions surrounding a hylomorphic approach to the metaphysics of concrete particular objects. As a result, matter-form compounds emerge as occupying the privileged ontological status traditionally associated with substances due to their high degree of unity.

In Form, Matter, Substance, Kathrin Koslicki develops a contemporary defense of the Aristotelian doctrine of hylomorphism. According to this approach, objects are compounds of matter (hule) and form (morphe or eidos) and a living organism is not exhausted by the body, cells, organs, tissue and the like that compose it. Koslicki argues that a hylomorphic analysis of concrete particular objects is well equipped to compete withalternative approaches when measured against a wide range of criteria of success. However, a plausible application of the doctrine of hylomorphism to the special case of concrete particular objects hinges on how hylomorphists conceive of the matter composing a concrete particular object, its form, and the hylomorphic relations which holdbetween a matter-form compound, its matter and its form. Koslicki offers detailed answers these questions surrounding a hylomorphic approach to the metaphysics of concrete particular objects. As a result, matter-form compounds emerge as occupying the privileged ontological status traditionally associated with substances due to their high degree of unity.

In Form, Matter, Substance, Kathrin Koslicki develops a contemporary defense of the Aristotelian doctrine of hylomorphism. According to this approach, objects are compounds of matter (hule) and form (morphe or eidos) and a living organism is not exhausted by the body, cells, organs, tissue and the like that compose it. Koslicki argues that a hylomorphic analysis of concrete particular objects is well equipped to compete with alternative approaches when measured against a wide range of criteria of success. However, a plausible application of the doctrine of hylomorphism to the special case of concrete particular objects hinges on how hylomorphists conceive of the matter composing a concrete particular object, its form, and the hylomorphic relations which hold between a matter-form compound, its matter and its form. Koslicki offers detailed answers these questions surrounding a hylomorphic approach to the metaphysics of concrete particular objects. As a result, matter-form compounds emerge as occupying the privileged ontological status traditionally associated with substances due to their high degree of unity.

In Form, Matter, Substance, Kathrin Koslicki develops a contemporary defence of the Aristotelian doctrine of hylomorphism. According to this approach, objects are compounds of matter (hule) and form (morphe or eidos) and a living organism is not exhausted by the body, cells, organs, tissue, and the like that compose it. Koslicki argues that a hylomorphic analysis of concrete particular objects is well equipped to compete with alternative approaches when measured against a wide range of criteria of success. However, a plausible application of the doctrine of hylomorphism to the special case of concrete particular objects hinges on how hylomorphists conceive of the matter composing a concrete particular object, its form, and the hylomorphic relations which hold between a matter-form compound, its matter and its form. Koslicki offers detailed answers to the questions surrounding this approach to the metaphysics of concrete particular objects. As a result, matter-form compounds emerge as occupying the privileged ontological status traditionally associated with substances, despite their metaphysical complexity, due to their high degree of unity.

Kathrin Koslicki offers an analysis of ordinary materials objects, those material objects to which we take ourselves to be committed in ordinary, scientifically informed discourse. She focuses particularly on the question of how the parts of such objects are related to the wholes which they compose.Many philosophers today find themselves in the grip of an exceedingly deflationary conception of what it means to be an object. According to this conception, any plurality of objects, no matter how disparate or gerrymandered, itself composes an object, even if the objects in question fail to exhibit interesting similarities, internal unity, cohesion, or causl interaction amongst each other.This commitment to initially counterintuitive objects follows from the belief that no principled set of criteria is available by means of which to distinguish intuitively gerrymandered objects from commonsensical ones; the project of this book is to persuade the reader that systematic principles can be found by means of which composition can be restricted, and hence that we need not embrace this deflationary approach to the question of what it means to be an object.To this end, a more full-blooded neo-Aristotelian account of parthood and composition is developed according to which objects are structured wholes: it is integral to the existence and identity of an object, on this conception, that its parts exhibit a certain manner of arrangement. This structure-based conception of parthood and composition is explored in detail, along with some of its historical precursors as well as some of its contemporary competitors.

The objects we encounter in ordinary life and scientific practice -- cars, trees, people, houses, molecules, galaxies, and the like -- have long been a fruitful source of perplexity for metaphysicians. The Structure of Objects gives an original analysis of those material objects to which we take ourselves to be committed in our ordinary, scientifically informed discourse. Koslicki focuses on material objects in particular, or, as metaphysicians like to call them "concrete particulars", i.e., objects which occupy a single region of space-time at each time at which they exist and which have a certain range of properties that go along with space-occupancy, such as weight, shape, color, texture, and temperature. The Structure of Objects focuses in particular on the question of how the parts of such objects, assuming that they have parts, are related to the wholes which they compose.

Essences have been assigned important but controversial explanatory roles in philosophical, scientific, and social theorizing. Is it possible for the same organism to be first a caterpillar and then a butterfly? Is it impossible for a human being to transform into an insect like Gregor Samsa does in Kafka’s The Metamorphosis? Is it impossible for Lot’s wife to survive being turned into a pillar of salt? Traditionally, essences (or natures) have been thought to help answer such central questions about existence, identity, persistence, and modality. These questions are not only of great philosophical interest, they also are of great interest to society at large.This Handbook surveys the state of the art on essence. Core issues about essence are discussed in 33 chapters, all of them written exclusively for this volume by leading experts. They are organized into the following four major parts, each with its own introduction that provides a summary and comparison of the part’s chapters:HistoryEssence and Essentialisms: Themes and VariationsApplicationsAnti-Essentialist Challenges.The volume is accessible enough for students while also providing enough details to make it a valuable reference for researchers.While the notion of essence has been targeted for sustained criticisms since antiquity, recent work has renewed interest in the topic. This Handbook explains and synthesizes much of this current interest, placing essence within its historical context and drawing connections to many contemporary areas of philosophy as well as to scholarly work in other disciplines. With cross-references in each chapter and a comprehensive index, The Routledge Handbook of Essence in Philosophy is a useful resource and essential reading for anyone, whether in or out of academic philosophy, seeking clarification on one of philosophy’s most distinctive and notorious notions.

Essences have been assigned important but controversial explanatory roles in philosophical, scientific, and social theorizing. Is it possible for the same organism to be first a caterpillar and then a butterfly? Is it impossible for a human being to transform into an insect like Gregor Samsa does in Kafka’s The Metamorphosis? Is it impossible for Lot’s wife to survive being turned into a pillar of salt? Traditionally, essences (or natures) have been thought to help answer such central questions about existence, identity, persistence, and modality. These questions are not only of great philosophical interest, they also are of great interest to society at large.This Handbook surveys the state of the art on essence. Core issues about essence are discussed in 33 chapters, all of them written exclusively for this volume by leading experts. They are organized into the following four major parts, each with its own introduction that provides a summary and comparison of the part’s chapters:HistoryEssence and Essentialisms: Themes and VariationsApplicationsAnti-Essentialist Challenges.The volume is accessible enough for students while also providing enough details to make it a valuable reference for researchers.While the notion of essence has been targeted for sustained criticisms since antiquity, recent work has renewed interest in the topic. This Handbook explains and synthesizes much of this current interest, placing essence within its historical context and drawing connections to many contemporary areas of philosophy as well as to scholarly work in other disciplines. With cross-references in each chapter and a comprehensive index, The Routledge Handbook of Essence in Philosophy is a useful resource and essential reading for anyone, whether in or out of academic philosophy, seeking clarification on one of philosophy’s most distinctive and notorious notions.

Essences have been assigned important but controversial explanatory roles in philosophical, scientific, and social theorizing. Is it possible for the same organism to be first a caterpillar and then a butterfly? Is it impossible for a human being to transform into an insect like Gregor Samsa does in Kafka's The Metamorphosis? Is it impossible for Lot's wife to survive being turned into a pillar of salt? Traditionally, essences (or natures) have been thought to help answer such central questions about existence, identity, persistence, and modality. These questions are not only of great philosophical interest, they also are of great interest to society at large.This Handbook surveys the state of the art on essence. Core issues about essence are discussed in 33 chapters, all of them written exclusively for this volume by leading experts. They are organized into the following four major parts, each with its own introduction that provides a summary and comparison of the part's chapters: History Essence and Essentialisms: Themes and Variations Applications Anti-Essentialist Challenges. The volume is accessible enough for students while also providing enough details to make it a valuable reference for researchers.While the notion of essence has been targeted for sustained criticisms since antiquity, recent work has renewed interest in the topic. This Handbook explains and synthesizes much of this current interest, placing essence within its historical context and drawing connections to many contemporary areas of philosophy as well as to scholarly work in other disciplines. With cross-references in each chapter and a comprehensive index, The Routledge Handbook of Essence in Philosophy is a useful resource and essential reading for anyone, whether in or out of academic philosophy, seeking clarification on one of philosophy's most distinctive and notorious notions.