Kathryn Gray – författare

This book makes an important contribution to transatlantic literary studies and an emerging body of work on identity formation and print culture in the Atlantic world. The collection identifies the ways in which historically-situated but malleable subjectivities engage with popular and pressing debates about class, slavery, natural knowledge, democracy, and religion. In addition, the book also considers the ways in which material texts and genres, including, for example, the essay, the guidebook, the travel narrative, the periodical, the novel, and the poem, can be scrutinized in relation to historically-situated transatlantic transitions, transformations, and border crossings. The volume is underpinned by a thorough examination of historical and conceptual frameworks and prioritizes notions of circulation and exchange, as opposed to transfer and continuance, in its analysis of authors, texts, and ideas. The collection is concerned with the movement of people, texts, and ideas in the currents of transatlantic markets and politics, taking a fresh look at a range of canonical and popular writers of the period, including Austen, Poe, Crèvecoeur, Brockden Brown, Sedgwick, Hemans, Bulwer-Lytton, Dickens, and Melville. In different ways, the essays gathered together here are concerned with the potentially empowering realities of the transitive, circulatory, and contingent experiences of transatlantic literary and cultural production as they are manifest in the long nineteenth century.

This book makes an important contribution to transatlantic literary studies and an emerging body of work on identity formation and print culture in the Atlantic world. The collection identifies the ways in which historically-situated but malleable subjectivities engage with popular and pressing debates about class, slavery, natural knowledge, democracy, and religion. In addition, the book also considers the ways in which material texts and genres, including, for example, the essay, the guidebook, the travel narrative, the periodical, the novel, and the poem, can be scrutinized in relation to historically-situated transatlantic transitions, transformations, and border crossings. The volume is underpinned by a thorough examination of historical and conceptual frameworks and prioritizes notions of circulation and exchange, as opposed to transfer and continuance, in its analysis of authors, texts, and ideas. The collection is concerned with the movement of people, texts, and ideas in the currents of transatlantic markets and politics, taking a fresh look at a range of canonical and popular writers of the period, including Austen, Poe, Crèvecoeur, Brockden Brown, Sedgwick, Hemans, Bulwer-Lytton, Dickens, and Melville. In different ways, the essays gathered together here are concerned with the potentially empowering realities of the transitive, circulatory, and contingent experiences of transatlantic literary and cultural production as they are manifest in the long nineteenth century.

Kathryn Gray’s long-awaited second collection Hollywood or Home, has as much ruthless glamour as any old Hollywood movie. These worldly-wise poems are seriously playful and playfully serious as they explore celebrity culture. Spectres of Hollywood – moguls, politicians, starlets, and monsters – leap from screen to page. Common tropes are observed, and industry secrets revealed.In decadent celebrity culture, where a star is born every minute and becomes a flop even more quickly, these fierce and funny poems open space for the writer to reassess failures and successes, to overcome writer’s block, and to remember that we never stop longing for our old dreams to come true. Writing at the top of her game, Gray manages to find spectacle – and survival – out of Hollywood’s brutal disdain for failure.

The Never-Never is the dazzling debut collection of poetry by one of the UK's most distinctive new voices. From joyriders in the rain-lashed back streets and housing estates of Wales, to London, California and beyond, Kathryn Gray gives us compelling tales of love and loss, of friendship, exile and the distant promise of home. The Never-Never is among the most readable and startling collections of recent years.Kathryn Gray was born in Caerphilly, and studied German and Medievalism at the Universities of Bristol and York. She received an Eric Gregory Award in 2001 and her poems have appeared in the TLS, The Independent, Poetry Review, Poetry Wales and other major journals. She currently lives in London and has recently been appointed as editor of New Welsh Review.