Kathy Sosa – författare

Derived from the words miscere and genus in Latin, mestizaje refers to a mixing of the races. In the book bilingual book Mestizaje, internationally acclaimed artist Kathy Sosa presents a cross-sectional view of Mexican American culture as it is practiced in the centuries-old blended culture of the Texas-Mexico borderlands. She documents and projects the effects across generations of peoples and cultures meeting, overlapping, and organically blending into something new. The richness and beauty of mestizaje come from a place where people speak Spanglish, eat Tex-Mex food, and dance to Willie Nelson and Flaco Jimenez—sometimes all at once. Sosa foretells what much of the United States has become or will be like before long.The imagery and symbolism of puro mestizaje (total mix) figure prominently in Sosa’s work, and it is a mix unique to the borderlands’ historical traditions and myriad cultures. Sosa derives inspiration from and reflects a bold palette of strong female figures. Celebrating what the women of these borderlands think, feel, and revere culturally, she explores the roles of indigenous traditions, colors, and textiles. Family, friends, neighbors, and acquaintances—real and imagined—participate in the spirit of mexicanidad, though most were not born in Mexico and some have never visited. Supplemented with dual-language essays in English and Spanish by art critics, collectors, and historians, Mestizaje rejoices in feminist notions of blended cultures and opens readers’ eyes to the lessons they offer and what they tell us about America today.

Much ink has been spilled over the men of the Mexican Revolution, but far less has been written about its women. Kathy Sosa, Ellen Riojas Clark, and Jennifer Speed set out to right this wrong in Revolutionary Women of Texas and Mexico, which celebrates the women of early Texas and Mexico who refused to walk a traditional path.The anthology embraces an expansive definition of the word revolutionary by looking at female role models and subversives from the last century and who stood up for their visions and ideals and continue to stand for them today. Eighteen portraits provide readers with a glimpse into each figure's life and place in history. At the heart of the portraits are the women of the Mexican Revolution (1910–1920)⁠—like the soldaderas who shadowed the Mexican armies, tasked with caring for and treating the wounded troops. Filling in the gaps are iconic godmothers⁠ like the Virgin of Guadalupe and La Malinche, whose stories are seamlessly woven into the collective history of Texas and Mexico. Portraits of artists Frida Kahlo and Nahui Olin and activists Emma Tenayuca and Genoveva Morales take readers from postrevolutionary Mexico into the present.Each portrait includes a biography, an original pen-and-ink illustration, and a historical or literary piece by a contemporary writer who was inspired by their subject’s legacy. Sandra Cisneros, Laura Esquivel, Elena Poniatowska, Carmen Tafolla, and others bring their experience to bear in their pieces, and Jennifer Speed’s introduction contextualizes each woman in her cultural-historical moment. A foreword by civil rights activist Dolores Huerta and an afterword by scholar Norma Elia Cantú bookend this powerful celebration of women who revolutionized their worlds.

Much ink has been spilled over the men of the Mexican Revolution, but far less has been written about its women. Kathy Sosa, Ellen Riojas Clark, and Jennifer Speed set out to right this wrong in Revolutionary Women of Texas and Mexico, which celebrates the women of early Texas and Mexico who refused to walk a traditional path.The anthology embraces an expansive definition of the word revolutionary by looking at female role models from decades ago and subversives who continue to stand up for their visions and ideals. Eighteen portraits introduce readers to these rebels by providing glimpses into their lives and places in history. At the heart of the portraits are the women of the Mexican Revolution (1910–1920)⁠—women like the soldaderas who shadowed the Mexican armies, tasked with caring for and treating the wounded troops. Filling in the gaps are iconic godmothers⁠ like the Virgin of Guadalupe and La Malinche whose stories are seamlessly woven into the collective history of Texas and Mexico. Portraits of artists Frida Kahlo and Nahui Olin and activists Emma Tenayuca and Genoveva Morales take readers from postrevolutionary Mexico into the present.Portraits include a biography, an original pen-and-ink illustration, and a historical or literary piece by a contemporary writer who was inspired by their subject’s legacy. Sandra Cisneros, Laura Esquivel, Elena Poniatowska, Carmen Tafolla, and other contributors bring their experience to bear in their pieces, and historian Jennifer Speed’s introduction contextualizes each woman in her cultural-historical moment. A foreword by civil rights activist Dolores Huerta and an afterword by scholar Norma Elia Cantú bookend this powerful celebration of women who revolutionized their worlds.