Katrina Sark – författare

This book is a cultural history of post-Wall urban, social, political, and cultural transformations in Berlin.Branding Berlin: From Division to the Cultural Capital of Europe presents a cultural analysis of Berlin’s cultural production, including literature, film, memoirs and non-fiction works, art, media, urban branding campaigns, and cultural diversity initiatives put forth by the Berlin Senate, and allows readers to understand the various changes that transformed the formerly divided city of voids into a hip cultural capital. The book examines Berlin’s branding, urban-economic development, and its search for a post-Wall identity by focusing on manifestations of nostalgic longing in documentary films and other cultural products. Building on the sociological research of urban branding and linking it with an interpretive analysis of cultural products generated in Berlin during that time, the author examines the intersections and tensions between the nostalgic views of the past and the branded images of Berlin’s present and future. This insightful and innovative work will interest scholars and students of cultural and media studies, branding and advertising, urban communication, film studies, visual culture, tourism, and cultural memory.

This book is a cultural history of post-Wall urban, social, political, and cultural transformations in Berlin.Branding Berlin: From Division to the Cultural Capital of Europe presents a cultural analysis of Berlin’s cultural production, including literature, film, memoirs and non-fiction works, art, media, urban branding campaigns, and cultural diversity initiatives put forth by the Berlin Senate, and allows readers to understand the various changes that transformed the formerly divided city of voids into a hip cultural capital. The book examines Berlin’s branding, urban-economic development, and its search for a post-Wall identity by focusing on manifestations of nostalgic longing in documentary films and other cultural products. Building on the sociological research of urban branding and linking it with an interpretive analysis of cultural products generated in Berlin during that time, the author examines the intersections and tensions between the nostalgic views of the past and the branded images of Berlin’s present and future. This insightful and innovative work will interest scholars and students of cultural and media studies, branding and advertising, urban communication, film studies, visual culture, tourism, and cultural memory.

Social Justice Pedagogies provides a diverse and wide perspective into making education more robust and useful in light of global injustices and new challenges posed by new media and communication practices, media manipulation, right-wing populism, climate crisis, and intersectional discriminations. Meant to inspire readers to see learning and teaching from a wider perspective of justice, inclusion, equity, and creativity, it argues that relational and mindful approaches to teaching and learning in specific contexts, settings, and place-based experiences are essential in how we determine the value of education. The book draws on contributions from scholars and experts who incorporate social justice into their teaching practices in different disciplines in universities across Canada, the US, and Europe. Social Justice Pedagogies uniquely presents a wide interdisciplinary perspective on social justice in education practices in order to speak to the ways in which we all want to make our research, our classrooms, and our institutions more just. It argues that pedagogy, and specifically teaching and learning, constitutes a process of building relationships between people and knowledge by fostering a learning community.

Montréal is à la mode. A fashionable city in its own right, it also boasts fashion schools, an industry packed with local designers and manufacturers and a dynamic scene that exhibits local and international collections. With its vibrant cultural life and affordable cost of living, designers and artists flock from all over to be a part of Montréal’s hip fashion community. MontréalChic is the first book to document this scene and how it connects with the city’s design, film, music and cultural history. Scholars Katrina Sark and Sara Danièle Bélanger-Michaud are intimately acquainted with Montréal and use their firsthand knowledge of the city’s fashion to explore urban culture, music, institutions, scenes and subcultures, along the way uncovering many untold stories of Montréal’s fashion scene.

Copenhagen has long been celebrated for its unique fashion, design, innovation, and sustainability practices, and yet there has never been a comprehensive  history of Copenhagen fashion and its current innovation and sustainability drive.This book fills that gap, assembling a multidisciplinary roster of contributors to examine all aspects of Copenhagen fashion and culture. Grounded in a broad context of Danish culture, industry, media, technology, sustainability, and innovation practices within the wider cultural and economic fields of fashion, the book helps us understand what makes Copenhagen unique.

Copenhagen has long been celebrated for its unique fashion, design, innovation, and sustainability practices, and yet there has never been a comprehensive  history of Copenhagen fashion and its current innovation and sustainability drive.This book fills that gap, assembling a multidisciplinary roster of contributors to examine all aspects of Copenhagen fashion and culture. Grounded in a broad context of Danish culture, industry, media, technology, sustainability, and innovation practices within the wider cultural and economic fields of fashion, the book helps us understand what makes Copenhagen unique.