Katya Bloom – författare

By integrating principles from her background as a movement psychotherapist and movement analyst with key concepts from contemporary psychoanalysis, the author offers a new perspective on exploring the interrelationships between nonverbal and verbal 'articulation' in any therapy setting. The Embodied Self provides a practical and experi

The Laban Workbook is a compendium of unique exercises inspired by the concepts and principles of movement theorist and artist, Rudolf Laban.Written by five internationally recognized movement experts, this textbook is divided into single-authored chapters, each of which includes a short contextual essay followed by a series of insight-bearing exercises. These expert views, honed in the creation of individual approaches to training and coaching actors, provide a versatile range of theory and practice in the creative process of crafting theatre. Readers will learn:Enhanced expressivity of body and voice;Clearer storytelling, both physical and vocal, facilitating the embodiment of playwrights’ intentions;Imaginative possibilities for exploring an existing play or for creating devised theatre.Featuring many exercises exploring the application of Laban Movement Studies to text, character, scene work, and devised performances - as well as revealing the creative potential of the body itself - The Laban Workbook is ideal for actors, teachers, directors and choreographers.

The Laban Workbook is a compendium of unique exercises inspired by the concepts and principles of movement theorist and artist, Rudolf Laban.Written by five internationally recognized movement experts, this textbook is divided into single-authored chapters, each of which includes a short contextual essay followed by a series of insight-bearing exercises. These expert views, honed in the creation of individual approaches to training and coaching actors, provide a versatile range of theory and practice in the creative process of crafting theatre. Readers will learn:Enhanced expressivity of body and voice;Clearer storytelling, both physical and vocal, facilitating the embodiment of playwrights’ intentions;Imaginative possibilities for exploring an existing play or for creating devised theatre.Featuring many exercises exploring the application of Laban Movement Studies to text, character, scene work, and devised performances - as well as revealing the creative potential of the body itself - The Laban Workbook is ideal for actors, teachers, directors and choreographers.

By integrating principles from her background as a movement psychotherapist and movement analyst with key concepts from contemporary psychoanalysis, the author offers a new perspective on exploring the interrelationships between nonverbal and verbal 'articulation' in any therapy setting.The Embodied Self aims to provide a practical and experiential working model for developing therapists' embodied attentiveness, which will enhance their recognition of the sensori-affective manifestations of transference and countertransference. It will inform the work of psychotherapists and psychoanalysts, dance movement therapists, and body psychotherapists, as well as those involved in psychoanalytic observational studies. It will also be of great value to anyone interested in exploring the interrelationships between the psyche and the body.

Since the mid-80s, Prapto's moving/dancing has delighted and inspired thousands of people in the West (as well as many more in his native Java) who have witnessed, worked with or been otherwise influenced by his Amerta Movement practice. But what is this non-stylised Amerta Movement practice? And what is it about Prapto's work that so touches the lives of therapists, artists, musicians, dancers, teachers, performers, monastics and laypeople from all walks of life? To answer these questions, this new book collects the experiences of 30 movement practitioners from Indonesia, Europe, North and South America and Australasia. All of them have trained and studied extensively with him and most are recognised by Prapto as movement teachers. Some themes and areas covered: Moving with babies Amerta Movement and Buddhism Using movement to work with autistic children Movement as a way to loosen the habit of critique and criticism Movement and film...and the law...and archaeology...and music Movement mantra Somatic costumes and movement performance Different chapters look at contemplative, vocational, daily life, therapeutic, dance and performative applications of Amerta Movement.Readership: As well as all those familiar with Prapto's work, the book will also be an inspiration and resource for: dance, movement and performance artists, teachers and trainers therapists of all sorts, especially those working with somatics, embodiment, dance and movement anyone wanting to learn more about the nature and application of Prapto's movement practice anyone interested in the value of an embodied approach to life and work - current thinking about the brain and body point to the crucial importance of nonverbal, embodied perception and communication, and Amerta Movement offers an important path toward growth in this area.

First Published in 1998. The aim of this book is to reawaken awareness of the body feels; rekindle imagination; provide starting points for both developing greater self-awareness and creating expressive movement. 'Moves' suggests a wealth of exercises which stem from the natural movement of the body and are therefore accessible to anyone. As you respond to the material in this book you may notice changes in yourself, such as greater physical and emotional freedom, a lessening of anxiety and constriction, a new found sense of flow, flexibility and strength and a greater responsiveness to others and to the environment.