This book offers a comprehensive critical study of David Fincher as one of the defining cinematic auteurs of the digital age. Rather than treating his films as stylistically cold or merely technical exercises in control, the study argues that Fincher’s exacting compositions, obsessive attention to detail and embrace of digital technology operate as a deeply rhetorical mode of storytelling. Across his features, commercials and music videos, Fincher repeatedly stages worlds structured by systems: bureaucratic, technological, corporate and patriarchal. His characters struggle within these systems, seeking authorship, agency or escape. By reading his visual style alongside his recurring themes of surveillance, labor, masculinity and fractured authority, the book positions Fincher not simply as a master craftsman, but as a filmmaker whose aesthetic rigor reveals the anxieties of late-stage capitalism and digital modernity. Drawing on close textual analysis and production history, the book positions Fincher as a key figure in late-20th- and early-21st-century cinema, where authorship is inseparable from industrial constraint.

This book offers a comprehensive critical study of David Fincher as one of the defining cinematic auteurs of the digital age. Rather than treating his films as stylistically cold or merely technical exercises in control, the study argues that Fincher’s exacting compositions, obsessive attention to detail and embrace of digital technology operate as a deeply rhetorical mode of storytelling. Across his features, commercials and music videos, Fincher repeatedly stages worlds structured by systems: bureaucratic, technological, corporate and patriarchal. His characters struggle within these systems, seeking authorship, agency or escape. By reading his visual style alongside his recurring themes of surveillance, labor, masculinity and fractured authority, the book positions Fincher not simply as a master craftsman, but as a filmmaker whose aesthetic rigor reveals the anxieties of late-stage capitalism and digital modernity. Drawing on close textual analysis and production history, the book positions Fincher as a key figure in late-20th- and early-21st-century cinema, where authorship is inseparable from industrial constraint.