Keith Donohue – författare

Angels of Destruction is the mesmerising story of Norah, a nine-year-old girl who seems to materialise out of thin air when she arrives one bitterly cold night on the doorstep of Margaret Quinn. A widow who lives alone, Margaret has never got over the loss of her own child, a runaway called Erica who fled with her high school sweetheart, Wiley, to join a '60s-style band of West Coast revolutionaries known as Angels of Destruction. Norah becomes Margaret's secret, a child possessed of magical qualities. But who is she really? And what is her purpose here? And what is this strange child's connection to Margaret's missing daughter?

Keith Donohue has been praised for his vivid imagination and for evoking “the otherworldly with humor and the ordinary with wonder” (Audrey Niffenegger). His first novel, The Stolen Child, was a national bestseller, and his second novel, Angels of Destruction, was hailed as “a magical tale of love and redemption that is as wonderfully written as it is captivating” (Pittsburgh Post-Gazette). Centuries of June is a bold departure, a work of dazzling breadth and technical virtuosity.Set in the bathroom of an old house just before dawn on a night in June, Centuries of June is a black comedy about a man who is attempting to tell the story of how he ended up on the floor with a hole in his head. But he keeps getting interrupted by a series of suspects—eight women lying in the bedroom just down the hall. Each woman tells a story drawn from five centuries of American myth and legend in a wild medley of styles and voices.Centuries of June is a romp through history, a madcap murder mystery, an existential ghost story, and a stunning tour de force at once ingenious, sexy, inspiring, and ultimately deeply moving.

In the Old City of Quebec, Kay Harper falls in love with a puppet in the window of the Quatre Mains, a toy shop that is never open. She is spending her summer working as an acrobat with the cirque while her husband, Theo, is translating a biography of the pioneering photographer Eadweard Muybridge. Late one night, Kay fears someone is following her home. Surprised to see that the lights of the toy shop are on and the door is open, she takes shelter inside. The next morning Theo wakes up to discover his wife is missing. Under police suspicion and frantic at her disappearance, he obsessively searches the streets of the Old City. Meanwhile, Kay has been transformed into a puppet, and is now a prisoner of the back room of the Quatre Mains, trapped with an odd assemblage of puppets from all over the world who can only come alive between the hours of midnight and dawn. The only way she can return to the human world is if Theo can find her and recognize her in her new form. So begins a dual odyssey: of a husband determined to find his wife, and of a woman trapped in a magical world where her life is not her own.

Angels of Destruction is the mesmerising story of Norah, a nine-year-old girl who seems to materialise out of thin air when she arrives one bitterly cold night on the doorstep of Margaret Quinn. A widow who lives alone, Margaret has never got over the loss of her own child, a runaway called Erica who fled with her high school sweetheart, Wiley, to join a '60s-style band of West Coast revolutionaries known as Angels of Destruction. Norah becomes Margaret's secret, a child possessed of magical qualities. But who is she really? And what is her purpose here? And what is this strange child's connection to Margaret's missing daughter?

Seven-year-old Henry Day is kidnapped by fairy changelings living in the dark forest near his home - ageless beings whose secret community is threatened by encroaching modern life. They give Henry a new name, Aniday, and the gift of agelessness - now and forever, he will be seven years old. The group has left another child in Henry's place. This changeling boy, who has morphed himself into Henry's duplicate, must adjust to a new way of life and hide his true identity from the Day family. But he can't hide his extraordinary talent for the piano, and his near-perfect performances prompt his father to suspect that he is an impostor. As he grows older the new Henry Day becomes haunted by vague but persistent memories of life in another time and place. Both Henry and Aniday search obsessively for who they were before they changed places in the world.

He’s searching the city. She’s dangling in plain sight.In the Old City of Québec, Kay Harper falls in love with a puppet in the window of the Quatre Mains, a toy shop that is never open. She is spending her summer working as an acrobat with the cirque while her husband, Theo, is translating a biography of the pioneering photographer Eadweard Muybridge. Late one night, Kay fears someone is following her home. Surprised to see that the lights of the toy shop are on and the door is open, she takes shelter inside.The next morning Theo wakes up to discover his wife is missing. Under police suspicion and frantic at her disappearance, he obsessively searches the streets of the Old City. Meanwhile, Kay has been transformed into a puppet, and is now a prisoner of the back room of the Quatre Mains, trapped with an odd assemblage of puppets from all over the world who can only come alive between the hours of midnight and dawn. The only way she can return to the human world is if Theo can find her and recognize her in her new form. So begins a dual odyssey: of a husband determined to find his wife, and of a woman trapped in a magical world where her life is not her own.