Keith McIntosh – författare
740 kr
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Barista in the City examines the impact of paid employment and the contemporary neoliberal context on the subcultural lives of hipsters who are employed as baristas.
This book’s analysis of Philadelphia baristas employed within specialty coffee shops suggests that the existing literature on the relationship between neoliberalism and urban subcultures needs to be amended. The subcultural participants discussed within previous studies lived intensely subcultural lives that were ultimately diminished due to processes of gentrification and displacement. The subcultural lives of the baristas investigated by the authors were greatly diminished from the very beginning. Neoliberal policies, and structures of class, race, gender, and gentrification intersected with their employment in ways that diminished their ability to establish lives that constitute a full-fledged subcultural alternative. The book presents a new theoretical perspective that could aid researchers who study urban subcultures. It also discusses the implications of its analysis for urban policy.
This book is an essential update on previous scholarship pertaining to urban subcultures. It also contributes to existing literatures on baristas, hipsters, gentrification, and service sector employment within the city. It is suitable for students and scholars in Urban Sociology, Urban Studies, Cultural Studies, and the Sociology of Work.
740 kr
Läs direkt efter köp
Barista in the City examines the impact of paid employment and the contemporary neoliberal context on the subcultural lives of hipsters who are employed as baristas.
This book’s analysis of Philadelphia baristas employed within specialty coffee shops suggests that the existing literature on the relationship between neoliberalism and urban subcultures needs to be amended. The subcultural participants discussed within previous studies lived intensely subcultural lives that were ultimately diminished due to processes of gentrification and displacement. The subcultural lives of the baristas investigated by the authors were greatly diminished from the very beginning. Neoliberal policies, and structures of class, race, gender, and gentrification intersected with their employment in ways that diminished their ability to establish lives that constitute a full-fledged subcultural alternative. The book presents a new theoretical perspective that could aid researchers who study urban subcultures. It also discusses the implications of its analysis for urban policy.
This book is an essential update on previous scholarship pertaining to urban subcultures. It also contributes to existing literatures on baristas, hipsters, gentrification, and service sector employment within the city. It is suitable for students and scholars in Urban Sociology, Urban Studies, Cultural Studies, and the Sociology of Work.
2 429 kr
Skickas inom 10-15 vardagar
627 kr
Skickas inom 10-15 vardagar
256 kr
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Ronin of the Dead
Book Six: A Zombie Action Thriller
224 kr
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Ronin of the Dead
Book Two: A post-apocalyptic zombie series
224 kr
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Oberon's Calling
The Birth of Nick Jones: A Science-Fiction Action Thriller
256 kr
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544 kr
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712 kr
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This book presents an investigation and assessment of an artistic community that emerged within Philadelphia’s Fishtown and the nearby neighborhood of Kensington. The book starts out by examining historical and sociological work on bohemia, and then provides a detailed history of greater Philadelphia and the Fishtown/Kensington region. After analyzing the ways in which Fishtown/Kensington’s artistic community maintains continuity with bohemian tradition, it demonstrates that this community has decoupled traditional bohemian practices from their anti-bourgeois foundation. The book also demonstrates that this community helped generate and maintains overlapping membership with a larger community of hipsters. It concludes by defining the area''s artistic community as an artistic bohemian lifestyle community, and argues that the artistic activities and cultural practices exhibited by the community are not unique, and have significant implications for urban artistic policy, and for post-industrial urban society.