KELLY GROVIER – författare

Finalist for the Marfield Prize, the National Award for Arts Writing: a unique approach to the history of art told through the story of colour and pigments. As Featured on BBC Worldwide Did you know that the ultramarine that shimmers at the centre of Vermeer’s Milkmaid connects that masterpiece with 6th-century Zoroastrian paintings found on the walls of cave temples in Bamiyan, Afghanistan? Or that the surging waves that crest and curl in Hokusai’s perilous Great Wave off Kanagawa owe their absorbing blue lustre to an alchemist who was born in Frankenstein’s Castle in 1673? And were the Pre-Raphaelites really obsessed with a murky brown hue derived from the pulverized remains of ancient mummies? (Spoiler: they were.) Invented by prehistoric cave-dwellers and medieval conjurers, cunning conmen and savvy scientists, the colours of art tell a riveting tale all their own. Over ten scintillating chapters, acclaimed author Kelly Grovier helps bring that tale vividly to life, revealing the astonishing backstories of the pigments that define the greatest works in the history of art. Interwoven between these chapters is a series of features focusing on key moments in the evolution of colour theory – from the revelations of the Enlightenment to the radicalism of the Bauhaus – while reproductions of carefully selected artworks help illuminate the narrative’s twists and turns. The history of colour is an epic saga of human ingenuity and insatiable desire. Read this book and you will never look at a work of art in quite the same way.

A Spectator Book of the Year'Grovier’s book reframes [Banksy’s] works in a new light. Inextricably linked to Da Vinci, Monet and Van Gogh, Banksy not only makes art but reinvigorates it' Daily Mail A new take on the history of art – from da Vinci to Warhol – as reinterpreted and ultimately reinforced by the international phenomenon that is Banksy Few would dispute that Banksy is the most famous urban artist in the world today. That he is also one of the most perceptive art historians of our age might come as a surprise to many. But the myriad memorable works he has created over the past thirty years constitute an audacious commentary on the history of image-making – a captivating critique waiting to be pieced together.Armed with little more than stencils, spray paint and an anonymizing cloak of after-hours darkness, Banksy has forged an alluring identity for himself as an incorrigible prankster who doesn’t embrace tradition but shreds it. What actually illuminates Banksy’s audacious murals, impromptu urban sculptures and vandalized paintings, however, is a profound understanding of the story of art. Banksy recasts masterpieces as powerful comments on contemporary issues: climate change, consumerism and the struggle for peace, and reveals these works to be surprisingly elastic, resilient and relevant. In this fully illustrated and entertaining exploration, bestselling author Kelly Grovier traces art history through Banksy’s lens, presenting many of his most recognizable works: from his droll lampooning of the Lascaux cave paintings to his reinvention of Monet’s enchanting water-lily pond, a reboot of Géricault’s tragic gut-wrenching vision to Vermeer’s girl now instilled with street cred, everyone’s genius is grist for his unmerciful mill. Far from being diminished in their significance, however, the works that Banksy ruthlessly parodies are ultimately refurbished by the ordeal. Banksy’s iconoclastic works force us to rethink our affection for, and appreciation of, great works of art that define cultural history.

A unique insight into the life and art of Sean Scully, an internationally celebrated artist and creative practitioner at the height of his powers. Sean Scully’s paintings of brushy stripes and blocks of sumptuous colour are critically acclaimed and widely admired. Less well known is what a gifted storyteller and profound commentator on the history of art he is. In this fascinating book, the record of countless hours of conversations with Scully’s friend, the art critic Kelly Grovier, the painter reflects on his extraordinary journey – from homelessness on the streets of Dublin in the mid-1940s to his current position as one of the most important abstract artists working today. In these revealing conversations, Scully recalls with poignancy and wit his rough-and-tumble childhood in London (where his family moved when he was a toddler), his tenacity in the face of rejection from nearly every art school in England, and his rise to prominence in New York in the 1980s. Illustrated throughout with images that capture both the artist and his work, this volume explores Scully’s relationship with past masters, from Rembrandt to Rothko, and delves deep into his eventual rejection in the late 1970s of minimalism – the dominant force in abstract art at the time. Punctuated throughout by passionately recounted stories of struggle and loss, perseverance and triumph, the portrait that emerges from these pages is at once intimate and surprising. The book reflects the scope of Scully’s broad interests and opinions, with segments devoted not only to his attitudes towards the art world and his most significant works, but also culture, politics and philosophy. Scully communicates with a raw pugnacity that is every bit as hard-hitting as his big brushstrokes.With 146 illustrations in colour

The years since 1989 have seen a complete untethering of what art can be, who makes it and where it can be found, which has been matched by a reassessment of art's appropriate place in society and the financial value that should be attached to it. In this new book in the World of Art series, Kelly Grovier surveys the dynamic developments in art practice worldwide since 1989, going in search of those artists who have undertaken to shape a fresh visual vocabulary and whose work reflects on these turbulent years. The book’s ten chapters examine the key themes in contemporary art, from portraiture in the age of face transplants and facial recognition software, to political activism, science and religion. Artists discussed include Jeff Koons, Louise Bourgeois, Damien Hirst, George Condo, Marlene Dumas, Sean Scully, Cindy Sherman, Banksy, Ai Weiwei, Antony Gormley, Christo and Jean-Claude, Jenny Holzer, Chuck Close and Cornelia Parker. The final chapter, a timeline, traces the evolution of art practice in this period by looking closely at one key artwork from each year.

A new way of appreciating art that puts the artwork front and centre, brought to us by one of the freshest and most exciting voices in cultural criticism. What makes great art great? Why do some works pulse in the imagination, generation after generation, century after century? From Botticelli’s Birth of Venus to Picasso’s Guernica, some paintings and sculptures have become so famous, so much a part of who we are, that we no longer really look at them. We take their greatness for granted; our eyes have become near-obsolete. We need a new way of seeing. Unsatisfied with traditional interpretations of masterpieces, which are so often interested only in learning about art, and not from it, Kelly Grovier combed the surface of revered works from the Terracotta Army to Frida Kahlo’s self-portraits, in a quest to find the key to their lasting power to move and delight us. He discovered that every truly great work is hardwired with an underappreciated detail that ignites it from deep within. Stepping away from biography, style and the chronology of ‘isms’ that preoccupies most art history, Grovier tells a new story in which we learn from the artworks, not just about them.

For over 800 years Newgate was the grimy axle around which British society slowly twisted. This is where such legendary outlaws as Robin Hood and Captain Kidd met their fates, where the rapier-wielding playwrights Ben Jonson and Christopher Marlowe sharpened their quills, and where flamboyant highwaymen like Claude Duval and James Maclaine made legions of women swoon. While London's theatres came and went, the gaol endured as Londons unofficial stage. From the Peasants Revolt to the Great Fire, it was at Newgate that England's greatest dramas unfolded. By piecing together the lives of forgotten figures as well as re-examining the prison's links with more famous individuals, from Dick Whittington to Charles Dickens, this thrilling history goes in search of a ghostly place, erased by time, which has inspired more poems and plays, paintings and novels, than any other structure in British history.

Understand the stories behind the paints and pigments used by the great artists.The front of each card outlines a pigment’s history – its discovery or invention, production and usage – with a swatch. The back features a notable work from the history of art that prominently features it. The 52 pigments have been carefully selected from across all cultures and eras and will demystify the extensive ranges of oil paints on offer today.