Kelly Kar Yue Chan - Böcker

This book investigates the internationalization of Chinese culture in recent decades and the global dimensions of Chinese culture from comparative and interdisciplinary perspectives.

This book investigates the internationalization of Chinese culture in recent decades and the global dimensions of Chinese culture from comparative and interdisciplinary perspectives.

This book presents an essential contribution to approaches in the studies of film, literature, performance, translation, and other art forms within the Chinese cultural tradition, examining East-West cultural exchange and providing related intertextual dialogue.

This book presents an essential contribution to approaches in the studies of film, literature, performance, translation, and other art forms within the Chinese cultural tradition, examining East-West cultural exchange and providing related intertextual dialogue.

This book reviews the presentation of conjugal relationships in Chinese culture and their perception in the West. It explores the ways in which the act of marriage is represented/misrepresented in different literary genres, as well as in cultural adaptations. It looks at the gendered characteristics at play that affect conjugal relationships in Chinese societal practices more widely. It also distinguishes between the essential features that give rise to nuptial arrangements from the Chinese perspective, looking at what in which Sino and/or Western mentalities differ in terms of notions of autonomy in marriage. It excavates the extent to which marriage is constituted in forms of transaction between female and male bodies and asks under what circumstances wedding ceremonies constitute archetypal or counter-archetypal notions in pre-modern and modern society. Authors cover a range of fascinating cultural topics, such as posthumous marriage (necrogamy) as an ancient and popular folk culture from the perspective of Confucian ideology, as well as looking at marriage from ancient to present times, duty and rights in conjugal relations, inter-racial and inter-cultural marriage, widowhood in Confucian ideology, issues of legitimacy in marriage and concubinage, the taboos surrounding divorce and re-marriage, and conjugal violence. The book serves to revisit the cultural connections between marriage and various art forms, including literature, film, theatre, and other adaptations. It is a rich intellectual resource for scholars and students researching the historical roots, cultural interpretations, and evolving aspects of marriage as shown in literature, art, and culture.

This book reviews the presentation of conjugal relationships in Chinese culture and their perception in the West. It explores the ways in which the act of marriage is represented/misrepresented in different literary genres, as well as in cultural adaptations. It looks at the gendered characteristics at play that affect conjugal relationships in Chinese societal practices more widely. It also distinguishes between the essential features that give rise to nuptial arrangements from the Chinese perspective, looking at what in which Sino and/or Western mentalities differ in terms of notions of autonomy in marriage. It excavates the extent to which marriage is constituted in forms of transaction between female and male bodies and asks under what circumstances wedding ceremonies constitute archetypal or counter-archetypal notions in pre-modern and modern society. Authors cover a range of fascinating cultural topics, such as posthumous marriage (necrogamy) as an ancient and popular folk culture from the perspective of Confucian ideology, as well as looking at marriage from ancient to present times, duty and rights in conjugal relations, inter-racial and inter-cultural marriage, widowhood in Confucian ideology, issues of legitimacy in marriage and concubinage, the taboos surrounding divorce and re-marriage, and conjugal violence. The book serves to revisit the cultural connections between marriage and various art forms, including literature, film, theatre, and other adaptations. It is a rich intellectual resource for scholars and students researching the historical roots, cultural interpretations, and evolving aspects of marriage as shown in literature, art, and culture.

This book investigates the origins and evolutions of gender benchmarking in Asian literature. It examines how various agents such as ritualistic practices, family expectations, cultural orientations and even dogmatic factors contribute to the benchmarking of gender as presented in Asian literature and its adaptations. This allows exploration of relevant notions in demonstrating the rooted causes, developments and changing aspects of cultural norms and how they act upon men and women as individuals in the familial, social and vocational contexts. This book provides a systematical analysis on the representation of gender in terms of various historical backgrounds, geographical territories and cultural products in the Asian context. It connects cultural conventions and literary works written centuries ago with digitalized modernity through diagnosing the circumstances that give rise to the emergence of gender norms, their persistence, decline, and reappearance. Through this, it raises questions about the millennial influences and effects of Confucian ideology upon some Asian cultural products. It also dissects gender-related biases and discriminatory acts in the ancient setting across the contemporary digitalized environment to provide a contemporary response towards concerns over gender-related shaming and ostracization. Finally, it discusses the fluidity of gender, the varying perceptions of this idea and the existence of gender itself—from cyborg literature to artificial intelligence applications. This makes it an ideal all-in-one reader for intellectuals and students in gender studies, Asia-focused humanities, and comparative culture and literary studies.

This collection scrutinizes the representation, dynamics, transformation and/or adaptation of various heroes and heroines in different folkloric traditions and narratives in the context of Asia. Exploring notions in the topics of mythologies, folktales, literature, theatre performance and any other art forms, the volume collates discussions on the pragmatic and aesthetic representation of men and women within the mythic world, and within contemporary settings. In doing so, it produces a contemporary theorization of Asian heroes and heroines beyond their mythic structure and folkloric limits. In considering the representation of heroes and heroines in the Asian folkloric tradition, and in comparative contexts, the book establishes connections between characters from myths and folktales and those found in contemporary narratives, considers the adaptation and transformation of heroes and heroines as revealed in a variety of literary works, and also assesses the gendering of social roles in modern literature and other art forms. It is of interest to scholars and advanced students in comparative literature, Asian cultural studies and theatre and performance.

This book is a collection of academic essays that examines the representation, esthetics and dichotomy of the notions of grief and melancholy in East–West exchanges and cultural dialogues. It explores the topic in the dimensions of individual behaviors under specific social norms and cultural products such as literature, film and any other forms of arts/genres, etc.In his 1917 work Mourning and Melancholia (Trauer und Melancholie), Sigmund Freud connected the grief of loss with melancholic emotions which may give rise to acts of mourning. He suggested that “[i]n mourning it is the world which has become poor and empty; in melancholia it is the ego itself” (Freud, 1917: 246). Inspired by Freud’s stance and with the goal of providing up-to-date intellectual resources for academics, researchers and students with ardent interests in the varying exemplifications of grief and melancholy in Sino-Western contexts, the book serves more than a discussion over the pragmatic and ritualistic connections of grief and melancholy in relation to the inner self and the external world. It aims at the pursuit of a contemporary theorization of grief and melancholy beyond its modern limits.