Kenneth Gouwens – författare

Written in the aftermath of the catastrophic sack of Rome in 1527, the historian Paolo Giovio’s dialogue provides an informed perspective on the event from an intimate friend of Pope Clement VII. The work is also remarkable for its discussions of literary style and the much-debated question whether the vernacular could rival or surpass Latin as a vehicle for literary expression. It discusses authors whom Giovio knew personally, such as Ariosto, Castiglione, Machiavelli, Sannazaro, and Vittoria Colonna. The dialogues also contain an extensive survey of Italian noblewomen, shedding new light on their careers and cultural achievements. This volume contains a fresh edition of the Latin text and the first translation of the work into English.

These primary sources open a window onto the ways that women and men in Renaissance Italy sought to communicate their beliefs, desires, fears, and hopes, both about their own lives and about the dynamic culture they helped to shape. An ideal complement to Paula Findlen’s ‘The Italian Renaissance: Essential Readings’ (Blackwell Publishing, 2002).Includes canonical texts alongside newly available ones that give fresh perspectives.Selections address topical issues, such as the family strategies of women, attitudes towards non-Italians, and women as patrons of art.Genres represented include correspondence, poetry, the story, dialogue, oratory, and autobiography.Brings the teaching of the Italian Renaissance to life, showing how citizens communicated about their beliefs, desires, fears, and hopes.

The most complete translation available of these brief biographies of great European figures, written by one of the leading historians of the sixteenth century.Portraits of Learned Men provides a fascinating synopsis of the contours, mentality, and trajectory of humanistic culture in Italy and Europe by one of the leading historians of the sixteenth century, Paolo Giovio (1483–1552). These brief biographies of 146 men of learning—from Dante, Petrarch, and Boccaccio in the fourteenth century to Erasmus, Thomas More, and Juan Luis Vives in the sixteenth—were meant to accompany accurate portrait paintings commemorating great figures in modern history. Presented together with the literary portraits in this volume, these paintings would be located in a purpose-built villa on Lake Como that would be open to the public. Giovio called this his musaeum, or home of the Muses, one of the first such institutions in European history. His museum would not only serve the traditional function of inspiring virtuous emulation but also provide a comprehensive, candid, and personal overview of the Republic of Letters as it had taken shape and flourished in Italy and Europe during the Renaissance.This volume contains a fresh edition of the Latin text and a new, more complete translation than any now available in English.

The pontificate of Clement VII (Giulio de' Medici) is usually regarded as amongst the most disastrous in history, and the pontiff characterized as timid, vacillating, and avaricious. It was during his years as pope (1523-34) that England broke away from the Catholic Church, and relations with the Holy Roman Emperor deteriorated to such a degree that in 1527 an Imperial army sacked Rome and imprisoned the pontiff. Given these spectacular political and military failures, it is perhaps unsurprising that Clement has often elicited the scorn of historians, rather than balanced and dispassionate analysis. This interdisciplinary volume, the first on the subject, constitutes a major step forward in our understanding of Clement VII's pontificate. Looking beyond Clement's well-known failures, and anachronistic comparisons with more 'successful' popes, it provides a fascinating insight into one of the most pivotal periods of papal and European history. Drawing on long-neglected sources, as rich as they are abundant, the contributors address a wide variety of important aspects of Clement's pontificate, re-assessing his character, familial and personal relations, political strategies, and cultural patronage, as well as exploring broader issues including the impact of the Sack of Rome, and religious renewal and reform in the pre-Tridentine period. Taken together, the essays collected here provide the most expansive and nuanced portrayal yet offered of Clement as pope, patron, and politician. In reconsidering the politics and emphasizing the cultural vitality of the period, the collection provides fresh and much-needed revision to our understanding of Clement VII's pontificate and its critical impact on the history of the papacy and Renaissance Europe.

The pontificate of Clement VII (Giulio de'' Medici) is usually regarded as amongst the most disastrous in history, and the pontiff characterized as timid, vacillating, and avaricious. It was during his years as pope (1523-34) that England broke away from the Catholic Church, and relations with the Holy Roman Emperor deteriorated to such a degree that in 1527 an Imperial army sacked Rome and imprisoned the pontiff. Given these spectacular political and military failures, it is perhaps unsurprising that Clement has often elicited the scorn of historians, rather than balanced and dispassionate analysis. This interdisciplinary volume, the first on the subject, constitutes a major step forward in our understanding of Clement VII''s pontificate. Looking beyond Clement''s well-known failures, and anachronistic comparisons with more ''successful'' popes, it provides a fascinating insight into one of the most pivotal periods of papal and European history. Drawing on long-neglected sources, as rich as they are abundant, the contributors address a wide variety of important aspects of Clement''s pontificate, re-assessing his character, familial and personal relations, political strategies, and cultural patronage, as well as exploring broader issues including the impact of the Sack of Rome, and religious renewal and reform in the pre-Tridentine period. Taken together, the essays collected here provide the most expansive and nuanced portrayal yet offered of Clement as pope, patron, and politician. In reconsidering the politics and emphasizing the cultural vitality of the period, the collection provides fresh and much-needed revision to our understanding of Clement VII''s pontificate and its critical impact on the history of the papacy and Renaissance Europe.

The pontificate of Clement VII (Giulio de'' Medici) is usually regarded as amongst the most disastrous in history, and the pontiff characterized as timid, vacillating, and avaricious. It was during his years as pope (1523-34) that England broke away from the Catholic Church, and relations with the Holy Roman Emperor deteriorated to such a degree that in 1527 an Imperial army sacked Rome and imprisoned the pontiff. Given these spectacular political and military failures, it is perhaps unsurprising that Clement has often elicited the scorn of historians, rather than balanced and dispassionate analysis. This interdisciplinary volume, the first on the subject, constitutes a major step forward in our understanding of Clement VII''s pontificate. Looking beyond Clement''s well-known failures, and anachronistic comparisons with more ''successful'' popes, it provides a fascinating insight into one of the most pivotal periods of papal and European history. Drawing on long-neglected sources, as rich as they are abundant, the contributors address a wide variety of important aspects of Clement''s pontificate, re-assessing his character, familial and personal relations, political strategies, and cultural patronage, as well as exploring broader issues including the impact of the Sack of Rome, and religious renewal and reform in the pre-Tridentine period. Taken together, the essays collected here provide the most expansive and nuanced portrayal yet offered of Clement as pope, patron, and politician. In reconsidering the politics and emphasizing the cultural vitality of the period, the collection provides fresh and much-needed revision to our understanding of Clement VII''s pontificate and its critical impact on the history of the papacy and Renaissance Europe.

An assessment of how four humanists in the court of Pope Clement VII - Pietro Alcionio, Pietro Corsi, Jacopo Sadoleto, and Pierio Valeriano - interpreted the cataclysmic Sack of Rome (1527), which called into question their earlier images of the Renaissance papacy. Building upon recent discussions in literary criticism and cognitive psychology, the author elucidates how these humanists' narratives gave meaningful shape to their memories and, in so doing, helped to redefine the image of Renaissance Rome as it would be "e;remembered"e; by subsequent generations.