Kenneth Richards – författare & böcker

Nineteenth Century British Theatre

Inbunden, Engelska, 2015

2 501 kr

Skickas inom 10-15 vardagar

Originally published in 1971. Nineteenth-century theatre in England has been greatly neglected, although serious study would reveal that the roots of much modern drama are to be found in the experiments and extravagancies of the nineteenth-century stage. The essays collected here cover a range of topics within the world of Victorian theatre, from particular actors to particular theatres; from farce to Byron’s tragedies, plus a separate section about Shakespearean productions.

Nineteenth Century British Theatre

AvKenneth Richards,Peter Thomson

Häftad, Engelska, 2017

607 kr

Skickas inom 10-15 vardagar

Originally published in 1971. Nineteenth-century theatre in England has been greatly neglected, although serious study would reveal that the roots of much modern drama are to be found in the experiments and extravagancies of the nineteenth-century stage. The essays collected here cover a range of topics within the world of Victorian theatre, from particular actors to particular theatres; from farce to Byron’s tragedies, plus a separate section about Shakespearean productions.

Nineteenth Century British Theatre

AvPeter Thomson,Kenneth Richards

E-bok

Engelska, 2015

677 kr

Läs direkt efter köp

Originally published in 1971. Nineteenth-century theatre in England has been greatly neglected, although serious study would reveal that the roots of much modern drama are to be found in the experiments and extravagancies of the nineteenth-century stage. The essays collected here cover a range of topics within the world of Victorian theatre, from particular actors to particular theatres; from farce to Byron’s tragedies, plus a separate section about Shakespearean productions.

Nineteenth Century British Theatre

AvPeter Thomson,Kenneth Richards

E-bok

PDF, Engelska, 2015

677 kr

Läs direkt efter köp

Originally published in 1971. Nineteenth-century theatre in England has been greatly neglected, although serious study would reveal that the roots of much modern drama are to be found in the experiments and extravagancies of the nineteenth-century stage. The essays collected here cover a range of topics within the world of Victorian theatre, from particular actors to particular theatres; from farce to Byron’s tragedies, plus a separate section about Shakespearean productions.