Kerry Andrew – författare

‘Swansong is the real thing, right from the start: spiky, strange and contemporary, but always with a dark undertow of myth and folklore tugging at its telling…this is a brilliant novel by a writer - and musician - of frankly alarming talent.’ Robert MacfarlaneIn this stunningly assured, immersive and vividly atmospheric first novel from the celebrated musician, a young woman comes face-to-face with the volatile, haunted wilderness of the Scottish Highlands. Polly Vaughan is trying to escape the ravaging guilt of a disturbing incident in London by heading north to the Scottish Highlands. As soon as she arrives, this spirited, funny, alert young woman goes looking for drink, drugs and sex – finding them all quickly, and unsatisfactorily, with the barman in the only pub. She also finds a fresh kind of fear, alone in this eerie, myth-drenched landscape. Increasingly prone to visions or visitations – floating white shapes in the waters of the loch or in the woods – she is terrified and fascinated by a man she came across in the forest on her first evening, apparently tearing apart a bird. Who is this strange loner? And what is his sinister secret?Kerry Andrew is a fresh new voice in British fiction; one that comes from a deep understanding of the folk songs, mythologies and oral traditions of these islands. Her powerful metaphoric language gives Swansong a charged, hallucinatory quality that is unique, uncanny and deeply disquieting.

'I didn't want this book to end... Beautiful' DAISY JOHNSON'A natural storyteller' PATRICK GALE'A gorgeous folkloric novel of water and love' ZOE GILBERT London, 1985. Joe, father to eleven-year-old Matty, has disappeared, and nobody will explain where he's gone, or why.In the long, hot summer that follows, Matty's hunt for Joe leads to the ponds at Hampstead Heath. Beneath the water, there is a new kind of freedom. Above the water, a welcoming community of men offer refuge from an increasingly rocky home life.Fourteen years later, a new revelation sees Matty set off alone in a campervan, driving westwards through Ireland, swimming its wild loughs and following the scant clues left behind about Joe. The trip takes a dangerous turn, and Matty is forced to rely on the kindness of strangers. But safety comes at a price, and with desire and fear running high, the journey turns into an explosive, heart-rending reckoning with the past.*A 'BOOKS OF 2021' PICK IN i NEWSPAPER*'Artfully paced, with queer undercurrents, this novel is tender and totally enveloping' Attitude

Spell Songs is a musical companion piece to The Lost Words: A Spell Book by author Robert Macfarlane and artist Jackie Morris. This mixed media CD is accompanied by sumptuous illustrations from Jackie Morris, new 'spells' by Robert Macfarlane, enlightening thoughts by Robert, Jackie and Spell Singer Karine Polwart and stunning photography by Elly Lucas. In 2018 Folk by the Oak Festival commissioned Spell Songs because of their love of The Lost Words book. Spell Songs comprises eight remarkable musicians whose music engages deeply with landscape and nature; musicians who are perfectly placed to respond to the creatures, art and language of The Lost Words. They spent a week in Herefordshire bringing this music together in the company of Jackie Morris. Art inspired music and music inspired art. Jackie Morris immersed herself in the musical residency where she generously created new iconesque artwork of each musician and their instruments portrayed in an unexpected and enchanting way. These stunning new artworks accompany the CD. Spell Songs allowed these acclaimed and diverse musicians to weave together elements of British folk music, Senegalese folk traditions, and experimental and classical music to create an inspiring new body of work. Here are 14 songs which capture the essence of The Lost Words book. Spoken voice, whispers, accents, dialects, native languages, proverbs, sayings, birdsong, river chatter and insect hum all increase the intimacy of the musical world conjured by the songs. Inspired by the words, art and ethos of The Lost Words book, each musician brings new imaginings, embellishments and diversions which are rooted in personal experience, a deep respect for the natural world, protest at the loss of nature and its language and an appreciation for wildness and beauty. In February 2019 Spell Songs enjoyed standing ovations at sell-out performances in major venues across the UK culminating at The Queen Elizabeth Hall at the Southbank Centre, London. Spell Songs was a highlight of The Hay International Literary Festival 2019 and in August 2019 they were invited to perform at the BBC's Lost Words Prom in the Royal Albert Hall. They will continue to tour each year. “There are songs here that would live with me for the rest of my years, even if I'd had no part in their making”. Robert Macfarlane

'I didn't want this book to end... Beautiful' DAISY JOHNSON'A natural storyteller' PATRICK GALE'A gorgeous folkloric novel of water and love' ZOE GILBERT London, 1985. Joe, father to eleven-year-old Matty, has disappeared, and nobody will explain where he's gone, or why.In the long, hot summer that follows, Matty's hunt for Joe leads to the ponds at Hampstead Heath. Beneath the water, there is a new kind of freedom. Above the water, a welcoming community of men offer refuge from an increasingly rocky home life.Fourteen years later, a new revelation sees Matty set off alone in a campervan, driving westwards through Ireland, swimming its wild loughs and following the scant clues left behind about Joe. The trip takes a dangerous turn, and Matty is forced to rely on the kindness of strangers. But safety comes at a price, and with desire and fear running high, the journey turns into an explosive, heart-rending reckoning with the past.*A 'BOOKS OF 2021' PICK IN i NEWSPAPER*'Artfully paced, with queer undercurrents, this novel is tender and totally enveloping' Attitude

‘Swansong is the real thing, right from the start: spiky, strange and contemporary, but always with a dark undertow of myth and folklore tugging at its telling…this is a brilliant novel by a writer - and musician - of frankly alarming talent.’ Robert MacfarlaneIn this stunningly assured, immersive and vividly atmospheric first novel from the celebrated musician, a young woman comes face-to-face with the volatile, haunted wilderness of the Scottish Highlands. Polly Vaughan is trying to escape the ravaging guilt of a disturbing incident in London by heading north to the Scottish Highlands. As soon as she arrives, this spirited, funny, alert young woman goes looking for drink, drugs and sex – finding them all quickly, and unsatisfactorily, with the barman in the only pub. She also finds a fresh kind of fear, alone in this eerie, myth-drenched landscape. Increasingly prone to visions or visitations – floating white shapes in the waters of the loch or in the woods – she is terrified and fascinated by a man she came across in the forest on her first evening, apparently tearing apart a bird. Who is this strange loner? And what is his sinister secret?Kerry Andrew is a fresh new voice in British fiction; one that comes from a deep understanding of the folk songs, mythologies and oral traditions of these islands. Her powerful metaphoric language gives Swansong a charged, hallucinatory quality that is unique, uncanny and deeply disquieting.

Luke, Connor, Thea and Violet spend their first holiday together alone in their father's house in the south of France. The boys don't really know him, and they don't really know their half-sisters, either. Luke, the most easy going of the four, is keen to bring a new shape to their overlapping, unconventional family; Connor and Thea, born just six months apart but a world of difference between them, are struggling to hide their attraction to each other; Violet, the youngest, is trying to figure some things out about herself, and trying desperately to forget others. Sex in all its multiple forms is on the minds of the siblings during the hot, lethargic summer days spent next to the pool, but the land around them is starting to respond to something inexplicable and eerie. Animals begin to act strangely. There is a buzzing sound that only Connor can hear, and when Violet one night sees a plane light abruptly disappear in the sky, it signals the beginning of something that threatens so much more than their turbulent holiday.With considerable power and unfolding revelation, We Are Together Because starts as a sensual summer drama and very quickly becomes about our own survival, asking us what is truly important in life, and how far we've strayed from our place in a more fluid, vibrant, natural world.

Luke, Connor, Thea and Violet spend their first holiday together alone in their father's house in the south of France. The boys don't really know him, and they don't really know their half-sisters, either. Luke, the most easy going of the four, is keen to bring a new shape to their overlapping, unconventional family; Connor and Thea, born just six months apart but a world of difference between them, are struggling to hide their attraction to each other; Violet, the youngest, is trying to figure some things out about herself, and trying desperately to forget others. Sex in all its multiple forms is on the minds of the siblings during the hot, lethargic summer days spent next to the pool, but the land around them is starting to respond to something inexplicable and eerie. Animals begin to act strangely. There is a buzzing sound that only Connor can hear, and when Violet one night sees a plane light abruptly disappear in the sky, it signals the beginning of something that threatens so much more than their turbulent holiday.With considerable power and unfolding revelation, We Are Together Because starts as a sensual summer drama and very quickly becomes about our own survival, asking us what is truly important in life, and how far we've strayed from our place in a more fluid, vibrant, natural world.

Luke, Connor, Thea and Violet spend their first holiday together alone in their father's house in the south of France. The boys don't really know him, and they don't really know their half-sisters, either. Luke, the most easy going of the four, is keen to bring a new shape to their overlapping, unconventional family; Connor and Thea, born just six months apart but a world of difference between them, are struggling to hide their attraction to each other; Violet, the youngest, is trying to figure some things out about herself, and trying desperately to forget others. Sex in all its multiple forms is on the minds of the siblings during the hot, lethargic summer days spent next to the pool, but the land around them is starting to respond to something inexplicable and eerie. Animals begin to act strangely. There is a buzzing sound that only Connor can hear, and when Violet one night sees a plane light abruptly disappear in the sky, it signals the beginning of something that threatens so much more than their turbulent holiday.With considerable power and unfolding revelation, We Are Together Because starts as a sensual summer drama and very quickly becomes about our own survival, asking us what is truly important in life, and how far we've strayed from our place in a more fluid, vibrant, natural world.