Detective Nicholas Black has cause for concern. He’s investigating the suspicious death of a young woman whose body has just washed on shore in full scuba gear. Normally it would simply be a case of drowning, yet along with this particular body is a stolen Vincent van Gogh painting in a watertight tube. To further complicate matters, the phone number of Dr. Dulcinea (Dulcie) Chambers is written on the dead woman’s hand. As the new director of the Maine Museum of Art, Dulcie is already busy negotiating the sale of one of the museum’s pieces with a wealthy collector. When Dulcie learns that she’s a chief suspect however, she has no choice but to help with the investigation. Dulcie finds herself diving in to solve this mystery as her relationship with Detective Nicholas Black also reaches new depths.

Dr. Dulcinea (Dulcie) Chambers is honored to have the esteemed British artist Logan Dumbarton as a guest at the Maine Museum of Art. The abstract expressionist painter has come all the way from London to teach a master class. His students, a group of talented local artists, are initially in awe. However, the eccentric artist is accompanied by an entourage that is proving less than ideal. His stunningly exotic wife Isabel is a constant distraction with her incessant whining, while Linda, Logan’s ever-efficient sister and business manager, does nothing but placate her brother’s whims. To make matters worse, Logan seems to vacillate between annoyingly sniveling and irritatingly egocentric at any given moment. 

Within a week the entire class loathes him. Is he really worth all of this trouble? Somebody doesn’t seem to think so, and it’s up to Dulcie to find out who. But she’ll have to team up with Detective Nicholas Black once again, and at the moment their relationship can only be described as fragile.

Detective Nicholas Black has cause for concern. He’s investigating the suspicious death of a young woman whose body has just washed on shore in full scuba gear. Normally it would simply be a case of drowning, yet along with this particular body is a stolen Vincent van Gogh painting in a watertight tube. To further complicate matters, the phone number of Dr. Dulcinea (Dulcie) Chambers is written on the dead woman’s hand. As the new director of the Maine Museum of Art, Dulcie is already busy negotiating the sale of one of the museum’s pieces with a wealthy collector. When Dulcie learns that she’s a chief suspect however, she has no choice but to help with the investigation. Dulcie finds herself diving in to solve this mystery as her relationship with Detective Nicholas Black also reaches new depths.

Dr. Dulcinea (Dulcie) Chambers is honored to have the esteemed British artist Logan Dumbarton as a guest at the Maine Museum of Art. The abstract expressionist painter has come all the way from London to teach a master class. His students, a group of talented local artists, are initially in awe. However, the eccentric artist is accompanied by an entourage that is proving less than ideal. His stunningly exotic wife Isabel is a constant distraction with her incessant whining, while Linda, Logan’s ever-efficient sister and business manager, does nothing but placate her brother’s whims. To make matters worse, Logan seems to vacillate between annoyingly sniveling and irritatingly egocentric at any given moment. 

Within a week the entire class loathes him. Is he really worth all of this trouble? Somebody doesn’t seem to think so, and it’s up to Dulcie to find out who. But she’ll have to team up with Detective Nicholas Black once again, and at the moment their relationship can only be described as fragile.