Kevin A. Morrison – författare

The nineteenth century in Britain was a markedly philanthropic and charitable age. Building on trends that began in the 1700s, philanthropic activity and charitable practices became widespread, often institutionally organized and directed, and targeted an astonishingly diverse array of fields: education and child welfare, the arts, family planning, animal welfare, medical reform, and the eradication of social ills. The sources in this five-volume edition provide a foundational basis for studying the many reasons for and the varied practices of giving in the period. The primary sources are accompanied by editorial commentary, and will be of great interest to students of history.

The volume explores the role religion had in charity and philanthropy in the long nineteenth-century. Although charity is, arguably, rooted in the Old Testament and the New Testament and philanthropy, as a concept, emerges in the seventeenth century, it was only in the nineteenth century that these concepts assumed their modern form. The materials in this volume provide essential context for understanding the role of religion in nineteenth-century charity and philanthropy. Topics be covered include the Church of England, Protestant dissenting religions, the Christian Social Union, the Catholic Church in Ireland, Judaism and the Salvation Army.

At the beginning of the nineteenth century, many individuals were motivated by their religious creeds to give. As religious faith began to wane in the period, others were inspired by humanitarian commitments or moral (but not necessarily scriptural) zeal. The contents of this volume introduce readers to the many individuals who distinguished themselves through charity and philanthropy, including Angela Burdett-Coutts, Florence Nightingale, Grace Kimmins, the Earl of Shaftesbury, and the American George Peabody, and the causes they took up.

Through contributions of money and time, many individuals made a variety of philanthropic enterprises possible. Just as often, however, benevolent efforts emerged from and were carried out through networks of individuals and public cooperative groups. The materials in this volume introduce readers to various forms and practices of collaborative philanthropy and royal patronage, such as the Governesses’ Benevolent Institution, the Evangelical Party of the Church of England’s Society for the Relief of Distressed Widows, and the British Red Cross.

From the abolition of the slave trade to the building of the People’s Palace for East London, social causes are inextricably intertwined with the charitable giving and philanthropic impulses on which they rely for tangible support. This volume focuses on individuals who, unlike those documented in volume two, did not have significant financial resources but were nevertheless leading figures in the philanthropic landscape, such as Walter Besant or Edmund Hay Currie. It also focuses on efforts that were not strictly about providing services or support but in advocating for social change as well.

From newsletters and magazines to bazaars and dinners to festivals and concerts, charities and philanthropic enterprises competed among one another to obtain financial support for their causes, justify their expenditures and, to borrow a phrase from a recent historical study, "monetize compassion." Richly illustrated, this volume documents the business of charity and philanthropy.

Some of the most celebrated poets of the Victorian era wrote—at times movingly or humorously—about their pets. They did so in a wider literary context, for poetry about pets was ubiquitous in the period. Animal welfare organizations utilized poems about canine and feline suffering in institutional publications to call attention to various abuses. Elegies and epitaphs over the loss of a beloved cat, songbird, or dog were printed on funeral cards, tombstones, and appeared in mass-produced poetry collections as well as those intended for an intimate circle of friends. Yet poems about pets, as well as attendant issues such as breeding and overpopulation, have not received the kind of critical analysis devoted to fictional works and short stories. With an introduction, afterword, and eight essays offering new perspectives on significant as well as lesser known poems, Victorian Pets and Poetry remedies this omission.

Some of the most celebrated poets of the Victorian era wrote—at times movingly or humorously—about their pets. They did so in a wider literary context, for poetry about pets was ubiquitous in the period. Animal welfare organizations utilized poems about canine and feline suffering in institutional publications to call attention to various abuses. Elegies and epitaphs over the loss of a beloved cat, songbird, or dog were printed on funeral cards, tombstones, and appeared in mass-produced poetry collections as well as those intended for an intimate circle of friends. Yet poems about pets, as well as attendant issues such as breeding and overpopulation, have not received the kind of critical analysis devoted to fictional works and short stories. With an introduction, afterword, and eight essays offering new perspectives on significant as well as lesser known poems, Victorian Pets and Poetry remedies this omission.

Although historical research undertaken in different disciplines often requires speculation and imagination, it remains relatively rare for scholars to foreground these processes explicitly as a knowing method. Historical Research, Creative Writing, and the Past brings together researchers in a wide array of disciplines, including literary studies and history, ethnography, design, film, and sound studies, who employ imagination, creativity, or fiction in their own historical scholarship or who analyze the use of imagination, creativity, or fiction to make historical claims by others. This volume is organized into four topical sections related to representations of the past—textual and conceptual approaches; material and emotional approaches; speculative and experiential approaches; and embodied methodologies—and covers a variety of temporal periods and geographical contexts. Reflecting on the methodological, theoretical, and ethical underpinnings of writing history creatively or speculatively, the essays situate themselves within current debates over epistemology and interdisciplinarity. They yield new insights into historical research methods, including archival investigations and source criticisms, while offering readers tangible examples of how to do history differently.

Although historical research undertaken in different disciplines often requires speculation and imagination, it remains relatively rare for scholars to foreground these processes explicitly as a knowing method. Historical Research, Creative Writing, and the Past brings together researchers in a wide array of disciplines, including literary studies and history, ethnography, design, film, and sound studies, who employ imagination, creativity, or fiction in their own historical scholarship or who analyze the use of imagination, creativity, or fiction to make historical claims by others. This volume is organized into four topical sections related to representations of the past—textual and conceptual approaches; material and emotional approaches; speculative and experiential approaches; and embodied methodologies—and covers a variety of temporal periods and geographical contexts. Reflecting on the methodological, theoretical, and ethical underpinnings of writing history creatively or speculatively, the essays situate themselves within current debates over epistemology and interdisciplinarity. They yield new insights into historical research methods, including archival investigations and source criticisms, while offering readers tangible examples of how to do history differently.

Considers the interrelated careers of three highly significant women writers of the nineteenth centuryTraces a chain of influence among three highly significant women writers of the nineteenth century: Mary Russell Mitford, Elizabeth Gaskell, and George EliotReconsiders the literary category of provincialism and the genre of the village story with due consideration of a range of publication formats and contextsWorks across literary periods to offer innovative rereadings of several important Romantic- and Victorian-era textsCombines nineteenth-century cultural-historical and literary analysis to advance recent revaluations of liberalism by considering its emotive and not just its ratiocinative dimensionsIn this lively and illuminating work, Kevin A. Morrison offers a reassessment of Mary Russell Mitford's and Elizabeth Gaskell's provincial fiction, sometimes deprecated within a genre frequently considered 'minor literature', and demonstrates the importance of their work to the development of George Eliot's liberalism in the age of high realism. Although Gaskell was influenced by Mitford, and Eliot by Gaskell, only a handful of scholars have considered the affinities and resemblances among them. None have done so in depth. Establishing a chain of influence, this book examines the three authors' interrelated careers: the challenges they encountered in achieving distinction within the literary sphere; the various pressures exerted on them by publishers, reviewers, and editors; and the career-enhancing possibilities afforded, and the limitations imposed, by different modes of publication. Attending to publication history, genre, and narrative voice, Morrison suggests new ways to think about provincialism, liberalism, and women's networked authorship in the nineteenth century.

Although Elizabeth Gaskell was influenced by Mary Russell Mitford, and George Eliot by Gaskell, only a small number of scholars have considered the affinities and resemblances among all three writers of provincial fiction, and none have done so in depth. Establishing a chain of influence, this book considers Mitford, Gaskell, and Eliot's interrelated careers, including the challenges they encountered in achieving distinction within the literary sphere, and the various pressures exerted on them by publishers, reviewers, and editors. It also analyses the career-enhancing possibilities afforded by different modes of publication including periodicals, anthologies, the three-volume novel, and monthly and bimonthly instalments as well as their concomitant limitations. In so doing, the book offers a reassessment of Mitford's and Gaskell's provincial fiction, which has been frequently derided as a 'minor literature'. It also demonstrates the importance of their work to the development of Eliot's liberalism in the age of high realism.

An interdisciplinary study of British liberalism in the nineteenth century'Victorian Liberalism and Material Culture' assesses the unexplored links between Victorian material culture and political theory. It seeks to transform understanding of Victorian liberalism's key conceptual metaphor - that the mind of an individuated subject is private space. Focusing on the environments inhabited by four Victorian writers and intellectuals, it delineates how John Stuart Mill's, Matthew Arnold's, John Morley's, and Robert Browning's commitments to liberalism were shaped by or manifested through the physical spaces in which they worked. The book also asserts the centrality of the embodied experience of actual people to Victorian political thought. Readers will gain new historical and literary understanding and will be introduced to an innovative methodology that links material culture and political theory.Key featuresAddresses interaction between British liberal thinkers and their workplaces as an essential component in your consideration of nineteenth-century liberalismEnhances understanding of Victorian literature and culture and the history of architecture and design through an interdisciplinary approachBridges differences of perspective between students of material culture and political theoryBased on extensive research in British and American archives, utilizing recently unsealed record

An interdisciplinary study of British liberalism in the nineteenth centuryVictorian Liberalism and Material Culture assesses the unexplored links between Victorian material culture and political theory. It seeks to transform understanding of Victorian liberalism’s key conceptual metaphor − that the mind of an individuated subject is private space. Focusing on the environments inhabited by four Victorian writers and intellectuals, it delineates how John Stuart Mill’s, Matthew Arnold’s, John Morley’s, and Robert Browning’s commitments to liberalism were shaped by or manifested through the physical spaces in which they worked. The book also asserts the centrality of the embodied experience of actual people to Victorian political thought. Readers will gain new historical and literary understanding and will be introduced to an innovative methodology that links material culture and political theory. Key featuresAddresses interaction between British liberal thinkers and their workplaces as an essential component in your consideration of nineteenth-century liberalismEnhances understanding of Victorian literature and culture and the history of architecture and design through an interdisciplinary approachBridges differences of perspective between students of material culture and political theoryBased on extensive research in British and American archives, utilizing recently unsealed record

From a cultural history of the essay to incisive contemporary rethinking of its usefulness in the classroom, from guides on how to write a seminar paper to guides on how to assess them, Making the Grade offers desperately needed clarity on a complex genre. The contributions in this book should be standard for every first-semester graduate student and every first-semester professor who wants to prepare undergraduates for graduate-level writing or who wants to prepare graduate students for professional publication.

From a cultural history of the essay to incisive contemporary rethinking of its usefulness in the classroom, from guides on how to write a seminar paper to guides on how to assess them, Making the Grade offers desperately needed clarity on a complex genre. The contributions in this book should be standard for every first-semester graduate student and every first-semester professor who wants to prepare undergraduates for graduate-level writing or who wants to prepare graduate students for professional publication.

This companion to Victorian popular fiction includes more than 300 cross-referenced entries on works written for the British mass market. Biographical sketches cover the writers and their publishers, the topics that concerned them and the genres they helped to establish or refine. Entries introduce readers to long-overlooked authors who were widely read in their time, with suggestions for further reading and emerging resources for the study of popular fiction.

The East End is an iconic area of London, from the transient street art of Banksy and Pablo Delgado to the exhibitions of Doreen Fletcher and Gilbert and George. Located east of the Tower of London and north of the River Thames, it has experienced a number of developmental stages in its four-hundred-year history. Originating as a series of scattered villages, the area has been home to Europe's worst slums and served as an affluent nodal point of the British Empire.Through its evolution, the East End has been the birthplace of radical political and social movements and the social center for a variety of diasporic communities. This reference work, with its alphabetically organized cross-referenced entries and its original and historical photography, serves as a comprehensive guide to the social and cultural history of this global hub.

Affections and Domesticities: Writings on Victorian Family Life is a collection of key poems, excerpts from prose works, and full-length texts that explore the complexities of emotional life during the British Victorian period. The material introduces readers to the Victorian idealization of the family as well as challenges to the family's moral authority.The first section, “Domestic Affections,” offers a glimpse into Victorian courtship and marriage through poetry and prose works that articulate expectations surrounding conjugal relations.The second section, “Domestic Affairs and Management,” features excerpts from a variety of primary sources including etiquette guides, cookbooks, child-rearing manuals, and sermons. These provide insight into the roles of husbands and wives and the Victorian notion of the idealized innocent child who functions as the center of the family.The third section, “Domestic Revolts, Refusals, and Hesitations,” uncovers growing discontent with aspects of middle-class family life and traces the emergence of the New Woman, a figure who flouted conventional gender norms and expectations.Featuring material not available in any single text, Affections and Domesticities is ideal for British literature survey and Victorian literature courses. The nature and subject matter of the readings also make the book suitable for interdisciplinary courses in women's and gender studies and Victorian culture.

Giving readers a fascinating look deep into Victorian England, this critical edition of Walter Besant’s Children of Gibeon is ideally suited to courses in Victorian literature and history. The book includes several features to aid students in understanding the novel as both a literary work and an insightful exploration of important issues in Victorian society, including the role of women, poverty, inequality, and urban development. These features include:A critical introductionAnnotations explaining Victorian terminology and eventsContemporary reviews of the novelContextualizing historical documentsAppendices covering literary and social contexts, working-class domestic interiors, and middle-class domesticityBy immersing themselves in Besant’s tale of Lady Mildred Eldridge and her two daughters, one of whom is actually adopted from her former servant, students will gain fascinating insights into Victorian life. Following the tale of Violet and Valentine, who bear a striking resemblance to one another, students participate in a literary puzzle in which the truth of their origins reveals itself to the reader even as the characters remain in the dark. The story of the two girls is also a story of Victorian London—a city torn by geographic and economic divides.The unique literary, social, and historical perspectives provided by this annotated edition also make the book suitable for classes in nineteenth-century history, material culture, and gender studies.

In the 1880s and 1890s, Walter Besant was one of Britain’s most lionized living novelists. Like many popular writers of the period, Besant suffered from years of critical neglect. Yet his centrality to Victorian society and culture all but ensured a revival of interest. While literary critics are now rediscovering the more than forty works of fiction that he penned or co-wrote, as part of a more general revaluation of Victorian popular literature, legal scholars have argued that Besant, by advocating for copyright reform, played a crucial role in consolidating a notion of literary property as the exclusive possession of the individuated intellect. For their part, historians have recently shown how Besant – as a prominent philanthropist who campaigned for the cultural vitalization of impoverished areas in east and south London – galvanized late Victorian social reform activities. The expanding corpus of work on Besant, however, has largely kept the domains of authorship and activism, which he perceived as interrelated, conceptually distinct. Analysing the mutually constitutive interplay in Besant’s career between philanthropy and the professionalization of authorship, Walter Besant: The Business of Literature and the Pleasures of Reform highlights their fundamental interconnectedness in this Victorian intellectual polymath’s life and work.

In the 1880s and 1890s, Walter Besant was one of Britain’s most lionized living novelists. Like many popular writers of the period, Besant suffered from years of critical neglect. Yet his centrality to Victorian society and culture all but ensured a revival of interest. While literary critics are now rediscovering the more than forty works of fiction that he penned or co-wrote, as part of a more general revaluation of Victorian popular literature, legal scholars have argued that Besant, by advocating for copyright reform, played a crucial role in consolidating a notion of literary property as the exclusive possession of the individuated intellect. For their part, historians have recently shown how Besant – as a prominent philanthropist who campaigned for the cultural vitalization of impoverished areas in east and south London – galvanized late Victorian social reform activities. The expanding corpus of work on Besant, however, has largely kept the domains of authorship and activism, which he perceived as interrelated, conceptually distinct. Analysing the mutually constitutive interplay in Besant’s career between philanthropy and the professionalization of authorship, Walter Besant: The Business of Literature and the Pleasures of Reform highlights their fundamental interconnectedness in this Victorian intellectual polymath’s life and work.

This book is a genre-breaking response to the literature on study abroad. Drawing on the author’s experience of teaching short-term summer programs and courses in London between 2011 and 2018 that focused wholly or in part on the Whitechapel murders of 1888, the book analyzes experiential learning in the study abroad context.

This book is a crucial resource for instructors interested in bringing the past alive for their students through hands-on, immersive educational experiences.

This book is a crucial resource for instructors interested in bringing the past alive for their students through hands-on, immersive educational experiences.

This book explores the theory and practice of Victorian liberal parenting by focusing on the life and writings of John Morley, one of Britain’s premier intellectuals and politicians.