Kevin Crotty – författare

The Philosopher's Song is a full-length treatment of Plato and the dynamic course of his philosophical thought, regarded from a distinctly poetic point of view. Kevin Crotty demonstrates how Plato's invention of philosophy needs to be situated within the context of a society where poets were cultural authorities, whose teachings emphasized such tragic themes as the instability of things and the indeterminacy of moral terms. The interest of Plato's philosophy lies to a great extent in the compelling interest of what he sought to repress-the poetic and political heritage of a world tragically conceived. Plato's attacks on the poets are notorious. Despite his apparently frank hostility, however, his relation to the poets was exceedingly complex, argues Crotty. Even the banishment of the poets in the Republic turns out to be, more deeply, a recruitment of mimetic poetry for Plato's metaphysics. Once endowed with a metaphysical significance, however, the poets posed a serious challenge to Platonic idealism, and spurred Plato to revise considerably his metaphysical scheme. Crotty ultimately concludes that the views of politics and ethics in Plato's later works return in many ways to the insights of the poets.

The Philosopher's Song is a full-length treatment of Plato and the dynamic course of his philosophical thought, regarded from a distinctly poetic point of view. Kevin Crotty demonstrates how Plato's invention of philosophy needs to be situated within the context of a society where poets were cultural authorities, whose teachings emphasized such tragic themes as the instability of things and the indeterminacy of moral terms. The interest of Plato's philosophy lies to a great extent in the compelling interest of what he sought to repress-the poetic and political heritage of a world tragically conceived. Plato's attacks on the poets are notorious. Despite his apparently frank hostility, however, his relation to the poets was exceedingly complex, argues Crotty. Even the banishment of the poets in the Republic turns out to be, more deeply, a recruitment of mimetic poetry for Plato's metaphysics. Once endowed with a metaphysical significance, however, the poets posed a serious challenge to Platonic idealism, and spurred Plato to revise considerably his metaphysical scheme. Crotty ultimately concludes that the views of politics and ethics in Plato's later works return in many ways to the insights of the poets.

In Law's Interior, Kevin M. Crotty draws on several important literary works to offer a new model of the relationship between citizens and their laws, one that emphasizes the power of law to shape citizens and to foster—or discourage—their autonomy. Crotty maintains that citizens are "inside" the law—they are the law's interior. Literature, he finds, can be relevant to law by emphasizing the connections between law and the world around it—a stance that corrects the tendency of legal theory to treat law as a separate, autonomous entity.The texts Crotty examines—Aeschylus' Oresteia, St. Augustine's Confessions, and the poetry of Wallace Stevens—question the rationalist optimism that Crotty regards as distorting much recent theorizing about law. Further, he asserts that the inability of courts to state clearly the principles animating their decisions demonstrates the stranglehold the positivist model has on us and our legal imaginations.Crotty sketches a model of the relation between citizens and laws that supplements the more familiar idea of law as something deliberated and enacted by rational, inherently autonomous citizens. The most important legal decisions of the past fifty years, Crotty says, rest on the perception that the state, far from merely respecting the "innate" autonomy of its citizens, actively shapes that autonomy. Law's Interior should contribute to a better understanding of the real principles underlying some landmark decisions by the Supreme Court.

The City-State of the Soul: Self-Constitution in Plato’s Republicexplores Plato’s idea that the moral life consists in the founding of one’s own soul. This insight is central to the long argument of the Republic and, in particular, to the complex relation between the city and the human soul. This fruitful picture of the moral life, however, has not received the attention it deserves. As Kevin M. Crotty argues, Plato’s distinctive insight is that justice is above all a creative force. Plato presents justice not as a relation amongst fully formed individuals, but rather as the quality that galvanizes a diverse welter of disparate parts into a coherent entity (above all, a soul or a city). Justice, then, is the virtue most closely associated with being—the source of its philosophical stature. Plato presents a conception of justice meant to impress the young, bright and ambitious as a noble pursuit, and a task worthy of their best talents. The City-State of the Soul is written for anyone interested in the Republic, including but not limited to students and scholars of ancient philosophy, political philosophy, ethics, and ancient Greek literature.