Kevin Dwyer – författare

In Beyond Casablanca, Kevin Dwyer explores the problems of creativity in the Arab and African world, focusing on Moroccan cinema and one of its key figures, filmmaker M. A. Tazi. Dwyer develops three themes simultaneously: the filmmaker's career and films; filmmaking in postcolonial Morocco; and the relationship between Moroccan cinema, Third World and Arab cinema, and the global film industry. This compelling discussion of Moroccan cinema is founded upon decades of anthropological research in Morocco, most recently on the Moroccan film sector and the global film industry, and exhibits a sensitivity to the cultural, political, social, and economic context of creative activity. The book centers on a series of interviews conducted with Tazi, whose career provides a rich commentary on the world of Moroccan cinema and on Moroccan cinema in the world. The interviews are framed, variously, by presentations of Moroccan history, society, and culture; the role of foreign filmmakers in Morocco; thematic discussions of cinematic issues (such as narrative techniques, the use of symbols, film as an expression of identity, and problems of censorship); and the global context of Third World filmmaking.

This book, first published in 1991, moves beyond sensational headlines to explore how Middle Eastern men and women speak and feel about the societies in which they live. Kevin Dwyer makes use of extensive research and interview material from Egypt, Tunisia and Morocco and combines first-hand testimony with vivid and illuminating analysis. The voices are those of lawyers, political militants, religious thinkers, journalists and human rights activists who focus their discussion on the question of human rights and critical issues in social and cultural life.

This book, first published in 1991, moves beyond sensational headlines to explore how Middle Eastern men and women speak and feel about the societies in which they live. Kevin Dwyer makes use of extensive research and interview material from Egypt, Tunisia and Morocco and combines first-hand testimony with vivid and illuminating analysis. The voices are those of lawyers, political militants, religious thinkers, journalists and human rights activists who focus their discussion on the question of human rights and critical issues in social and cultural life.

Drawing from his extensive work on Moroccan cinema, Kevin Dwyer discusses important aspects of Moroccan film culture such as freedom of expression, the role of women, cultural diversity, the promotion of culture, the role of humor, the shifting emphasis on the urban, autobiographical aspects of films, and the development of documentary films.