Kevin Dwyer – författare

Part of the reason millions of fans tune in to Law & Order is the gritty realism of its storytelling. The monumentally popular show has included many episodes inspired by actual cases ripped from the headlines - true crimes that are often stranger and more chilling than fiction.

This book, first published in 1991, moves beyond sensational headlines to explore how Middle Eastern men and women speak and feel about the societies in which they live. Kevin Dwyer makes use of extensive research and interview material from Egypt, Tunisia and Morocco and combines first-hand testimony with vivid and illuminating analysis. The voices are those of lawyers, political militants, religious thinkers, journalists and human rights activists who focus their discussion on the question of human rights and critical issues in social and cultural life.

This book, first published in 1991, moves beyond sensational headlines to explore how Middle Eastern men and women speak and feel about the societies in which they live. Kevin Dwyer makes use of extensive research and interview material from Egypt, Tunisia and Morocco and combines first-hand testimony with vivid and illuminating analysis. The voices are those of lawyers, political militants, religious thinkers, journalists and human rights activists who focus their discussion on the question of human rights and critical issues in social and cultural life.

Based on extended field research and meetings with members of Morocco’s film world, this book traces the development of Moroccan cinema over the past three decades. Drawing from his extensive work on Moroccan cinema, Kevin Dwyer discusses important aspects of Moroccan film culture such as freedom of expression, the role of women, cultural diversity, the promotion of culture, the role of humor, the shifting emphasis on the urban, autobiographical aspects of films, and the development of documentary films. Dwyer closely analyzes a significant number of Moroccan films, providing crucial details about filmmakers; historical context; and comparisons with the cinemas of Tunisia, Algeria, and Egypt.