Kevin Gardner – författare

The book centres on the most significant influence in the development of Betjeman's poetic imagination and that element of his life that he took most seriously: the Church of England. Elegantly and perceptively written, John Betjeman and the Anglican Imagination leads readers through the rollicking and humorous world of Betjeman's writings to gain a clear, grand picture of the turbulent faith behind one of Britain's most popular recent poets.

Nothing matches the look and feel of stone structures in and around your home. Yet most people are intimidated by the very thought of masonry, despite the obvious rewards. In Stone Building, Kevin Gardner distills his decades of experience building and maintaining iconic New England–style stone walls into this concise, informative guide. Gardner offers step-by-step instructions for building everything from flagstone walkways to classic patios and ornate fire pits. He also offers time-tested tips to help care for your stone, as well as repair and restoration advice for existing structures.

Poets have grappled with the vexed question of what constitutes Englishness since time immemorial, and the poetry of the past century has seen perhaps some of the biggest evolutions in national identity.Contraflow takes a completely new approach to the subject of Englishness, and in this stimulating and entertaining anthology two poetic currents flow against each other, so that different decades merge, well-known stanzas brushing shoulders with more neglected verse. What emerges is an extraordinary mosaic of poetic responses to English history, culture and landscape – satirical, visionary, lyrical, comic, political, meditative – yet one which offers a recognisable picture of a land both united and divided through a hundred years. A Guardian and Sunday Times poetry book of the year

The ‘country house poem’ was born in the seventeenth century as a fruitful way of flattering potential patrons. But the genre’s popularity faded – ironically, just as ‘country house society’ was emerging. It was only when the power and influence of the landed classes had all but ebbed away that poets returned to the theme, attracted perhaps by the buildings’ irresistible dereliction, but equally by their often very personal histories. This is the first complete anthology of modern country house poems, and it shows just how far (as Simon Jenkins points out in his Foreword) poems can ‘penetrate the souls of buildings’. Over 160 distinguished poets representing a diversity of class, race, gender, and generation offer fascinating perspectives on stately exteriors and interiors, gardens both wild and cultivated, crumbling ruins and the extraordinary secrets they hide. There are voices of all kinds, whether it’s Edith Sitwell recreating her childhood, W. B. Yeats and Wendy Cope pondering Lissadell, or Simon Armitage’s labourer confronting the Lady who’s ‘got the lot’. We hear from noble landowners and loyal (or rebellious) servants, and from many an inquisitive day-tripper. The book’s dominant note is elegiac, yet comedy, satire, even strains of Gothic can be heard among these potent reflections. Hollow Palaces reminds us how poets can often be the most perceptive of guides to radical changes in society. The book is illustrated by Rosie Greening.