Kevin Killian – författare

The definitive account of the San Francisco Renaissance, through the life of one of its central figures_x000D_/>_x000D_/>Jack Spicer, unlike his contemporaries Allen Ginsberg, Jack Kerouac, and Gary Snyder, was a poet who disdained publishing and relished his role as a social outcast. He died in 1965 virtually unrecognized, yet in the following years his work and thought have attracted and intrigued an international audience. Now this comprehensive biography gives a pivotal poet his due. Based on interviews with scores of Spicer's contemporaries, Poet Be Like God details the most intimate aspects of Spicer's life—his family, his friends, his lovers—illuminating not only the man but also many of his poems._x000D_/>_x000D_/>Such illumination extends also to the works of others whom Spicer came to know, including the writers Frank O'Hara, Robert Duncan, Denise Levertov, Helen Adam, Robin Blaser, Charles Olson, Philip K. Dick, Richard Brautigan, and Marianne Moore and the painters Jess, Fran Herndon, and Jay DeFeo. The resulting narrative, an engaging chronicle of the San Francisco Renaissance and the emergence of the North Beach gay scene during the 50s and 60s, will be indispensable reading for students of American literature and gay studies.

In 1965, when the poet Jack Spicer died at the age of forty, he left behind a trunkful of papers and manuscripts and a few copies of the seven small books he had seen to press. A West Coast poet, his influence spanned the national literary scene of the 1950s and '60s, though in many ways Spicer's innovative writing ran counter to that of his contemporaries in the New York School and the West Coast Beat movement. Now, more than forty years later, Spicer's voice is more compelling, insistent, and timely than ever. During his short but prolific life, Spicer troubled the concepts of translation, voice, and the act of poetic composition itself. My Vocabulary Did This to Me is a landmark publication of this essential poet's life work, and includes poems that have become increasingly hard to find and many published here for the first time.

"Whatever his subject matter, Killian maintains full authority-offering up a homoerotic interpretation of Flannery O'Connor's A Good Man Is Hard to Find and a brilliant imagined history of Hank Williams. Here, under the author's careful control and easygoing charisma, everything seems up for grabs, and almost anything seems possible."-Time Out New York Impossible Princess is the third collection of gay short fiction by PEN Award-winning San Francisco-based author Kevin Killian. A member of the "new narrative" circle including Dennis Cooper and Kathy Acker, Killian is a master short story writer, crafting campy and edgy tales that explore the humor and darkness of desire. A former director of Small Press Traffic and a co-editor of Mirage/Periodical, Killian co-wrote Jack Spicer's biography, Poet Be Like God, and co-edited three Spicer books, including My Vocabulary Did This To Me: Collected Poems. His latest book, Action Kylie, is a collection of poems devoted to Kylie Minogue.

This long overdue anthology of New Narrative includes both classic New Narrative texts and rare supplementary materials, allowing the movement fueled by punk, pop, porn, French theory, and social struggle to bound back to life, ripe with dramatic propulsion, to form a new map of late 20th century creative rebellion.

A posthumous celebration of the poet and provocateur Kevin Killian, Padam Padam pulses with camp, pop culture, and pleasure.Kevin Killian—the puckish poet, playwright, novelist, scholar, and impresario of the Bay Area arts community—channeled the charisma of the pop stars. Pulled from his legendary corpus, and long out of print, the work collected here is the record of Killian’s life as a radical littérateur. In Argento Series, Killian conjures the horror, suspense, and cinematic imagery of director Dario Argento as he documents the AIDS epidemic in San Francisco. In Action Kylie, he revels in queer identity and the universal love of fandom. In Tweaky Village and Tony Greene Era, Killian elevates artists and friends to legendary status within his personal pantheon. And Elements, Killian’s wink at the periodic table, makes its U.S. debut.The collection features an introduction by Kay Gabriel, who writes of Killian’s “fabulous, permissive body of work, charming, filthy and smarmy at turns, with its retchable milk enemas and its devilish twists.”

Collected correspondence showcases the dazzling intelligence of an iconic American writer_x000D_/>_x000D_/>The more than 300 letters collected in Even Strange Ghosts Can Be Shared are a crucial component of Jack Spicer's unique oeuvre, and they radiate with the brilliance, ferocity, and vulnerability that characterizes his poetry. Spicer writes tenderly to lovers and friends in self-reflective series that recall the poetic sequences in My Vocabulary Did This To Me: The Collected Poetry of Jack Spicer. Letters to elders like Charles Olson and Ezra Pound and to poetic collaborators like Robin Blaser and Robert Duncan provide insight into the inner workings of an avant-garde, and are indispensable documents for students of 20th century American poetry. Writing to younger poets, Spicer offers inspiring words of mentorship—sometimes with a sting—about how to live in total devotion to art. Spicer's letters paint a unique portrait of the political and personal challenges faced by a gay man at mid-century, including documents from his involvement in the early gay rights movement. The fully annotated letters in Even Strange Ghosts Can Be Shared contribute vital details to Spicer's biography, Poet Be Like God: Jack Spicer and the San Francisco Renaissance (by Lewis Ellingham and Kevin Killian). They stand alongside the recently published Be Brave to Things: The Uncollected Poetry and Plays of Jack Spicer (edited by Daniel Katz) as key components of Spicer's inventive and influential writings. Readers of Spicer's poetry will delight to find his extraordinary letters—previously uncollected and mostly never-before-published—in one volume._x000D_/>_x000D_/>Publication of this book is funded by the_x000D_/>Beatrice Fox Auerbach Foundation Fund_x000D_/>at the Hartford Foundation for Public Giving