Kevin McDonald – författare

What can the analysis of violence and terror tell us about the modern world? Why is violence often used to achieve religious, cultural or political goals? Can we understand the search for the extreme that increasingly shapes violence today?From 1960s student movements to today's global jihad, this text explores the factors and debates shaping violence and terrorism in our contemporary society. Each chapter confronts examples of disturbing terrorist acts and events of mass violence from recent history and uses these to examine key questions, theories and concepts surrounding this sensitive and controversial topic. In particular, the book:- Identifies core tools for the analysis of public violence - Explores the processes that mutate social movements into violent groups- Describes the cultural, embodied, experiential and imagined dimensions of violence- Highlights different periods and varying forms of terrorist violence - Examines the role of globalization, media, technology and the visual in violence and terror today.Our Violent World shows how the social sciences can contribute to an understanding of violence and responses to terror, as well as the construction of a social world less dominated by fear of the other. It is a must-read for students and citizens.

What can the analysis of violence and terror tell us about the modern world? Why is violence often used to achieve religious, cultural or political goals? Can we understand the search for the extreme that increasingly shapes violence today?From 1960s student movements to today's global jihad, this text explores the factors and debates shaping violence and terrorism in our contemporary society. Each chapter confronts examples of disturbing terrorist acts and events of mass violence from recent history and uses these to examine key questions, theories and concepts surrounding this sensitive and controversial topic. In particular, the book:- Identifies core tools for the analysis of public violence - Explores the processes that mutate social movements into violent groups- Describes the cultural, embodied, experiential and imagined dimensions of violence- Highlights different periods and varying forms of terrorist violence - Examines the role of globalization, media, technology and the visual in violence and terror today.Our Violent World shows how the social sciences can contribute to an understanding of violence and responses to terror, as well as the construction of a social world less dominated by fear of the other. It is a must-read for students and citizens.

Fully updated and expanded throughout, this second edition of Film Theory: The Basics provides an accessible introduction to the key theorists, concepts, and debates that have shaped the study of moving images. The book examines film theory from its emergence in the early twentieth century to its study in the present day, and explores why film has drawn special attention as a medium, as a form of representation, and as a focal point in the rise of modern visual culture. It also emphasizes how film theory has developed as a historically contingent discourse, one that has evolved and changed in conjunction with different social, political, and intellectual factors. This second edition offers a detailed account of new theoretical directions at the forefront of film studies in the twenty-first century, and draws additional attention to how theory engages with today’s most pressing questions about digital technologies, the environment, and racial justice. Complete with questions for discussion and a glossary of both key terms and key theorists, this book in an invaluable resource for those new to film theory and for anyone else interested in the history and significance of critical thinking in relation to the moving image.

Fully updated and expanded throughout, this second edition of Film Theory: The Basics provides an accessible introduction to the key theorists, concepts, and debates that have shaped the study of moving images. The book examines film theory from its emergence in the early twentieth century to its study in the present day, and explores why film has drawn special attention as a medium, as a form of representation, and as a focal point in the rise of modern visual culture. It also emphasizes how film theory has developed as a historically contingent discourse, one that has evolved and changed in conjunction with different social, political, and intellectual factors. This second edition offers a detailed account of new theoretical directions at the forefront of film studies in the twenty-first century, and draws additional attention to how theory engages with today’s most pressing questions about digital technologies, the environment, and racial justice. Complete with questions for discussion and a glossary of both key terms and key theorists, this book in an invaluable resource for those new to film theory and for anyone else interested in the history and significance of critical thinking in relation to the moving image.

This book, first published in 2000, explores the relationship between experiences of selfhood and patterns of social life. It does so through an encounter with young people who confront urgent social and cultural transformations, whose experience of selfhood is unclear, often shaped by social forces that while powerful, appear difficult, if not impossible to name. These young people live in a world where institutions are weakening and identities fragmenting, where socialisation into roles is being replaced by imperatives of communication and self-esteem. Their world is shaped by different forms of freedom, but also by different forms of social polarisation and conflict. More than other social groups, young people confront the imperative of locating a sense of self and subjectivity, and this book is an account of this struggle in a context of profound social and cultural change.

This book, first published in 2000, explores the relationship between experiences of selfhood and patterns of social life. It does so through an encounter with young people who confront urgent social and cultural transformations, whose experience of selfhood is unclear, often shaped by social forces that while powerful, appear difficult, if not impossible to name. These young people live in a world where institutions are weakening and identities fragmenting, where socialisation into roles is being replaced by imperatives of communication and self-esteem. Their world is shaped by different forms of freedom, but also by different forms of social polarisation and conflict. More than other social groups, young people confront the imperative of locating a sense of self and subjectivity, and this book is an account of this struggle in a context of profound social and cultural change.

Centered on streaming media platforms, this book explores how digital technologies have fundamentally transformed the way we understand entertainment and the tightening nexus between technology, culture, and capitalism.Building on a wide-ranging body of interdisciplinary inquiry, extending from media industry studies and critical political economy to media archaeology and film and media studies more generally, this book presents a unique critical approach that moves from macro-level analysis of industry economics to micro-level considerations focusing, for example, on streaming’s impact in changing narrative styles, genre formation, and related text-based aesthetic trends. The book’s core chapters develop in-depth analyses of streaming media’s three most emblematic platforms, Disney+, Netflix, and YouTube, highlighting their specificities while also assessing their place within a larger, shifting ecosystem. In offering a comparative account attentive to the importance of both historicizing and theorizing the changes brought about by streaming, this book lays out a path for renewed critical thinking about the contradictions in contemporary media and their impact on life in the 21st century.This is essential reading for advanced students and scholars interested in the ever-evolving relationship between technology, media, culture, and economics.

Centered on streaming media platforms, this book explores how digital technologies have fundamentally transformed the way we understand entertainment and the tightening nexus between technology, culture, and capitalism.Building on a wide-ranging body of interdisciplinary inquiry, extending from media industry studies and critical political economy to media archaeology and film and media studies more generally, this book presents a unique critical approach that moves from macro-level analysis of industry economics to micro-level considerations focusing, for example, on streaming’s impact in changing narrative styles, genre formation, and related text-based aesthetic trends. The book’s core chapters develop in-depth analyses of streaming media’s three most emblematic platforms, Disney+, Netflix, and YouTube, highlighting their specificities while also assessing their place within a larger, shifting ecosystem. In offering a comparative account attentive to the importance of both historicizing and theorizing the changes brought about by streaming, this book lays out a path for renewed critical thinking about the contradictions in contemporary media and their impact on life in the 21st century.This is essential reading for advanced students and scholars interested in the ever-evolving relationship between technology, media, culture, and economics.

Over the past decade we have witnessed the extraordinary rise of new global movements that throw into question the way we think about culture, power and action in a globalizing world. Examines three of the most significant global social movements of the last decade: anti-globalization, new Islamic movements, and the Falun Gong in China.Explores key dimensions of these movements, the tensions they confront, and the crises that created them.Demonstrates how these global movements require a rethinking of the very idea of social movements

Netflix is the definitive media company of the 21st century. It was among the first to parlay new Internet technologies into a successful business model, and in the process it changed how consumers access film and television. It is now one of the leading providers of digitally delivered media content and is continually expanding access across a host of platforms and mobile devices. Despite its transformative role, however, Netflix has drawn very little critical attention—far less than competitors such as YouTube, Apple, Amazon, Comcast, and HBO.This collection addresses this gap, as the essays are designed to critically explore the breadth and diversity of Netflix's effect from a variety of different scholarly perspectives, a necessary approach considering the hybrid nature of Netflix, its inextricable links to new models of media production, distribution, viewer engagement and consumer behavior, its relationship to existing media conglomerates and consumer electronics, its capabilities as a web-based service provider and data network, and its reliance on a broader technological infrastructure.

Netflix is the definitive media company of the 21st century. It was among the first to parlay new Internet technologies into a successful business model, and in the process it changed how consumers access film and television. It is now one of the leading providers of digitally delivered media content and is continually expanding access across a host of platforms and mobile devices. Despite its transformative role, however, Netflix has drawn very little critical attention—far less than competitors such as YouTube, Apple, Amazon, Comcast, and HBO.This collection addresses this gap, as the essays are designed to critically explore the breadth and diversity of Netflix's effect from a variety of different scholarly perspectives, a necessary approach considering the hybrid nature of Netflix, its inextricable links to new models of media production, distribution, viewer engagement and consumer behavior, its relationship to existing media conglomerates and consumer electronics, its capabilities as a web-based service provider and data network, and its reliance on a broader technological infrastructure.

From Paris to San Bernardino, Barcelona to Manchester, home-grown terrorism is among the most urgent challenges confronting Western nations. Attempts to understand jihadism have typically treated it as a form of political violence or religious conflict. However, the closer we get to the actual people involved in radicalization, the more problematic these explanations become.In this fascinating book, Kevin McDonald shows that the term radicalization unifies what are in fact very different experiences. These new violent actors, whether they travelled to Syria or killed at home, range from former drug dealers and gang members to students and professionals, mothers with young children and schoolgirls. This innovative book sets out to explore radicalization not as something done to people but as something produced by active participants, attempting to make sense of themselves and their world. In doing so, McDonald offers powerful portraits of the immersive worlds of social media so fundamental to present-day radicalization.Radicalization offers a bold new way of understanding the contemporary allure of jihad and, in the process, important directions in responding to it.

From Paris to San Bernardino, Barcelona to Manchester, home-grown terrorism is among the most urgent challenges confronting Western nations. Attempts to understand jihadism have typically treated it as a form of political violence or religious conflict. However, the closer we get to the actual people involved in radicalization, the more problematic these explanations become.In this fascinating book, Kevin McDonald shows that the term radicalization unifies what are in fact very different experiences. These new violent actors, whether they travelled to Syria or killed at home, range from former drug dealers and gang members to students and professionals, mothers with young children and schoolgirls. This innovative book sets out to explore radicalization not as something done to people but as something produced by active participants, attempting to make sense of themselves and their world. In doing so, McDonald offers powerful portraits of the immersive worlds of social media so fundamental to present-day radicalization.Radicalization offers a bold new way of understanding the contemporary allure of jihad and, in the process, important directions in responding to it.