Kevin Scully – författare

Working en plein-air is a French term that means literally 'in the open air' and, although artists have been doing just that for centuries, the concept is experiencing a resurgence today. Sketchers and painters alike are leaving their studios and heading out into the open air. This book encourages you to join them. Full of in-depth advice and practical instruction, it explains how to make the most of painting outside and how to capture the very essence of a scene with a far greater authenticity than can be achieved when working from a second-hand image. Covers an array of mediums including pencils, pastels, pens, watercolours, oils and acrylics.

Working en plein-air is a French term that means literally ''in the open air'' and, although artists have been doing just that for centuries, the concept is experiencing a resurgence today. Sketchers and painters alike are leaving their studios and heading out into the open air. This book encourages you to join them. Full of in-depth advice and practical instruction, it explains how to make the most of painting outside and how to capture the very essence of a scene with a far greater authenticity than can be achieved when working from a second-hand image. Covers an array of mediums including pencils, pastels, pens, watercolours, oils and acrylics.

The landscape is probably the most popular theme for artists, and this book takes you through the fundamental concepts and techniques necessary for painting the natural world. It presents a vast range of practical information and advice for both beginners and more experienced painters; it will help them develop their knowledge and skill in painting the landscape both in the studio and also when working en plein-air. From initial planning through to finished paintings, you will be shown how to tackle this vast and exciting subject.

Gouache is an exciting, forgiving and versatile fine art medium. It has a long history going back many centuries, but for some time it has been seen as a medium for illustrators and designers. It has now been rediscovered by the fine artist. In this beautiful book, Kevin Scully champions its cause and explores its attributes. He explains how it can be used to exciting and stunning effect when painting still life. Further topics include: understanding and using colour effectively with sections on paint, colour, tone, light and shadow; painting flowers, objects and backgrounds; traditional and contemporary approaches with step-by-step examples and finally, ways to develop your painting and experiment with different styles, exciting compositions and new techniques.