Kiese Laymon – författare

A lyrical picture book from the award-winning author of Heavy, about three Black boys who form a deep connection during a transformative summer trip down South to visit family.

''I was stunned into stillness'' Roxane Gay, author of Bad Feminist''I''ve had guns pulled on me by four people under Central Mississippi skies – once by a white undercover cop, once by a young brother trying to rob me for the left-overs of a weak work-study check, once by my mother and twice by myself. Not sure how or if I''ve helped many folks say yes to life, but I''ve definitely aided in a few folks dying slowly in America, all without the aid of a gun''Kiese Laymon grew up in Jackson, Mississippi. That was where he started to write and where he began to seek to create an honest account of living in the US, a country striving to declare itself multi-cultural, post-racial and mostly innocent. This is that account.Drawing on his own personal experiences, these essays are Laymon''s attempt to deal with many issues occupying America today, from race, identity and writing to music, celebrity and violence. Through letters between his own disparate family members, pleas to performers whose voices will never be heard again, recollections of his own failure to become a world-famous emcee, analysis of the growing culture of fear in the media and detailed accounts of his clashes with an education system that has both advanced and failed the generation he grew up in, Laymon gets closer not only to the truth behind himself, but to the promises behind the promised land.Searing and passionate, this timely collection of essays introduces a vibrant new voice in US literature and offers a unique insight into the forces that are tearing America apart today.

*Selected as One of the Best Books of the 21st Century by The New York Times* *Named a Best Book of the Year by The New York Times, Publishers Weekly, NPR, Broadly, BuzzFeed (Nonfiction), The Undefeated, Library Journal (Biography/Memoirs), The Washington Post (Nonfiction), Southern Living (Southern), Entertainment Weekly, and The New York Times Critics* In this powerful, provocative, and universally lauded memoir—winner of the Andrew Carnegie Medal and finalist for the Kirkus Prize—genre-bending essayist and novelist Kiese Laymon “provocatively meditates on his trauma growing up as a black man, and in turn crafts an essential polemic against American moral rot” (Entertainment Weekly).In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to time in New York as a college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. Heavy is a “gorgeous, gutting…generous” (The New York Times) memoir that combines personal stories with piercing intellect to reflect both on the strife of American society and on Laymon’s experiences with abuse. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, he asks us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free. “A book for people who appreciated Roxane Gay’s memoir Hunger” (Milwaukee Journal Sentinel), Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family through years of haunting implosions and long reverberations. “You won’t be able to put [this memoir] down…It is packed with reminders of how black dreams get skewed and deferred, yet are also pregnant with the possibility that a kind of redemption may lie in intimate grappling with black realities” (The Atlantic).

*Selected as One of the Best Books of the 21st Century by The New York Times* *Named a Best Book of the Year by The New York Times, Publishers Weekly, NPR, Broadly, BuzzFeed (Nonfiction), The Undefeated, Library Journal (Biography/Memoirs), The Washington Post (Nonfiction), Southern Living (Southern), Entertainment Weekly, and The New York Times Critics* In this powerful, provocative, and universally lauded memoir—winner of the Andrew Carnegie Medal and finalist for the Kirkus Prize—genre-bending essayist and novelist Kiese Laymon “provocatively meditates on his trauma growing up as a black man, and in turn crafts an essential polemic against American moral rot” (Entertainment Weekly).In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to time in New York as a college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. Heavy is a “gorgeous, gutting…generous” (The New York Times) memoir that combines personal stories with piercing intellect to reflect both on the strife of American society and on Laymon’s experiences with abuse. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, he asks us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free. “A book for people who appreciated Roxane Gay’s memoir Hunger” (Milwaukee Journal Sentinel), Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family through years of haunting implosions and long reverberations. “You won’t be able to put [this memoir] down…It is packed with reminders of how black dreams get skewed and deferred, yet are also pregnant with the possibility that a kind of redemption may lie in intimate grappling with black realities” (The Atlantic).

_______________''So beautifully written, so insightful, so thoughtful, so honest, so vulnerable, so intimate ... A gift'' - Jesmyn Ward''Wow. Just wow'' - Roxane Gay''Unflinchingly honest'' - Reni Eddo-Lodge''An act of truth-telling unlike any other I can think of'' - Alexander Chee_______________A TLS BOOK OF THE YEAR_______________The story of the black male experience in America you''ve never read beforeKiese Laymon grew up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to his career as a young college professor, Laymon charts his complex relationship with his mother, grandmother, abuse, anorexia, obesity, sex, writing and ultimately gambling.In Heavy, by attempting to name secrets and lies that he and his mother spent a lifetime avoiding, Laymon asks himself, his mother, his nation and us to confront the terrifying possibility that few know how to love responsibly, and even fewer want to live under the weight of actually becoming free.A defiant yet vulnerable memoir that Laymon started writing when he was eleven, Heavy is an insightful exploration of weight, identity, art, friendship and family._______________''Laymon''s writing, as rich and elegant as mahogany, offers us comfort even as we grapple with his book''s unflinching honesty ... Excellent'' - New York Times

_______________'So beautifully written, so insightful, so thoughtful, so honest, so vulnerable, so intimate ... A gift' - Jesmyn Ward'Wow. Just wow' - Roxane Gay'Unflinchingly honest' - Reni Eddo-Lodge'An act of truth-telling unlike any other I can think of' - Alexander Chee_______________A TLS BOOK OF THE YEAR_______________The story of the black male experience in America you’ve never read beforeKiese Laymon grew up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to his career as a young college professor, Laymon charts his complex relationship with his mother, grandmother, abuse, anorexia, obesity, sex, writing and ultimately gambling. In Heavy, by attempting to name secrets and lies that he and his mother spent a lifetime avoiding, Laymon asks himself, his mother, his nation and us to confront the terrifying possibility that few know how to love responsibly, and even fewer want to live under the weight of actually becoming free.A defiant yet vulnerable memoir that Laymon started writing when he was eleven, Heavy is an insightful exploration of weight, identity, art, friendship and family._______________'Laymon's writing, as rich and elegant as mahogany, offers us comfort even as we grapple with his book's unflinching honesty ... Excellent' - New York Times

Winner of the NAACP Image Award for Fiction From the uthor of the critically acclaimed memoir Heavy, comes a “funny, astute, searching” (The Wall Street Journal) debut novel about Black teenagers that is a satirical exploration of celebrity, authorship, violence, religion, and coming of age in post-Katrina Mississippi. Written in a voice that’s alternately humorous, lacerating, and wise, Long Division features two interwoven stories. In the first, it’s 2013: after an on-stage meltdown during a nationally televised quiz contest, fourteen-year-old Citoyen “City” Coldson becomes an overnight YouTube celebrity. The next day, he’s sent to stay with his grandmother in the small coastal community of Melahatchie, where a young girl named Baize Shephard has recently disappeared. Before leaving, City is given a strange book without an author called Long Division. He learns that one of the book’s main characters is also named City Coldson—but Long Division is set in 1985. This 1985-version of City, along with his friend and love interest, Shalaya Crump, discovers a way to travel into the future, and steals a laptop and cellphone from an orphaned teenage rapper called...Baize Shephard. They ultimately take these items with them all the way back to 1964, to help another time-traveler they meet to protect his family from the Ku Klux Klan. City’s two stories ultimately converge in the work shed behind his grandmother’s house, where he discovers the key to Baize’s disappearance. Brilliantly “skewering the disingenuous masquerade of institutional racism” (Publishers Weekly), this dreamlike “smart, funny, and sharp” (Jesmyn Ward), novel shows the work that young Black Americans must do, while living under the shadow of a history “that they only gropingly understand and must try to fill in for themselves” (The Wall Street Journal).

A New York Times Notable Book A revised collection with thirteen essays, including six new to this edition and seven from the original edition, by the “star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful” (NPR).Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential reading. This new edition of award-winning author Kiese Laymon’s first work of nonfiction looks inward, drawing heavily on the author and his family’s experiences, while simultaneously examining the world—Mississippi, the South, the United States—that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these thirteen insightful essays highlight Laymon’s profound love of language and his artful rendering of experience, trumpeting why he is “simply one of the most talented writers in America” (New York magazine).

A New York Times Notable Book A revised collection with thirteen essays, including six new to this edition and seven from the original edition, by the “star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful” (NPR).Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential reading. This new edition of award-winning author Kiese Laymon’s first work of nonfiction looks inward, drawing heavily on the author and his family’s experiences, while simultaneously examining the world—Mississippi, the South, the United States—that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these thirteen insightful essays highlight Laymon’s profound love of language and his artful rendering of experience, trumpeting why he is “simply one of the most talented writers in America” (New York magazine).

From Kiese Laymon, author of the critically acclaimed memoir Heavy, comes a “funny, astute, searching” (The Wall Street Journal) debut novel about Black teenagers that is a satirical exploration of celebrity, authorship, violence, religion, and coming of age in post-Katrina Mississippi. Written in a voice that’s alternately humorous, lacerating, and wise, Long Division features two interwoven stories. In the first, it’s 2013: after an on-stage meltdown during a nationally televised quiz contest, fourteen-year-old Citoyen “City” Coldson becomes an overnight YouTube celebrity. The next day, he’s sent to stay with his grandmother in the small coastal community of Melahatchie, where a young girl named Baize Shephard has recently disappeared. Before leaving, City is given a strange book without an author called Long Division. He learns that one of the book’s main characters is also named City Coldson—but Long Division is set in 1985. This 1985-version of City, along with his friend and love interest, Shalaya Crump, discovers a way to travel into the future, and steals a laptop and cellphone from an orphaned teenage rapper called...Baize Shephard. They ultimately take these items with them all the way back to 1964, to help another time-traveler they meet to protect his family from the Ku Klux Klan. City’s two stories ultimately converge in the work shed behind his grandmother’s house, where he discovers the key to Baize’s disappearance. Brilliantly “skewering the disingenuous masquerade of institutional racism” (Publishers Weekly), this dreamlike “smart, funny, and sharp” (Jesmyn Ward), novel shows the work that young Black Americans must do, while living under the shadow of a history “that they only gropingly understand and must try to fill in for themselves” (The Wall Street Journal).

Winner of the NAACP Image Award for Fiction From the uthor of the critically acclaimed memoir Heavy, comes a “funny, astute, searching” (The Wall Street Journal) debut novel about Black teenagers that is a satirical exploration of celebrity, authorship, violence, religion, and coming of age in post-Katrina Mississippi. Written in a voice that’s alternately humorous, lacerating, and wise, Long Division features two interwoven stories. In the first, it’s 2013: after an on-stage meltdown during a nationally televised quiz contest, fourteen-year-old Citoyen “City” Coldson becomes an overnight YouTube celebrity. The next day, he’s sent to stay with his grandmother in the small coastal community of Melahatchie, where a young girl named Baize Shephard has recently disappeared. Before leaving, City is given a strange book without an author called Long Division. He learns that one of the book’s main characters is also named City Coldson—but Long Division is set in 1985. This 1985-version of City, along with his friend and love interest, Shalaya Crump, discovers a way to travel into the future, and steals a laptop and cellphone from an orphaned teenage rapper called...Baize Shephard. They ultimately take these items with them all the way back to 1964, to help another time-traveler they meet to protect his family from the Ku Klux Klan. City’s two stories ultimately converge in the work shed behind his grandmother’s house, where he discovers the key to Baize’s disappearance. Brilliantly “skewering the disingenuous masquerade of institutional racism” (Publishers Weekly), this dreamlike “smart, funny, and sharp” (Jesmyn Ward), novel shows the work that young Black Americans must do, while living under the shadow of a history “that they only gropingly understand and must try to fill in for themselves” (The Wall Street Journal).

Kiese Laymon växer upp i ett litet hus i Jackson, Mississippi fullt med böcker. Hans mamma är den framstående statsvetaren i staden som varje dag ger sonen i läxa att skriva uppsatser om Faulkner och amerikanska presidenter. Hennes son ska aldrig vara rädd för ord. Hanska inte säga ain’t. Och han ska veta exakt hur man beter sig när man har med polisen att göra. Kiese Laymon fostras att bli den oklanderlige svarta mannen som ingen vit människa i världen kan sätta sig på.

Tung är en intensiv bok om en son och en mor sammanbundna av intimitet och kärlek, våld och utsatthet. Modern ger honom den största gåvan hon vet, litteraturen och skrivandet, och gör allt hon kan för att skydda honom mot farorna som hotar en svart pojke i Amerika. Men själv slår hon pojken, plötsligt och hårt.

Kiese Laymon skriver ömt och på samma gång skoningslöst om hemligheter och lögner. Han skriver om tyngden i ett liv präglat av anorexia, övervikt, missbruk och rasism och det arv som förs vidare från förälder till barn.

"Det är en på en gång skoningslös och kärleksfull text. /.../ Prosan är poetisk, intuitiv och rik." Borås Tidning

Kiese Laymon växer upp i ett litet hus i Jackson, Mississippi fullt med böcker. Hans mamma är den framstående statsvetaren i staden som varje dag ger sonen i läxa att skriva uppsatser om Faulkner och amerikanska presidenter. Hennes son ska aldrig vara rädd för ord. Hanska inte säga ain’t. Och han ska veta exakt hur man beter sig när man har med polisen att göra. Kiese Laymon fostras att bli den oklanderlige svarta mannen som ingen vit människa i världen kan sätta sig på.

Tung är en intensiv bok om en son och en mor sammanbundna av intimitet och kärlek, våld och utsatthet. Modern ger honom den största gåvan hon vet, litteraturen och skrivandet, och gör allt hon kan för att skydda honom mot farorna som hotar en svart pojke i Amerika. Men själv slår hon pojken, plötsligt och hårt.

Kiese Laymon skriver ömt och på samma gång skoningslöst om hemligheter och lögner. Han skriver om tyngden i ett liv präglat av anorexia, övervikt, missbruk och rasism och det arv som förs vidare från förälder till barn.

"Det är en på en gång skoningslös och kärleksfull text. /.../ Prosan är poetisk, intuitiv och rik." Borås Tidning