Kim Haines-Eitzen – författare

The contentious life and times of the most widely cited book of the New TestamentWritten some two thousand years ago, the Gospel of John is the only Christian Gospel to place Jesus at the creation of the world, and the only one where we find the stories of the raising of Lazarus, the woman taken in adultery, and the changing of water into wine at the wedding in Cana. The Gospel of John also points an accusing finger at Jesus’s Jewish opponents and has been used by medieval crusaders, Protestant reformers, and white supremacists to legitimize antisemitic violence. Kim Haines-Eitzen traces the legacy of this complex, beautiful, and at times deeply troubling work, from its composition in the late first century to its enduring power today.Haines-Eitzen sheds light on the book’s reception by early Christian gnostic and patristic commentators, its use in the Crusades and Reformation, its revered status among American evangelicals, and the many ways it has inspired novels, films, music, and art. The earliest papyrus fragment of an identifiably Christian Gospel is a fragment of John, and John is the only canonical Gospel that depicts Jesus as a savior who teaches openly about his divinity. Haines-Eitzen shows how John simultaneously carries a message of inclusion and intolerance, and how its story teaches us about the nature and enormous influence of scriptural religions.Compelling and provocative, The Gospel of John reveals how this dynamic, malleable biblical work has both unified and divided Christians over centuries of translation, interpretation, and creative reimagining.

Who were the scribes who copied early Christian literature during the second and third centuries? What roles did they play in the reproduction and dissemination of these writings? To answer these questions, this study uses evidence from early Christian literature and the earliest Christian papyri - including their form, physical features, and textual characteristics.

Books and bodies, women and books lie thematically at the center of The Gendered Palimpsest, which explores the roles that women played in the production, reproduction, and dissemination of early Christian books, and how the representation of female characters is contested through the medium of writing and copying. The book is organized in two sections, the first of which treats historical questions: To what extent were women authors, scribes, book-lenders, and patrons of early Christian literature? How should we understand the representation of women readers in ascetic literature? The second section of the book turns to text-critical questions: How and why were stories of women modified in the process of copying? And how did debates about asceticism - and, more specifically, the human body - find their way into the textual transmission of canonical and apocryphal literature? Throughout, Haines-Eitzen uses the notion of a palimpsest in its broadest sense to highlight the problems of representation, layering, erasure, and reinscription. In doing so, she provides a new dimension to the gendered history of early Christianity.

Enduring lessons from the desert soundscapes that shaped the Christian monastic traditionFor the hermits and communal monks of antiquity, the desert was a place to flee the cacophony of ordinary life in order to hear and contemplate the voice of God. But these monks discovered something surprising in their harsh desert surroundings: far from empty and silent, the desert is richly reverberant. Sonorous Desert shares the stories and sayings of these ancient spiritual seekers, tracing how the ambient sounds of wind, thunder, water, and animals shaped the emergence and development of early Christian monasticism.Kim Haines-Eitzen draws on ancient monastic texts from Egypt, Sinai, and Palestine to explore how noise offered desert monks an opportunity to cultivate inner quietude, and shows how the desert quests of ancient monastics offer profound lessons for us about what it means to search for silence. Drawing on her own experiences making field recordings in the deserts of North America and Israel, she reveals how mountains, canyons, caves, rocky escarpments, and lush oases are deeply resonant places. Haines-Eitzen discusses how the desert is a place of paradoxes, both silent and noisy, pulling us toward contemplative isolation yet giving rise to vibrant collectives of fellow seekers.Accompanied by Haines-Eitzen’s evocative audio recordings of desert environments, Sonorous Desert reveals how desert sounds taught ancient monks about solitude, silence, and the life of community, and how they can help us understand ourselves if we slow down and listen.