Kirsti Andersen - Böcker

Key Issues ver since the late 1970s when Pia Holdt, a student of mine at the time, and Jed Buchwald, a colleague normally working in another field, made E me aware of how fascinating the history of perspective constructions is, I have wanted to know more.

The aim of this book is to make accessible the two important but rare works of Brook Taylor and to describe his role in the history of linear perspective. Taylor's works, Linear Perspective and New Principles on Linear Perspective, are among the most important sources in the history of the theory of perspective. This text focuses on two aspects of this history. The first is the development, starting in the beginning of the 17th century, of a mathematical theory of perspective where gifted mathematicians used their creativity to solve basic problems of perspective and simultaneously were inspired to consider more general problems in the projective geometry. Taylor was one of the key figures in this development. The second aspect concerns the problem of transmitting the knowledge gained by mathematicians to the practitioners. Although Taylor's books were mathematical rather than challenging, he was the first mathematician to succeed in making the practitioners interested in teaching the theoretical foundation of perspective. He became so important in the development that he was named "the father of modern perspective" in England. The English school of Taylor followers contained among others the painter John Kirby and Joseph Highmore and the scientist Joseph Priestley. After its translation to Italian and French in the 1750s, Taylor's work became popular on the continent.

The aim of this book is to make accessible the two important but rare works of Brook Taylor and to describe his role in the history of linear perspective. Taylor's works, Linear Perspective and New Principles on Linear Perspective, are among the most important sources in the history of the theory of perspective. This text focuses on two aspects of this history. The first is the development, starting in the beginning of the 17th century, of a mathematical theory of perspective where gifted mathematicians used their creativity to solve basic problems of perspective and simultaneously were inspired to consider more general problems in the projective geometry. Taylor was one of the key figures in this development. The second aspect concerns the problem of transmitting the knowledge gained by mathematicians to the practitioners. Although Taylor's books were mathematical rather than challenging, he was the first mathematician to succeed in making the practitioners interested in teaching the theoretical foundation of perspective. He became so important in the development that he was named "the father of modern perspective" in England. The English school of Taylor followers contained among others the painter John Kirby and Joseph Highmore and the scientist Joseph Priestley. After its translation to Italian and French in the 1750s, Taylor's work became popular on the continent.

Optical Illusions in Rome is a beautifully written and richly illustrated guide that takes the reader on a tour through ingenious uses of geometry to create illusory impressions of space and grandeur in Italian Renaissance art and architecture in the Eternal City. The book takes us to some of the most striking and historically important uses of optical illusion and includes works of Peruzzi, Borromini, and Pozzo. The artworks are analyzed geometrically and placed in their historical context. The notes on visiting the art described make the volume the perfect companion for a study trip to Rome. A chapter on the principles of perspective geometry and a collection of exercises make the book a wonderful resource for a module on perspective in a geometry or art history course. The mathematical discussion is kept at a level accessible to a reader with a familiarity with high school geometry.Kirsti Andersen is a distinguished historian of mathematics and emerita faculty at Aarhus University. Her previous book, The Geometry of an Art, is widely recognized as the definitive work on the history of the use of perspective in European art. Viktor Blasjo, the translator, is a historian of mathematics on the faculty at Utrecht University. Blasjo has won both the Ford and Polya prizes for expository writing from the Mathematical Association of America.