Koleka Putuma - Böcker

Everybody has a fear, but with a little bit of bravery, fear can disappear... and become an adventure. A fear can be BIG or small, loud or quiet, far away or too near. This lyrical picture book explores the relationship we have with fear and how, with a little bit of bravery, we can all find the courage to overcome our fears. Written in lyrical verse by award-winning writer and poet Koleka Putuma, the story follows the children from the town of Possibility as they journey through their fears and find the bravery to face them. With striking artwork by Amanda Mijangos, this beautiful and empowering picture book celebrates the bravery and courage within all of us.The perfect gift for fans of Maya Angelou's inspiring poem Life Doesn't Frighten Me.

Press both feet to the ground. Place your hand on your heart.You are brave and capable.It will always be your time.An empowering and uplifting collection of poems from groundbreaking and award-winning poet Koleka Putuma, about figuring out who you are and embracing it.With words to affirm, this is the ideal companion to hold your hand while you navigate all the big questions, discoveries and transitions of young adulthood. The perfect gift for fans of Rupi Kaur, Nikita Gill and Elizabeth Acevedo.

This volume uniquely draws together seven contemporary plays by a selection of the finest African women writers and practitioners from across the continent, offering a rich and diverse portrait of identity, politics, culture, gender issues and society in contemporary Africa.Niqabi Ninja by Sara Shaarawi (Egypt) is set in Cairo during the chaotic time of the Egyptian uprising. Not That Woman by Tosin Jobi-Tume (Nigeria) addresses issues of violence against women in Nigeria and its attendant conspiracy of silence. The play advocates zero-tolerance for violence against women and urges women to bury shame and speak out rather than suffer in silence.I Want To Fly by Thembelihle Moyo (Zimbabwe) tells the story of an African girl who wants to be a pilot. It looks at how patriarchal society shapes the thinking of men regarding lobola (bride price), how women endure abusive men and the role society at large plays in these issues.Silent Voices by Adong Judith (Uganda) is a one-act play based on interviews with people involved in the LRA and the effects of the civil war in Uganda. It critiques this, and by implication, other truth commissions. Unsettled by JC Niala (Kenya) deals with gender violence, land issues and relations of both black and white Kenyans living in, and returning to, the country.Mbuzeni by Koleka Putuma (South Africa) is a story of four female orphans, aged eight to twelve, their sisterhood and their fixation with death and burials. It explores the unseen force that governs and dictates the laws that the villagers live by.Bonganyi by Sophia Kwachuh Mempuh (Cameroon) depicts the effects of colonialism as told through the story of a slave girl: a singer and dancer, who wants to win a competition to free her family.Each play also includes a biography of the playwright, the writer’s own artistic statement, a production history of the play and a critical contextualisation of the theatrical landscape from which each woman is writing.

This volume uniquely draws together seven contemporary plays by a selection of the finest African women writers and practitioners from across the continent, offering a rich and diverse portrait of identity, politics, culture, gender issues and society in contemporary Africa.Niqabi Ninja by Sara Shaarawi (Egypt) is set in Cairo during the chaotic time of the Egyptian uprising.Not That Woman by Tosin Jobi-Tume (Nigeria) addresses issues of violence against women in Nigeria and its attendant conspiracy of silence. The play advocates zero-tolerance for violence against women and urges women to bury shame and speak out rather than suffer in silence.I Want To Fly by Thembelihle Moyo (Zimbabwe) tells the story of an African girl who wants to be a pilot. It looks at how patriarchal society shapes the thinking of men regarding lobola (bride price), how women endure abusive men and the role society at large plays in these issues.Silent Voices by Adong Judith (Uganda) is a one-act play based on interviews with people involved in the LRA and the effects of the civil war in Uganda. It critiques this, and by implication, other truth commissions.Unsettled by JC Niala (Kenya) deals with gender violence, land issue, and relations of both black and white Kenyans living in, and returning to, the country.Mbuzeni by Koleka Putuma (South Africa) is a story of four female orphans, aged eight to twelve, their sisterhood and their fixation with death and burials. It explores the unseen force that governs and dictates the laws that the villagers live by.Bonganyi by Sophia Mempuh Kwachuh (Cameroon) depicts the effects of colonialism as told through the story of a slave girl: a singer and dancer, who wants to win a competition to free her family.Each play also includes a biography of the playwright, the writer’s own artistic statement, a production history of the play and a critical contextualisation of the theatrical landscape from which each woman is writing.

50 år efter The summer of love är de kärleksbudskap som då formu­lerades i marginalen vanligt förekommande inslag i gängse politisk retorik. Det är på detta språk som kampen nu utspelar sig. Det kan handla om att älska sitt land eller om rätten att älska den man vill. Alltmer av det som står på spel i dagens politik, liksom i samhället i övrigt, tycks uttryckas i sådana termer. Samtidigt är det många frågor som aldrig ställs till just kärleken. I det nya numret av Glänta frågar sig Mara Lee om rasism kan lära oss något om kärlek och Sara Ahmed frågar om kärlek kan lära oss något om rasism. Dessutom en mycket lång spellista med olika svar, bland mycket annat.