Krešimir Purgar – författare

This book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language. The contributors demonstrate that abstraction is not primarily an artistic phenomenon, but rather arises from human beings’ desire to imagine, understand and communicate complex, ineffable concepts in fields ranging from fine art and philosophy to technologies of data visualization, from cartography and medicine to astronomy. The book will be of interest to scholars working in image studies, visual studies, art history, philosophy and aesthetics.

This book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language. The contributors demonstrate that abstraction is not primarily an artistic phenomenon, but rather arises from human beings’ desire to imagine, understand and communicate complex, ineffable concepts in fields ranging from fine art and philosophy to technologies of data visualization, from cartography and medicine to astronomy. The book will be of interest to scholars working in image studies, visual studies, art history, philosophy and aesthetics.

W.J.T. Mitchell – one of the founders of visual studies – has been at the forefront of many disciplines such as iconology, art history and media studies. His concept of the pictorial turn is known worldwide for having set new philosophical paradigms in dealing with our vernacular visual world. This book will help both students and seasoned scholars to understand key terms in visual studies – pictorial turn, metapictures, literary iconology, image/text, biopictures or living pictures, among many others – while systematically presenting the work of Mitchell as one of the discipline's founders and most prominent figures. As a special feature, the book includes three comprehensive, authoritative and theoretically relevant interviews with Mitchell that focus on different stages of development of visual studies and critical iconology.

Focusing on the moment of transition from the pictorial to the post-pictorial condition, this book advocates the opinion that what fundamentally distinguishes pictorial representation in Western civilization is one’s ability to distinguish what the picture shows from what the picture refers to, and to that extent the reality inside the picture cannot be confused with what is outside it.The contributions in this book serve as kind of a “missing link”, connecting the genealogy of traditional images with contemporary environmental visualizations in the world that in this very moment undergoes a transition into a new, exciting age in which many old knowledges are rapidly becoming obsolete, and new ones are seeking their legitimacy. Instead of leading the reader to reconciliation with the fatal diagnosis of the world under the rule of technological determinism, this book indicates the key points of transition between the pictorial representation that traditionally “belonged” to the history of art and the virtual presence that is approached in quite different ways today.This book will be of interest to scholars working in art history, image philosophy, image studies, and digital studies.

Focusing on the moment of transition from the pictorial to the post-pictorial condition, this book advocates the opinion that what fundamentally distinguishes pictorial representation in Western civilization is one's ability to distinguish what the picture shows from what the picture refers to, and to that extent the reality inside the picture cannot be confused with what is outside it.The contributions in this book serve as kind of a "e;missing link"e;, connecting the genealogy of traditional images with contemporary environmental visualizations in the world that in this very moment undergoes a transition into a new, exciting age in which many old knowledges are rapidly becoming obsolete, and new ones are seeking their legitimacy. Instead of leading the reader to reconciliation with the fatal diagnosis of the world under the rule of technological determinism, this book indicates the key points of transition between the pictorial representation that traditionally "e;belonged"e; to the history of art and the virtual presence that is approached in quite different ways today.This book will be of interest to scholars working in art history, image philosophy, image studies, and digital studies.

Focusing on the moment of transition from the pictorial to the post-pictorial condition, this book advocates the opinion that what fundamentally distinguishes pictorial representation in Western civilization is one's ability to distinguish what the picture shows from what the picture refers to, and to that extent the reality inside the picture cannot be confused with what is outside it.The contributions in this book serve as kind of a "e;missing link"e;, connecting the genealogy of traditional images with contemporary environmental visualizations in the world that in this very moment undergoes a transition into a new, exciting age in which many old knowledges are rapidly becoming obsolete, and new ones are seeking their legitimacy. Instead of leading the reader to reconciliation with the fatal diagnosis of the world under the rule of technological determinism, this book indicates the key points of transition between the pictorial representation that traditionally "e;belonged"e; to the history of art and the virtual presence that is approached in quite different ways today.This book will be of interest to scholars working in art history, image philosophy, image studies, and digital studies.

W.J.T. Mitchell – one of the founders of visual studies – has been at the forefront of many disciplines such as iconology, art history and media studies. His concept of the pictorial turn is known worldwide for having set new philosophical paradigms in dealing with our vernacular visual world. This book will help both students and seasoned scholars to understand key terms in visual studies – pictorial turn, metapictures, literary iconology, image/text, biopictures or living pictures, among many others – while systematically presenting the work of Mitchell as one of the discipline's founders and most prominent figures. As a special feature, the book includes three comprehensive, authoritative and theoretically relevant interviews with Mitchell that focus on different stages of development of visual studies and critical iconology.

This handbook brings together the most current and hotly debated topics in studies about images today. In the first part, the book gives readers an historical overview and basic diacronical explanation of the term image, including the ways it has been used in different periods throughout history. In the second part, the fundamental concepts that have to be mastered should one wish to enter into the emerging field of Image Studies are explained. In the third part, readers will find analysis of the most common subjects and topics pertaining to images. In the fourth part, the book explains how existing disciplines relate to Image Studies and how this new scholarly field may be constructed using both old and new approaches and insights. The fifth chapter is dedicated to contemporary thinkers and is the first time that theses of the most prominent scholars of Image Studies are critically analyzed and presented in one place.

This handbook brings together the most current and hotly debated topics in studies about images today. In the first part, the book gives readers an historical overview and basic diacronical explanation of the term image, including the ways it has been used in different periods throughout history. In the second part, the fundamental concepts that have to be mastered should one wish to enter into the emerging field of Image Studies are explained. In the third part, readers will find analysis of the most common subjects and topics pertaining to images. In the fourth part, the book explains how existing disciplines relate to Image Studies and how this new scholarly field may be constructed using both old and new approaches and insights. The fifth chapter is dedicated to contemporary thinkers and is the first time that theses of the most prominent scholars of Image Studies are critically analyzed and presented in one place.