Kris Needs – författare

Appearing in early 70s New York City as primal prototype street punks, Suicide are now hailed as one of the most important and influential groups of the 20th century, inspiring that decade's major musical movements but too feared and shunned to be awarded their rightful acclaim at the time. Confronting shocked audiences with their electronic "New York blues", singer Alan Vega and instrumentalist Martin Rev fearlessly mirrored the city's sleazy underbelly and decay on blood-freezing gutter-scapes such as 'Ghost Rider' and 'Frankie Teardrop' while invoking doo-wop purity on timeless love songs like 'Cheree' and 'Dream Baby Dream'.The book charts Suicide's uncompromising roller coaster from formative days in performance art and avant garde experimentation to chaotic early shows at drug-infested downtown hotbed the Project of Living Artists.Along with detailed accounts of Suicide's influences, contemporaries and environment which spawned them, the book will position the duo as one of New York's most pivotal but derided outfits as the story moves through their pioneering first album, 1978's shockingly violent UK tour supporting The Clash and subsequent recordings, live sorties and respective parallel solo careers, going up to the present day.The author's eye witness accounts and extensive first-hand interviews with Alan Vega and Martin Rev are joined by conversations with producers Craig Leon, Marty Thau and Bob Blank, contemporaries including Blondie, Jayne County and the New York Dolls and fans such as Nick Cave, Bobby Gillespie and The Clash; adding to a definitive account of this most unique group. With an introduction by Lydia Lunch

The biography of George Clinton, one of music's most fascinating, colourful and innovative characters, featuring a new cover and foreword by critic Miles Marshall Lewis. The most comprehensive history of the life, music and cultural significance of a great Black music pioneer and the era which spawned him.Clinton stands alongside James Brown, Jimi Hendrix and Sly Stone as one of the most influential Black artists of all time who, along with his vast P-Funk army took black funk into the US charts and sold out stadiums by the mid 1970s with his mind-blowing shows and legendary Mothership extravaganzas.The book contains first hand interview material with Clinton, Bootsy Collins, Jerome Bigfoot Brailey, Junie Morrison, Bobby Gillespie, Afrika Bambaataa, Jalal Nuriddin (Last Poets), Juan Atkins, John Sinclair, Rob Tyner (MC5), Ed Sanders (The Fugs), Chip Monck ("The Voice of Woodstock") plus other P-Funk associates and friends.An insiders' view of the rise of Parliament and Funkadelic from the doowop era and LSD-crazed early shows through to P-Funk's huge rise, the era of the Mothership and beyond.

Drawing upon extensive new first hand interview material from Debbie Harry, Chris Stein and many other significant players in the band's long history, a huge archive of personal materials and unpublished interviews, Blondie: Parallel Lives is the definitive eye-witness account of the group's long and often tumultuous existence.Beginning with their childhoods, backgrounds and influences, the book is also an evocative homage to the unique New York scene of the 1970s. It charts the development of Blondie to their massive popular success and eventual break up. How Debbie Harry set her career aside to nurse Chris through a debilitating and life-threatening genetic disease. It recounts the group's 1997 reformation, subsequent renaissance with their No Exit album, the controversies surrounding the 2006 induction to the Rock 'n' Roll Hall of Fame, ending in the present with the release of Panic of Girls.Co-author Kris Needs established a friendship with Harry, Stein and the rest of the band that endures to this day. As a trusted confidante, he now recounts the full story.