K.R.M. Short – författare

This book, first published in 1983, brings together leading world experts on film and radio propaganda in a study which deals with each of the major powers as well as several under occupation. By examining each nations’ propaganda content and comparing its various strands of output designed for different audiences, the historian is provided with an important source of a nation’s official self-image. Total war forced governments to formulate goals consistent with the received national ideology in order to support the war effort. To this extent, much of the domestic propaganda was directed towards stimulating the population to make sacrifices with promise of a new world if the peace were won.

This book, first published in 1983, brings together leading world experts on film and radio propaganda in a study which deals with each of the major powers as well as several under occupation. By examining each nations’ propaganda content and comparing its various strands of output designed for different audiences, the historian is provided with an important source of a nation’s official self-image. Total war forced governments to formulate goals consistent with the received national ideology in order to support the war effort. To this extent, much of the domestic propaganda was directed towards stimulating the population to make sacrifices with promise of a new world if the peace were won.

This book, first published in 1988, provides a comparative approach for looking at the filmic witness of the final days of the Third Reich, and the opening of the period often referred to as Stunde Null (Zero Hour) – that moment when a new Germany emerged from catastrophic destruction. Brought together in this volume are articles by a group of international scholars each dealing with the message of German defeat as it was presented to the people of the Soviet Union, the United States, Great Britain, Poland, Switzerland and Germany itself. Not only are newsreels and immediate post-war documentaries dealt with but also the very important Welt im Film Newsreel which was used by the Americans and British for the political reeducation of Germany.

This book, first published in 1988, provides a comparative approach for looking at the filmic witness of the final days of the Third Reich, and the opening of the period often referred to as Stunde Null (Zero Hour) – that moment when a new Germany emerged from catastrophic destruction. Brought together in this volume are articles by a group of international scholars each dealing with the message of German defeat as it was presented to the people of the Soviet Union, the United States, Great Britain, Poland, Switzerland and Germany itself. Not only are newsreels and immediate post-war documentaries dealt with but also the very important Welt im Film Newsreel which was used by the Americans and British for the political reeducation of Germany.

Western Broadcasting Over the Iron Curtain (1986) examines the development of broadcasting policy by Western democracies, levels of government control of policy, efforts by communist regimes to minimize the effects of western broadcasting, and Soviet and Eastern European audience opinions on such diverse subjects as the success or failure of socialism and the Korean airline disaster.

Western Broadcasting Over the Iron Curtain (1986) examines the development of broadcasting policy by Western democracies, levels of government control of policy, efforts by communist regimes to minimize the effects of western broadcasting, and Soviet and Eastern European audience opinions on such diverse subjects as the success or failure of socialism and the Korean airline disaster.