Krzysztof Zajas – författare
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2 produkter
2 produkter
Del 4 - Polish Studies – Transdisciplinary Perspectives
Absent Culture
The Case of Polish Livonia
Inbunden, Engelska, 2013
998 kr
Skickas inom 5-8 vardagar
The book forms a monograph of the local culture of the old Polish Livonia, practically absent in contemporary humanistic research. It includes historical and anthropological recapitulation of the phenomenon, but it also tries to describe cultural mechanisms characteristic in the so-called border situations, on a specific example. An important part of the description is an attempt to capture the phenomenon of local Polish-Livonian identity, enshrined in the literary and scientific projects of Polish Livonians. They form a misguided, unsuccessful representation the land in the discourse of Polish humanities. The book treats Polish Livonia in two ways: as an example of a dispersed, multi-cultural Polish borderland identity and as a unique phenomenon, grown up on the outskirts of the old Republic of Poland.
Del 2 - Polish Studies – Transdisciplinary Perspectives
Ryszard Kapuściński: Reportage and Ethics or Fading Tyranny of the Narrative
Inbunden, Engelska, 2012
254 kr
Tillfälligt slut
Ryszard Kapuściński was a direct witness to the creation and a collapse of numerous independent African states, the guerilla movements in South America, the military combat in Honduras and El Salvador, the coup in Angola, the 1974 revolution in Ethiopia, the anti-Shad revolt in Iran, the 1980 strike in the Gdańsk Shipyard, and the collapse of the Soviet empire in 1991, among others. This study examines Kapuściński’s reportage books, products of the author’s travels to distant lands, regarded by some as exempla of mastery in the nonfiction genre and by others as ethically questionable semi-fictional stories. Its intention is to look closely at the process of the aesthetic formation of his travel experiences into books and the ideological paradigm shaping his representation of the facts. In addition to that, the effects of authorial re-shaping of documentary material, the question of authenticity or fabrication thereof, and the epistemological responsibility of a reportage writer are also examined.