Kyoko Yuasa – författare

Employing a postmodernist literary approach, Kyoko Yuasa identifies C.S. Lewis both as an antimodernist and as a Christian postmodernist who tells the story of the Gospel to twentieth- and twenty-first-century readers. Lewis is popularly known as anable Christian apologist, talented at explaining Christian beliefs in simple, logical terms. His fictional works, on the other hand, feature expressions that erect ambiguous borders between non-fiction and fiction, an approach similar to those typical in postmodernist literature. While postmodernist literature is full of micronarratives that deconstruct the Great Story, Lewis''s fictional world shows the reverse: in his world, micronarratives express the Story that transcends human understanding. Lewis''s approach reflects both his opposition to modernist philosophy, which embraces solidified interpretation, and his criticism of modernised Christianity. Here Yuasa brings to the fore Lewis''s focus on the history of interpretation and seeks a new model.

A re-interpretation of the writings of C.S. Lewis as exemplifying not merely a conservative antimodernism but also a sophisticated postmodern sensibility.Employing a postmodernist literary approach, Kyoko Yuasa identifies C.S. Lewis both as an antimodernist and as a Christian postmodernist who tells the story of the Gospel to twentieth- and twenty-first-century readers. Lewis is popularly known as an able Christian apologist, talented at explaining Christian beliefs in simple, logical terms. His fictional works, on the other hand, feature expressions that erect ambiguous borders between non-fiction and fiction, an approach similar to those typical in postmodernist literature. While postmodernist literature is full of micronarratives that deconstruct the Great Story, Lewis's fictional world shows the reverse: in his world, micronarratives express the Story that transcends human understanding. Lewis's approach reflects both his opposition to modernist philosophy, which embraces solidified interpretation, and his criticism of modernised Christianity. Here Yuasa brings to the fore Lewis's focus on the history of interpretation and seeks a new model.

Employing a postmodernist literary approach, this book identifies C. S. Lewis both as an antimodernist and as a Christian postmodernist who tells the story of the gospel to twentieth- and twenty-first-century readers. Lewis is popularly known as an able Christian apologetic writer, talented in explaining Christian beliefs in simple, logical terms. But his fictional works feature expressions that erect ambiguous borders between nonfiction and fiction, an approach equivalent to those typical in postmodernist literature. Whereas postmodernist literature is full of many small micronarratives that deconstruct the Great Story, Lewis''s fictional world is the reverse of this: in his world, multiple and small stories are chosen, but they also ultimately express the Story that transcends human understanding. Lewis''s approach reflects both his opposition to modernist philosophy, which embraces solidified interpretation, and his criticism of modernized Christianity. Lewis''s fictional works focus on the history of interpretation and, deconstructing interpretations of the previous age, seek a new model for interpretation. Both C. S. Lewis and postmodern writers force us to choose between alternative interpretations.