Kyriakos Tsantsanoglou – författare

Ever since the papyrus containing Alcman’s Partheneion was first published in 1863, classicists have been faced with one of the hardest riddles of their scholarship. Although the language was more or less clear, the meaning of many verses and the character of the poem remained elusive. Therefore it is not surprising that during the century and a half that has elapsed since then, a large bibliography has piled up, disproportionate to the mere 101 surviving verses of the enigmatic poem. This book presents a verse-by-verse commentary to the text with a number of new textual and interpretative proposals based on a detailed inspection of the papyrus. Numerous new readings are made in particular to the Scholia to the Partheneion, greatly elucidating not only questions of interpretation but also problems concerning the composition of the chorus, the number of its members, the identity of the protagonist girls, the social context, as well as questions of performance. The girlish story that lurks in the background but actually forms the framework of the poem now becomes more clear, revealing at the same time the didactic objective of the poet. A new edition of the Partheneion and the Scholia is offered at the end, together with a new translation of the poem.

Ever since the papyrus containing Alcman’s Partheneion was first published in 1863, classicists have been faced with one of the hardest riddles of their scholarship. Although the language was more or less clear, the meaning of many verses and the character of the poem remained elusive. Therefore it is not surprising that during the century and a half that has elapsed since then, a large bibliography has piled up, disproportionate to the mere 101 surviving verses of the enigmatic poem. This book presents a verse-by-verse commentary to the text with a number of new textual and interpretative proposals based on a detailed inspection of the papyrus. Numerous new readings are made in particular to the Scholia to the Partheneion, greatly elucidating not only questions of interpretation but also problems concerning the composition of the chorus, the number of its members, the identity of the protagonist girls, the social context, as well as questions of performance. The girlish story that lurks in the background but actually forms the framework of the poem now becomes more clear, revealing at the same time the didactic objective of the poet. A new edition of the Partheneion and the Scholia is offered at the end, together with a new translation of the poem.

Mit dem vorliegenden Gedenkband wird der früh verstorbene Klassische Philologe und Herausgeber des Photioslexikons Christos Theodoridis geehrt. Die Sammlung der 34 Aufsätze namhafter Philologen behandelt Themen aus der Klassischen Philologie, mit denen Theodoridis sich beschäftigte: Grammatiker und Lexikographen (Aristarchos, Philoxenos, Chrysippos, Pollux, Kyrill, Hesych, Stephanos von Byzanz, Eustathios, anonyme Lexika), aber auch griechische und lateinische Autoren wie Hesiod, Hipponax, Aischylos, Pindar, Herodot, Isokrates, Aristoteles, Theokrit, Xenophon Ephesios, Galen, Lukian, Alexander von Aphrodisias, Cicero, Sallust, Vergil, Horaz, Manilius. Fünf Aufsätze widmen sich der Byzantinischen Literatur (Michael Choniates, Attaleiates, Geometres, Phialites, Gabras). Eine Liste der wissenschaftlichen Publikationen von Christos Theodoridis ist dem Band beigegeben.

Mit dem vorliegenden Gedenkband wird der früh verstorbene Klassische Philologe und Herausgeber des Photioslexikons Christos Theodoridis geehrt. Die Sammlung der 34 Aufsätze namhafter Philologen behandelt Themen aus der Klassischen Philologie, mit denen Theodoridis sich beschäftigte: Grammatiker und Lexikographen (Aristarchos, Philoxenos, Chrysippos, Pollux, Kyrill, Hesych, Stephanos von Byzanz, Eustathios, anonyme Lexika), aber auch griechische und lateinische Autoren wie Hesiod, Hipponax, Aischylos, Pindar, Herodot, Isokrates, Aristoteles, Theokrit, Xenophon Ephesios, Galen, Lukian, Alexander von Aphrodisias, Cicero, Sallust, Vergil, Horaz, Manilius. Fünf Aufsätze widmen sich der Byzantinischen Literatur (Michael Choniates, Attaleiates, Geometres, Phialites, Gabras). Eine Liste der wissenschaftlichen Publikationen von Christos Theodoridis ist dem Band beigegeben.

The poetry of the archaic poets of Lesbos, Sappho and Alcaeus, has been imperfectly and poorly transmitted either in book fragments or in later ragged papyri, so that new attempts of interpretation will always be required, especially when new research tools and methods have appeared in classical scholarship.The book consists of 14 articles by the author, which present and deal with diverse problems of the two poets of Lesbos. Various questions on already transmitted poems, different readings, reconstructions, and interpretations of the new finds are proposed, but, most importantly, new approaches in general topics, such as the division of Sappho’s work in Books, the logic leading to this division, the order of these Books, the contents of each of them, the interpretation of the surviving fragments, often quite different than before. A feature that characterizes the old-age poetry of Sappho is her anxiety about the posthumous fate of her poetry and her hope that Kleïs, her only daughter, will ensure its dissemination. Finally, the author investigates the communal festival of Hera in Lesbos, a festival performed in common with Zeus and Dionysus, the so-called “Lesbian Triad”. The festival is specified as a welcome to the season of spring at the time of the vernal equinox. Also, the location of the temenos of Hera is investigated, close to Pyrrha of Lesbos, which was the site of Alcaeus’ second exile.

The poetry of the archaic poets of Lesbos, Sappho and Alcaeus, has been imperfectly and poorly transmitted either in book fragments or in later ragged papyri, so that new attempts of interpretation will always be required, especially when new research tools and methods have appeared in classical scholarship.The book consists of 14 articles by the author, which present and deal with diverse problems of the two poets of Lesbos. Various questions on already transmitted poems, different readings, reconstructions, and interpretations of the new finds are proposed, but, most importantly, new approaches in general topics, such as the division of Sappho’s work in Books, the logic leading to this division, the order of these Books, the contents of each of them, the interpretation of the surviving fragments, often quite different than before. A feature that characterizes the old-age poetry of Sappho is her anxiety about the posthumous fate of her poetry and her hope that Kleïs, her only daughter, will ensure its dissemination. Finally, the author investigates the communal festival of Hera in Lesbos, a festival performed in common with Zeus and Dionysus, the so-called “Lesbian Triad”. The festival is specified as a welcome to the season of spring at the time of the vernal equinox. Also, the location of the temenos of Hera is investigated, close to Pyrrha of Lesbos, which was the site of Alcaeus’ second exile.

The poetry of the archaic poets of Lesbos, Sappho and Alcaeus, has been imperfectly and poorly transmitted either in book fragments or in later ragged papyri, so that new attempts of interpretation will always be required, especially when new research tools and methods have appeared in classical scholarship.The book consists of 14 articles by the author, which present and deal with diverse problems of the two poets of Lesbos. Various questions on already transmitted poems, different readings, reconstructions, and interpretations of the new finds are proposed, but, most importantly, new approaches in general topics, such as the division of Sappho’s work in Books, the logic leading to this division, the order of these Books, the contents of each of them, the interpretation of the surviving fragments, often quite different than before. A feature that characterizes the old-age poetry of Sappho is her anxiety about the posthumous fate of her poetry and her hope that Kleïs, her only daughter, will ensure its dissemination. Finally, the author investigates the communal festival of Hera in Lesbos, a festival performed in common with Zeus and Dionysus, the so-called “Lesbian Triad”. The festival is specified as a welcome to the season of spring at the time of the vernal equinox. Also, the location of the temenos of Hera is investigated, close to Pyrrha of Lesbos, which was the site of Alcaeus’ second exile.

The poetry of the archaic poets of Lesbos, Sappho and Alcaeus, has been imperfectly and poorly transmitted either in book fragments or in later ragged papyri, so that new attempts of interpretation will always be required, especially when new research tools and methods have appeared in classical scholarship.The book consists of 14 articles by the author, which present and deal with diverse problems of the two poets of Lesbos. Various questions on already transmitted poems, different readings, reconstructions, and interpretations of the new finds are proposed, but, most importantly, new approaches in general topics, such as the division of Sappho’s work in Books, the logic leading to this division, the order of these Books, the contents of each of them, the interpretation of the surviving fragments, often quite different than before. A feature that characterizes the old-age poetry of Sappho is her anxiety about the posthumous fate of her poetry and her hope that Kleïs, her only daughter, will ensure its dissemination. Finally, the author investigates the communal festival of Hera in Lesbos, a festival performed in common with Zeus and Dionysus, the so-called “Lesbian Triad”. The festival is specified as a welcome to the season of spring at the time of the vernal equinox. Also, the location of the temenos of Hera is investigated, close to Pyrrha of Lesbos, which was the site of Alcaeus’ second exile.

With concern to Greek literature and particularly to 5th c. BCE tragic production, papyri provide us usually with not only the most ancient attestation but also the most reliable one. Much more so when the papyri are the only or the main witnesses of the tragic plays. The misfortune is that the papyri transmit texts incomplete, fragmentary, and almost always anonymous. It is the scholar’s task to read, supplement, interpret and identify the particular texts. In this book, five Greek plays that survived fragmentarily in papyri are published, four by Aeschylus and one by Sophocles. Three of them are satyr plays: Aeschylus’ Theoroi, Hypsipyle, and Prometheus Pyrkaeus; Sophocles’ Inachos belongs to the genre we use to call ‘prosatyric’; Aeschylus’ Laïos is a typical tragedy. The author’s scope was, after each text’s identification was secured as regards the poet and the play’s title, to proceed to textual and interpretative observations that contributed to reconstructing in whole or in part the storyline of the relevant plays. These observations often led to unexpected conclusions and an overthrow of established opinions. Thus, the book will appeal to classical scholars, especially those interested in theatrical studies.

With concern to Greek literature and particularly to 5th c. BCE tragic production, papyri provide us usually with not only the most ancient attestation but also the most reliable one. Much more so when the papyri are the only or the main witnesses of the tragic plays. The misfortune is that the papyri transmit texts incomplete, fragmentary, and almost always anonymous. It is the scholar’s task to read, supplement, interpret and identify the particular texts. In this book, five Greek plays that survived fragmentarily in papyri are published, four by Aeschylus and one by Sophocles. Three of them are satyr plays: Aeschylus’ Theoroi, Hypsipyle, and Prometheus Pyrkaeus; Sophocles’ Inachos belongs to the genre we use to call ‘prosatyric’; Aeschylus’ Laïos is a typical tragedy. The author’s scope was, after each text’s identification was secured as regards the poet and the play’s title, to proceed to textual and interpretative observations that contributed to reconstructing in whole or in part the storyline of the relevant plays. These observations often led to unexpected conclusions and an overthrow of established opinions. Thus, the book will appeal to classical scholars, especially those interested in theatrical studies.