Kyril Bonfiglioli – författare

A cult classic in the United Kingdom since its first publication there in the 1970s, Don’t Point That Thing at Me is the first of a series of hilarious and dark-humored crime thrillers featuring the Honorable Charlie Mortdecai, degenerate aristocrat, amoral art dealer, seasoned epicurean, unwilling assassin, and acknowledged coward.

With his thuggish manservant, the incomparably named Jock Strapp, Mortdecai endures all manner of nastiness involving stolen paintings, a vintage Rolls Royce, secret police, a whirlwind trip to the United States, a dead client, and a ravishing and wealthy young widow—all just to make a dishonest living. He’s not one to pass up a drink, and he prides himself on being stylishly dressed for whatever occasion may present itself, no matter how debauched. Don’t miss this brilliant mixture of comedy, crime, and suspense.

Life always seems to be more complicated than it should be for Charlie Mortdecai: degenerate aristocrat, amoral art dealer, seasoned epicurean, unwilling assassin, and confirmed coward.

Something Nasty in the Woodshed finds Charlie exiled from London due to his growing unpopularity on account of some shady art deals. Taking refuge in a country estate on the Channel Island of Jersey, he embarks on a well-intended hedonistic interlude. But his vacation soon morphs into a macabre manhunt, as Charlie seeks to expose a local rapist whose modus operandi bears a striking resemblance to that of a warlock from ancient British mythology known as “The Beast of Jersey.”

Kyril Bonfiglioli’s wickedly fun mysteries featuring the Honorable Charlie Mortdecai—degenerate aristocrat, amoral art dealer, seasoned epicurean, unwilling assassin, and general knave-about-Picadilly—have been cult classics in the UK since their first publication there in the 1970s.

Charlie’s back in After You with the Pistol, along with his new bride, Johanna, and his thuggish manservant, Jock. He’s also still drinking too much whiskey—and anything else he can get his hands on—which makes it all the more difficult to figure out what the beautiful and fabulously wealthy Johanna is up to when she tries to convince Charlie to kill the Queen. Suffice it to say that Johanna is not quite what she seems. Don’t miss this brilliant mixture of comedy, crime, and suspense.