L. Hill – författare

Few concepts have witnessed a more dramatic resurgence of interest in recent years than corruption. This book provides a compelling historical and conceptual analysis of corruption which demonstrates a persistent oscillation between restrictive 'public office' and expansive 'degenerative' connotations of corruption from classical Antiquity to 1800.

Written by both practitioners and scholars, this significant and timely collection explores the sites of contemporary performance, and the notion of place. The volume examines how we experience performance''s varied sites as part of the fabric of the art work itself, whether they are institutional or transient, real or online.

Few concepts have witnessed a more dramatic resurgence of interest in recent years than corruption. This book provides a compelling historical and conceptual analysis of corruption which demonstrates a persistent oscillation between restrictive ''public office'' and expansive ''degenerative'' connotations of corruption from classical Antiquity to 1800.

Using a form of systems thinking, this book analyzes K-12 education as a complex, "messy" system that must be tackled as a whole and provides a series of heuristics to help those involved in the education mess to improve the system as a whole.

Using a form of systems thinking, this book analyzes K-12 education as a complex, "messy" system that must be tackled as a whole and provides a series of heuristics to help those involved in the education mess to improve the system as a whole.

Few concepts have witnessed a more dramatic resurgence of interest in recent years than corruption. This book provides a compelling historical and conceptual analysis of corruption which demonstrates a persistent oscillation between restrictive 'public office' and expansive 'degenerative' connotations of corruption from classical Antiquity to 1800.

Written by both practitioners and scholars, this significant and timely collection explores the sites of contemporary performance, and the notion of place. The volume examines how we experience performance's varied sites as part of the fabric of the art work itself, whether they are institutional or transient, real or online.