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635 kr
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The first known troubadour, Guilhem IX of Aquitaine, VII Count of Poitou, was a versatile man who fought against the Moors in Spain, lost an army on his way to the First Crusade, and for a time, like his great-grandson Richard Cœur de Lion, possessed more land and power in France than the king himself. His poetry reflects the hatred of convention and love of the unexpected that marks his life. In its easy swing between self-mockery and seriousness, idealised love and bawdy laughter, it introduces into troubadour poetry a sense of conflict which, after Guilhem's death in 1127, found a different and wider expression in an opposition between the metaphysical poetry of troubadours who sang with 'dark', 'rich' words and the love songs of poets who composed in a clear, 'easy' style on the single plane of their courtly experience. Dr Topsfield examines the work of a number of the greatest troubadours from the viewpoint of their attitudes to love.
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Originally published in 1981, this book provides an interpretation of the five Arthurian romances of Chrétien de Troyes. It attempts to show the ways in which this most enigmatic and influential of medieval romance-writers reveals his ideas about man, society and God. The evolution of these ideas is studied in texts ranging from Chrétien's earliest known romance, Erec and Enide, through Cliges, Lancelot and Yvain, to the unfinished Perceval or Le Conte du Graal. Dr Topsfield demonstrates the importance of Chrétien de Troyes for the development of the genre of medieval romance, and the establishment of Arthurian material within the Western literary tradition. In this respect, the book will be of interest to all those involved in European medieval studies.