Lars Morell – författare
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2 produkter
2 produkter
Inbunden, Engelska, 2006
539 kr
Skickas inom 5-8 vardagar
It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master's in geology and participated in five research expeditions to Greenland, and to declare that he therefore paints in layers -- as obviously only a sedimentary geologist can. Not only do curators and critics rarely delve any deeper into the relation between the work of this prolific experimental artist and his background in Arctic Quaternary geology, but they also entirely ignore the many other academic interests that inform his art, both conceptually and visually. Yet Kirkeby himself has proclaimed, "A picture without intellectual superstructure is nothing." In "The Artist as Polyhistor", Lars Morell provides the superstructure missing from other critical accounts by examining intellectual content and allusions in the Kirkeby oeuvre from eleven disciplinary perspectives -- everything from theology to genetics and eros to crystallography. In addition, he has drawn on personal conversations with the artist, whose comments on the manuscript have also been incorporated into the final text. Morell maintains that art that is genuinely about something is necessarily full of conflict and unexpected juxtapositions. As a result, the works he has sought out here are rarely beautiful in formal terms, but instead tend to be dissonant and dynamic, featuring breaks and breaches and irreconcilable elements. With 150 handsome illustrations, chiefly in colour, and a wide-ranging but clearly written text, this volume will appeal equally to the general reader and the specialist in contemporary art.
Inbunden, Engelska, 2017
609 kr
Skickas inom 5-8 vardagar
The Art of Asger Jorn is the first major work about one of Denmark's most important painters, Asger Jorn (1914-1973). It is not a typical biography depicting the outline of his life. Rather, the book sheds light on Jorn's artistic production: Who he was inspired by, which artistic movements he was in contact with, and - not least - what his paintings depict. This is also the focus of The Art of Asger Jorn in which Lars Morell, a Danish historian of ideas, analyzes Jorn's paintings. The author concludes that Jorn's paintings do not depict anything specific. Indeed, it is as if Jorn seized them in the midst of transformation, where the subject is turning into a new subject. Morell finds that the paradoxes and transformations characteristic of the works were influenced by the ever-changing nature of Jorn's own life. Asger Jorn was born in Denmark, but spent the majority of his artistic life abroad with workshops in both Paris and the Italian city of Albissola, famous for its skilled ceramic artisans. While abroad he discovered his great connection to the Nordic culture, and through his work with ceramics, he gained the necessary experience to liberate the colours of his paintings. While first and foremost a painter, he refined this artform by interacting with a variety of other art forms. The Art of Asger Jorn is thus not just a book about a single artist's work, but also a book about the mindset of modern art.