Laura Evans – författare

Since America's founding, American Indian tribes have possessed hardly any social, economic, or political power, and they remain one of the poorest and isolated populations in the country (despite the popular myth that gambling revenue has elevated their socioeconomic status). Yet in comparison to other marginal groups, they have been relatively successful in persuading government at all levels--local, state, and federal--to pursue policies that address important tribal concerns. How is it that Indian tribes sometimes succeed against very dim odds? More broadly, given the equation between socioeconomic status and power in America, why would seemingly powerless advocates ever win? And what does Indians' success tell us about the potential for the powerless to wrest a measure of power for themselves in such an unequal country? In Power from Powerlessness, Laura Evans looks at the successful policy interventions by a range of Indian tribes to explain how disadvantaged groups can build capacity and exploit niches in the institutional framework of American federalism to obtain unlikely victories. While some of the victories are admittedly small, Evans shows that they are quite impressive when viewed cumulatively. Not simply a book about American Indian politics, Power from Powerlessness forces scholars of institutions and inequality to reconsider the commonly held view that the less powerful are in fact powerless.

Aimed at museum educators, Multiculturalism in Art Museums Today seeks to marry museum and multicultural education theories. It reveals how the union of these theories yields more equitable educational practices and guides museum educators to address misrepresentation, exclusivity, accessibility, and educational inequality. This contemporary text is directive; it encourages museum educators to consider the critical multicultural education theoretical framework in their day-to-day functions in order to illuminate and combat shortcomings at the crux of museum education:Museum Educators as Change AgentsInclusion versus ExclusionCollaboration with Diverse AudiencesResponsive Pedagogy This book adopts a broad definition of multiculturalism, which names not only race and ethnicity as concerns, but also gender, sexual orientation, religion, ability, age, and class. While focusing on these various facets of identity, the authors demonstrate how museums are social systems that should offer comprehensive, diverse educational experiences not only through exhibitions but through other educational activities. The authors pull from their own research and practical experiences which exemplify how museums have been and can be attentive to these areas of identity. Multiculturalism in Art Museums Today is hopeful and inspiring, as it identifies and commends the positive and effective practices that some museum educators have enacted in an effort to be inclusive. Museum educators are at the front-line interacting with the public on a daily basis. Thus, these educators can be the real vanguard of change, modeling critical multicultural behavior and practices.

'Absolutely mesmerising' - Lucy RoseAtonement meets Weyward in this striking historical debut from new talent Laura Evans about queer love, privilege and the intoxicating dangers of embracing the wild . . .Suffolk, 1937. During a sweltering heatwave, preparations for a party are in full swing at Snare House. The Winthers’ only daughter, Joanie, is returning from a summer abroad before starting university. Only Margaret, ward of the family and Joanie’s closest friend, knows the truth: Joanie and Margaret are in love and plan to run away together.But when Joanie’s father discovers their secret, Margaret’s world is turned upside down. Exiled to a tumble-down lodge in the woods with her estranged father and his colony of magpies, she finds herself becoming wild. As the heatwave refuses to break, Margaret must decide whether to give in to her new, dark impulses in a bid to get what she most desires . . .Readers are going wild for Little Wild!‘Held me in rapture from the first page’‘Queer love wrapped in a darkly decadent, wild historical drama!’‘Intriguing and creepy’'Deep, atmospheric, dramatic and compelling''Beautifully descriptive'

'Absolutely mesmerising' - Lucy RoseAtonement meets Weyward in this striking historical debut from new talent Laura Evans about queer love, privilege and the intoxicating dangers of embracing the wild . . .Suffolk, 1937. During a sweltering heatwave, preparations for a party are in full swing at Snare House. The Winthers’ only daughter, Joanie, is returning from a summer abroad before starting university. Only Margaret, ward of the family and Joanie’s closest friend, knows the truth: Joanie and Margaret are in love and plan to run away together.But when Joanie’s father discovers their secret, Margaret’s world is turned upside down. Exiled to a tumble-down lodge in the woods with her estranged father and his colony of magpies, she finds herself becoming wild. As the heatwave refuses to break, Margaret must decide whether to give in to her new, dark impulses in a bid to get what she most desires . . .Readers are going wild for Little Wild!‘Held me in rapture from the first page’‘Queer love wrapped in a darkly decadent, wild historical drama!’‘Intriguing and creepy’'Deep, atmospheric, dramatic and compelling''Beautifully descriptive'

Mapping out the world’s most infamous art thefts, forgeries, and acts of vandalism, this unique and visually striking reference illuminates acts of art crime around the globe.This book highlights seventy-five incidents in a unique format that allows readers to visualize the geography of art crime from the past two centuries. Divided by location into sections on thefts, vandalism, and forgeries, each crime is profiled with an absorbing narrative and images of the artworks, perpetrators, and scenes of the crime. Additional sidebars feature compelling information about the artist and/or work of art. Including renowned crimes such as the 1911 theft of Mona Lisa from the Louvre, the 1972 attack on Michelangelo’s sculpture, Our Lady of Piety, at St. Peter’s Basilica in Vatican City, and a portrait of the master forger, Elmyr de Hory, this book also includes lesser known incidents: how two Irish students stole a priceless masterpiece from London’s Tate Gallery; a young woman overcome by passion who vandalized a Cy Twombly painting with an indelible kiss; an American forger who dresses up as a priest and gives his forgeries away for free; and a Chinese librarian who stole one hundred forty-three paintings by famous Chinese artists and replaced them with his own fakes. Filled with intrigue, controversies, power dynamics, and unexpected motivations, this is a captivating exploration of the darker side of art history.

Survival in the 'Dumping Grounds' examines a defining aspect of South Africa's recent past: the history of apartheid-era relocation. While scholars and activists have long recognised the suffering caused by apartheid removals to the so-called 'homelands', the experiences of those who lived through this process have been more often obscured. Drawing on extensive archival and oral history research, this book examines the makings and the multiple meanings of relocation into two of the most notorious apartheid 'dumping grounds' established in the Ciskei bantustan during the mid-1960s: Sada and Ilinge. Evans examines the local and global dynamics of the project of bantustan relocation and develops a multi-layered analysis of the complex histories - and ramifications- of displacement and resettlement in the Ciskei.