Laura Lengel – författare

Lengel takes the reader on a journey from India and Romania, where women preserve cultural rituals through mourning songs, to South Africa, where the body is a site of struggle for meaning and power in contemporary dance. This volume examines the interrelationship of cultural and national identity, ethnicity, gender, performance, and lived experience. It offers an understanding of how music and dance function within the lives of its performers and audiences, and how they embody meaning, carry social value, and act as a vehicle for intercultural communication.This book analyzes the communicative impact of women's cultural products and creative practice and creates links across disciplines such as communication, cultural studies, and performance studies. Contributors have lived, researched, and performed in the United States, Australia, Belize, Barbados, Canada, China, England, India, the Pacific, Romania, and Yemen. Their chapters address women's creative performance as a means of political and ideological expression.

Lengel takes the reader on a journey from India and Romania, where women preserve cultural rituals through mourning songs, to South Africa, where the body is a site of struggle for meaning and power in contemporary dance. This volume examines the interrelationship of cultural and national identity, ethnicity, gender, performance, and lived experience. It offers an understanding of how music and dance function within the lives of its performers and audiences, and how they embody meaning, carry social value, and act as a vehicle for intercultural communication.This book analyzes the communicative impact of women's cultural products and creative practice and creates links across disciplines such as communication, cultural studies, and performance studies. Contributors have lived, researched, and performed in the United States, Australia, Belize, Barbados, Canada, China, England, India, the Pacific, Romania, and Yemen. Their chapters address women's creative performance as a means of political and ideological expression.

Casting Gender puts forward a vision of theatre, storytelling, and the performance of the everyday function within the lived spaces of its performers and audiences, asking how women artists/scholars embody meaning, carry social value, and constitute possible identities. Drawing on scholarship in intercultural communication, performance studies, women’s studies, and cultural studies, this collection of new, critically informed research advances our understanding of how theater works as intercultural communication and as a vehicle for change. Casting Gender offers varied locations and sites of research, highlighting the rich diversity of women’s cultural identities, roles, and societal positions. This book moves beyond the western-centered nature of intercultural performance and intercultural communication theory and practice by creating a forum for nonwestern voices.

This book offers students a task-based introduction to Computer-Mediated Communication and the impact of the internet on social interaction. Divided into four parts which require students to learn, (theory), critique, (current issues), explore, (methods), and reflect, (practice), the book aims to: Provide a foundation to the social and communicative nature of information and communication technologies Enable students to engage with the key theoretical issues associated with CMC Equip students with the necessary research and technical skills as a stimulus to independent enquiry.

In spite of the rapidly increasing interest in Internet Studies and CMC and the introduction of many university courses in the area, no specialised, introductory textbook exists. This coursebook responds to the need for such a text. Aimed primarily at communication students, this book would also be useful as a sourcebook for students of media, sociology, psychology and English Language Studies.

Companion website resources can be found at http://crispinthurlow.net/cmc/

Culture and Technology in the New Europe presents the insights of an international group of academic researchers and media practitioners who examine the impact of technology on East Central Europe, South-Eastern Europe, the Newly Independent States and the Russian Federation. Drawing from the expertise of authors from and working in the region, the book addresses concerns that the New Europe faces at the eve of the Third Millennium and a decade after the fall of communist rule. Such concerns include access to information and communication technology and the culturally-specific discourses articulated through media and technology.While the book focuses on information and communication reforms, and the development of a participatory democracy are examined. The book is distinguished by diverse studies ranging from the problems of Cyber Hate from and about the New Europe, to online activism in war-torn Kosovo, Bosnia, Croatia and Yugoslavia, to how digital media art articulates new cultural and creative freedoms once silenced by the Soviet regime. Finally, the book looks to the future of media, technology and communication in the New Europe, particularly the gaps between post-socialist nations and those more technologically advantaged, and how these gaps can be narrowed or eradicated in the Third Millennium.