Laura Leuzzi – författare

Italy was a vibrant center of video art production and experimentation throughout the 1970s and 1980s, attracting artists from all over the world and laying the foundation for video art as a concept in the global art and film communities. With vibrant illustrations, compelling interviews, and essays by leading scholars in the field, this collection highlights Italy's key place in the history of video as an art form.

EWVA European Women's Video Art in the 70s and 80s is the main output of the eponymous research project funded by the Arts and Humanities Research Council and based at Duncan of Jordanstone College of Art and Design. The research team consisted of the Principal Investigator, Professor Elaine Shemilt, the Co-investigator Professor Stephen Partridge, Dr Laura Leuzzi, as Post-Doctoral Researcher and Adam Lockhart as Media Archivist.The book retraces some of the stories of early women artists video experimentation in Europe, and their achievements, and features chapters on fundamental case studies of early video artworks, themes, genres and geographical areas, to interest curators, academics, artists and the general public. This publication aims to contribute to a reassessment of women artists involvement in early video art and strength their profiles and identities within the art historical canon. Authors include: Jon Blackwood, Maeve Connolly, Cinzia Cremona, Sean Cubitt, Malcolm Dickson, Catherine Elwes, Slavko Kazunko, Marika Kumicz, Laura Leuzzi, Adam Lockhart, Stephen Partridge, Lorella Scacco, Elaine Shemilt, Emile Shemilt. The book will be opened by an Introduction by Laura Leuzzi, with a Foreword by Laura Mulvey and Preface by Siegfried Zielinski.

Since the 1960s Richard Demarco has had a pivotal role in the production and promotion of the visual and performing arts in Scotland. The Italo-Scottish artist, cultural entrepreneur and educator has organised and fostered cultural exchanges and collaborations throughout Europe and has been a champion of European culture and the avant-garde in Scotland. Although some research and publications have been devoted to Demarco's endeavours, little is known of the numerous cultural exchanges and collaborations between Italy and Scotland that he initiated and developed in the past fifty years. This gap in the historical canon of knowledge is extraordinary because in the Demarco's archives - a portion of which is at the Scottish National Gallery of Modern Art (SNGMA, (representing activities from 1963 to 1995) and a portion at the Demarco European Art Foundation, Edinburgh - are many traces of exchanges between Italy and Scotland promoted by Demarco as part of his larger European network and contribution to the Edinburgh Festival. These documents include photographs, ephemera, notes, catalogues and artworks that feature events involving relevant Italian or Italian-based artists, producers, performers, directors, critics including: Palma Bucarelli, the Count Panza di Biumo, Giulio Paolini, Jannis Kounellis, Bruno Ceccobelli, Toti Scialoja, Carlo Quartucci and Carla Tatò, Mimmo Rotella, Mario Merz, Fabrizio Plessi, Achille Bonito Oliva, Maria Gloria Conti Bicocchi, Giuseppe Chiari, Guido Sartorelli. This publication is the main outcome of the eponymous research project, Richard Demarco The Italian Connection and uncovers and retraces many stories and reassesses how Demarco promoted Italian visual and performing arts in Scotland and Scottish art in the Italian cultural context.