Laura Lindstedt – författare

Natalia cannot stop thinking about sex.With this mesmerizing tale of one woman’s potent affliction, award-winning Finnish writer Laura Lindstedt makes her American debut. Narrated by an unnamed, ungendered therapist who leaps at the chance to employ their most experimental methods, My Friend Natalia offers a gripping examination of the power dynamics always present but rarely ever spoken about in therapy. “Something flared within me,” the therapist notes, “and it wasn’t merely sympathy, the emotion I feel for most of my clients. It was more like a sudden experience of harmony, wholly inappropriate given the circumstances.”It is clear from the moment Natalia barges into her new therapist’s office that she has motives beyond simply fixing her sex life. She is quick to mention that the same exact painting hanging on the therapist’s wall—an abstract piece titled Ear-Mouth—once hung in her grandmother’s living room. This comment deeply unsettles the therapist, as does the large alarm clock that Natalia brings with her, intent on timing the sessions herself. And the tape recorder.At first, Natalia seems to play along with the rules of therapy. She partakes in the therapist’s pain-displacement exercises, word games, and even produces a few anatomical illustrations. She muses on the art of pornography, and boldly examines seminal figures like Simone de Beauvoir and Jean-Paul Sartre, about whom she poses the question, “Did Jean-Paul consider Simone a woman at all? Or was she nothing but a pencil sharpener?” By combining philosophy and literature, repressed childhood memories and explicitly unrepressed erotic experiences, the sessions quickly shed all inhibitions. Still, the therapist can’t help but wonder: What does Natalia really want?Brilliantly translated by the award-winning David Hackston, My Friend Natalia buzzes in prose charged with sharp banter and double entendres as the therapist hurls strange—and hilarious—experimental exercises at Natalia, and their work builds to an explosive climax. In taking a deconstructive yet utterly scintillating approach to the self-help narratives of our time, Laura Lindstedt emerges as a rare and unflinching international literary talent.

Natalia cannot stop thinking about sex.With this mesmerizing tale of one woman’s potent affliction, award-winning Finnish writer Laura Lindstedt makes her American debut. Narrated by an unnamed, ungendered therapist who leaps at the chance to employ their most experimental methods, My Friend Natalia offers a gripping examination of the power dynamics always present but rarely ever spoken about in therapy. “Something flared within me,” the therapist notes, “and it wasn’t merely sympathy, the emotion I feel for most of my clients. It was more like a sudden experience of harmony, wholly inappropriate given the circumstances.”It is clear from the moment Natalia barges into her new therapist’s office that she has motives beyond simply fixing her sex life. She is quick to mention that the same exact painting hanging on the therapist’s wall—an abstract piece titled Ear-Mouth—once hung in her grandmother’s living room. This comment deeply unsettles the therapist, as does the large alarm clock that Natalia brings with her, intent on timing the sessions herself. And the tape recorder.At first, Natalia seems to play along with the rules of therapy. She partakes in the therapist’s pain-displacement exercises, word games, and even produces a few anatomical illustrations. She muses on the art of pornography, and boldly examines seminal figures like Simone de Beauvoir and Jean-Paul Sartre, about whom she poses the question, “Did Jean-Paul consider Simone a woman at all? Or was she nothing but a pencil sharpener?” By combining philosophy and literature, repressed childhood memories and explicitly unrepressed erotic experiences, the sessions quickly shed all inhibitions. Still, the therapist can’t help but wonder: What does Natalia really want?Brilliantly translated by the award-winning David Hackston, My Friend Natalia buzzes in prose charged with sharp banter and double entendres as the therapist hurls strange—and hilarious—experimental exercises at Natalia, and their work builds to an explosive climax. In taking a deconstructive yet utterly scintillating approach to the self-help narratives of our time, Laura Lindstedt emerges as a rare and unflinching international literary talent.

‘This book is stunning, phenomenal, wow.’ Cecelia Ahern, author of P.S. I Love You WINNER OF THE FINLANDIA PRIZE Seven women meet in a white, undefined space seconds after their deaths Time, as we understand it, has ceased to exist, and all bodily sensations have disappeared. None of the women can remember what happened to them, where they are, or how they got there. They don’t know each other. In turn they try to remember, to piece together the fragments of their lives, their identities, their lost loves, and to pinpoint the moment they left their former lives behind. Deftly playing with genres from essay to poetry, Oneiron is an astonishing work that explores the question of what follows death and delves deep into the lives and experiences of seven unforgettable women.

‘This book is stunning, phenomenal, wow.’ Cecelia Ahern, author of P.S. I Love YouWINNER OF THE FINLANDIA PRIZESeven women meet in a white, undefined space seconds after their deathsTime, as we understand it, has ceased to exist, and all bodily sensations have disappeared. None of the women can remember what happened to them, where they are, or how they got there. They don’t know each other. In turn they try to remember, to piece together the fragments of their lives, their identities, their lost loves, and to pinpoint the moment they left their former lives behind.Deftly playing with genres from essay to poetry, Oneiron is an astonishing work that explores the question of what follows death and delves deep into the lives and experiences of seven unforgettable women.

Siete mujeres se encuentran en un espacio indefinido segundos después de su muerte. El tiempo, tal como lo entendemos, ha dejado de existir, y todas las sensaciones corporales han desaparecido. Ninguna de las mujeres, de distintas edades, ocupaciones y nacionalidades, puede recordar lo que les sucedió, dónde están o cómo llegaron allí. No se conocen. A su vez, intentan recordar, reconstruir los fragmentos de sus vidas, sus identidades, sus amores perdidos y señalar el momento en que dejaron atrás todo aquello.Jugando hábilmente con géneros desde el ensayo hasta la poesía, Oneiron es un trabajo asombroso que explora la cuestión de lo que sigue a la muerte y profundiza en las vidas y experiencias de siete mujeres inolvidables. Oneiron es una novela sorprendente, una fascinante y original reflexión sobre la vida y la muerte y un análisis muy realista sobre el poder y la impotencia. Así, describe cómo el cuerpo y lo corporal controlan las vidas de las mujeres, pero también los sentimientos, las experiencias y la creación femenina lo hacen.