Laura R. Kremmel – författare

Gothic Dementia: Troubled Minds in Gothic Timelines introduces Gothic studies as a valuable lens through which to critically consider how we think about dementia. It argues that the Gothic's foundational narrative techniques can model approaches to similar dementia symptoms, such as chronological confusion, fragmentation, cyclical storytelling, repetition, unreliable narrators, unstable identities, uncanny behaviours, and Otherness. If we can navigate these challenging narrative elements in literature, can we navigate similar challenging dementia signs using interpretive strategies? Gothic Dementia considers this question in two ways: (1) through Gothic literary elements that correlate to characteristics of dementia and (2) through contentious horror film depictions of characters with dementia and their caregivers. Reading Gothic works and horror films within the context of dementia studies-and vice versa-can contribute valuable insights into a feared disease that threatens the core of who we imagine ourselves and others to be.

Gothic Dementia: Troubled Minds in Gothic Timelines introduces Gothic studies as a valuable lens through which to critically consider how we think about dementia. It argues that the Gothic's foundational narrative techniques can model approaches to similar dementia symptoms, such as chronological confusion, fragmentation, cyclical storytelling, repetition, unreliable narrators, unstable identities, uncanny behaviours, and Otherness. If we can navigate these challenging narrative elements in literature, can we navigate similar challenging dementia signs using interpretive strategies? Gothic Dementia considers this question in two ways: (1) through Gothic literary elements that correlate to characteristics of dementia and (2) through contentious horror film depictions of characters with dementia and their caregivers. Reading Gothic works and horror films within the context of dementia studies-and vice versa-can contribute valuable insights into a feared disease that threatens the core of who we imagine ourselves and others to be.

This book debates a crossover between the Gothic and the medical imagination in the Romantic period. It explores the gore and uncertainty typical of medical experimentation, and expands the possibilities of medical theories in a speculative space by a focus on Gothic novels, short stories, poetry, drama and chapbooks. By comparing the Gothic's collection of unsavoury tropes to morbid anatomy's collection of diseased organs, the author argues that the Gothic's prioritisation of fear and gore gives it access to nonnormative bodies, reallocating medical and narrative agency to bodies considered otherwise powerless. Each chapter pairs a trope with a critical medical debate, granting silenced bodies power over their own narratives: the reanimated corpse confronts fears about vitalism; the skeleton exposes fears about pain; the unreliable corpse feeds on fears of dissection; the devil redirects fears about disability; the dangerous narrative manipulates fears of contagion and vaccination.

This book debates a crossover between the Gothic and the medical imagination in the Romantic period. It explores the gore and uncertainty typical of medical experimentation, and expands the possibilities of medical theories in a speculative space by a focus on Gothic novels, short stories, poetry, drama and chapbooks. By comparing the Gothic’s collection of unsavoury tropes to morbid anatomy’s collection of diseased organs, the author argues that the Gothic’s prioritisation of fear and gore gives it access to nonnormative bodies, reallocating medical and narrative agency to bodies considered otherwise powerless. Each chapter pairs a trope with a critical medical debate, granting silenced bodies power over their own narratives: the reanimated corpse confronts fears about vitalism; the skeleton exposes fears about pain; the unreliable corpse feeds on fears of dissection; the devil redirects fears about disability; the dangerous narrative manipulates fears of contagion and vaccination.

Divided into sections that explore the origins and evolution of horror fiction, the recurrent themes that can be seen in horror, and ways of understanding horror through literary and cultural theory, the text analyses why horror is so compelling, and how we should interpret its presence in literature.