Laura Read – författare

This collection is divided into three sections. The first opens with the speaker’s reflections on her childhood loss of her father and subsequent move to a new house and a new life, a life in which she is always alert to the absences and danger but also a life in which she begins to see language as a kind of salvation. This section also develops the speaker’s first knowledge of sex, primarily in the poems, \u201cThe Goose Girl\u201d and \u201cA Woman Was Raped Here.\u201d The second section follows the speaker into adolescence and young adulthood, and these poems further explore the sexual violence in the world in which the speaker lives, and how this violence affects her own feelings toward sex and romantic love. In the third section, the book finds love, work, and family, and the poems in this section about motherhood echo back to the first section as the speaker’s own parenting is influenced by how difficult it is to love when you know people die.

Conversational, irreverent, and disarmingly honest, the poems of But She Is Also Jane follow the everyday contours of women’s lives and the expectations they grapple with. As our speaker approaches middle age, she copes with the loss of loved ones, the realities of an emptying nest, the routine indignities of sexism, and nostalgia for the past. Laura Read’s third poetry collection balances discussions of Degas, Vermeer, and Marie Curie with reflections on Sammy Hagar, a troubling outing to a male revue, and memories of watching Mork and Mindy on the night of her mother’s hysterectomy.

In Laura Read’s second poetry collection, the former poet laureate of Spokane, WA, weaves past and present together to create a portrait of a life in progress. As the speaker looks back on her life, she exists simultaneously as all the selves she has ever been: a lost child, a lonely adolescent, a teacher, a daughter, a friend, a wife, a mother—a woman continually shaped and reshaped by memory and experience. Deeply rooted in a particular time and place, Read’s poems strip away the illusion of the passage of time as they reveal how we are all wearing “dresses from the old country.”

The Serious World is a collection of epistolary poems written to Sylvia Plath about depression, therapy, friendship, family, and the struggling life of an artist. With humor, sensitivity, and deep reflection, Laura Read explores many themes including mental health, suicide, loss, feminism, motherhood, and aging, offering a fresh view of the world as seen through the feminist poet’s searching spyglass. Reaching back into history to talk with Plath and other historical figures who have suffered and wrote about their suffering, Read tries to make sense of what it’s like to be alive and suffering now. These deeply felt poems include language from Plath’s The Bell Jar and poems about Marguerite Duras and Simone de Beauvoir. Other strange bedfellows from pop culture also make appearances, among them Kenny Rogers, Dr. Seuss, Kurt Cobain, and Courtney Love.

The Serious World is a collection of epistolary poems written to Sylvia Plath about depression, therapy, friendship, family, and the struggling life of an artist. With humor, sensitivity, and deep reflection, Laura Read explores many themes including mental health, suicide, loss, feminism, motherhood, and aging, offering a fresh view of the world as seen through the feminist poet’s searching spyglass. Reaching back into history to talk with Plath and other historical figures who have suffered and wrote about their suffering, Read tries to make sense of what it’s like to be alive and suffering now. These deeply felt poems include language from Plath’s The Bell Jar and poems about Marguerite Duras and Simone de Beauvoir. Other strange bedfellows from pop culture also make appearances, among them Kenny Rogers, Dr. Seuss, Kurt Cobain, and Courtney Love.