Laura Scuriatti – författare

On Dogville is the result of the lively debates prompted by Lars von Trier's film amongst its wide and diverse public. The essays in the volume have been written by authors from across Europe interested in different theoretical approaches and perspectives, ranging from philosophy and ethics to film history, critical theory, gender and media studies, and linguistics. The volume presents the reader with a plurivocal account of the film's context and its relevance to the discussions on various topical issues in contemporary culture. Each chapter focuses on one or more aspects of the film, building on specific concepts and theoretical frames such as the Marxist paradigm of objectification, Girard's theory of violence, Deleuze's philosophy of film, the theological category of grace, the concept of integrity, Wittgenstein's reflections on 'seeing-as' and aspect change, and, finally, feminist critique to Jakobson's linguistic theories. While providing stimulating and at times diverging readings of the film, the thoroughly trans-disciplinary dialogue between the chapters also offers new methodological tools, making the film's complexity and relevance come alive in the text.

This book provides a fresh assessment of the works of British-born poet and painter Mina Loy. Laura Scuriatti shows how Loy’s “eccentric” writing and art celebrate ideas and aesthetics central to the modernist movement while simultaneously critiquing them, resulting in a continually self-reflexive and detached stance that Scuriatti terms “critical modernism.” Drawing on neglected archival material, Scuriatti illuminates the often-overlooked influence of Loy’s time spent amid Italian avant-garde culture. In particular, she considers Loy’s assessment of the nature of genius and sexual identity as defined by philosopher Otto Weininger and in Lacerba, a magazine founded by Futurist leader Giovanni Papini. She also investigates Loy’s reflections on the artistic masterpiece in relation to the world of commodities; explores the dialogic nature of the self in Loy’s autobiographical projects; and shows how Loy used her “eccentric” stance as a political position, especially in her later career in the United States. Offering new insights into Loy’s feminism and tracing the writer’s lifelong exploration of themes such as authorship, art, identity, genius, and cosmopolitanism, this volume prompts readers to rethink the place, value, and function of key modernist concepts through the critical spaces created by Loy’s texts.

This book develops our understanding of the global literary field in the long nineteenth century by discussing nine different places outside the established metropoles. It shows how different economic, geographical and political factors combined to give each place its own distinctive literary culture and symbolic capital. Taking a geocritical approach, the book shows how its different case studies can be seen as ‘literary capitals’ in terms of their role within the wider nation, region or empire. The volume is divided into three parts. Part One discusses Kolkata, Hong Kong and Buenos Aires. Part Two considers ‘semi-peripheral’ European cities:  Pest-Buda (Budapest), Helsinki and Dublin. Part Three focuses on cities within Italy: Trieste, Florence and Rome. Drawing on a wide range of literary texts and different genres, the book reads the nineteenth-century literary field as a constellation where different connections can be plotted across various points on the map at different times.

This book develops our understanding of the global literary field in the long nineteenth century by discussing nine different places outside the established metropoles.

Interest in collecting and museology has increased exponentially over recent years, both in academic circles and the broader cultural arena, but the relationship between museums, collections and literature has not yet been fully investigated. This book examines some crucial phases of this interaction from the nineteenth and twentieth centuries. Moving from a time of endless enthusiasm for exhibiting and classifying to the modern period, dominated by turbulence and loss, the essays in this collection investigate changing modes of museology and literary texts that articulate the concepts of display and taxonomy. The writers in this volume move beyond the world of art to address cultural practices at large and demonstrate that the ‘museum fever’ of the past 150 years has been a powerful agent of textuality.The focus of the book moves from the Victorian authors John Clare, Thomas De Quincey and George Eliot, via Henry James’s precociously modernist concerns, to the twentieth-century crisis of representation and memory embodied in the works of James Joyce, Vladimir Nabokov and Samuel Beckett. The essays testify to the thematic and theoretical importance of the encounter between museum and text, which makes a lively comeback in post-modern narrative through the works of A.S. Byatt, Julian Barnes and J.G. Farrell among others.