Laura Wright – författare

This book discusses developments in the history of British house names from the earliest written evidence (Beowulf's Heorot) to the twentieth century. Chapters 1 and 2 track changes from medieval naming practices such as Ceolmundingchaga and Prestebures, to present-day house names such as Fairholme and Oakdene: that is, the shift from recording the name of the householder (Sabelinesbury, 'Sabeline's manor'), the householder's occupation (le Taninghus, 'the tannery') and the appearance of the house (le Brodedore, 'the broad door'); to the five main categories still in use today: the transferred place-name (Aberdeen House), the nostalgically rural (Springfield), the commemorative (Blenheim Palace), the upwardly mobile (Vernon Lodge), and the latest fashion (Fernville). The development and demise of pub names and shop names such as la Worm on the Hope and the Golden Tea Kettle & Speaking Trumpet are detailed, and the rise of heraldic names such as the Red Lion is explained. Chapters 3-5 track the house name Sunnyside backwards in time to prehistory, through English, Latin, Scottish Gaelic, and the influence of Old Norse. Sunnyside's ancient origins lie in the Nordic practice of solskifte, a prehistoric method of dividing up land according to position of shadows, but the name was boosted in the eighteenth century by Nonconformists (especially Quakers), who took it to America, and in the nineteenth century by American celebrity influence. The book contains an appendix of the earliest London house names to the year 1400, and a gazetteer of historic Sunnysides.

This book discusses developments in the history of British house names from the earliest written evidence (Beowulf's Heorot) to the twentieth century. Chapters 1 and 2 track changes from medieval naming practices such as Ceolmundingchaga and Prestebures, to present-day house names such as Fairholme and Oakdene: that is, the shift from recording the name of the householder (Sabelinesbury, 'Sabeline's manor'), the householder's occupation (le Taninghus, 'the tannery') and the appearance of the house (le Brodedore, 'the broad door'); to the five main categories still in use today: the transferred place-name (Aberdeen House), the nostalgically rural (Springfield), the commemorative (Blenheim Palace), the upwardly mobile (Vernon Lodge), and the latest fashion (Fernville). The development and demise of pub names and shop names such as la Worm on the Hope and the Golden Tea Kettle & Speaking Trumpet are detailed, and the rise of heraldic names such as the Red Lion is explained. Chapters 3-5 track the house name Sunnyside backwards in time to prehistory, through English, Latin, Scottish Gaelic, and the influence of Old Norse. Sunnyside's ancient origins lie in the Nordic practice of solskifte, a prehistoric method of dividing up land according to position of shadows, but the name was boosted in the eighteenth century by Nonconformists (especially Quakers), who took it to America, and in the nineteenth century by American celebrity influence. The book contains an appendix of the earliest London house names to the year 1400, and a gazetteer of historic Sunnysides.

The macaronic (mixed-language) business texts of London for the period 1275 to 1500 present a rich source of evidence for the medieval dialect of London English. Hitherto they have been ignored because of mistaken ideas about their value: they have been viewed as bastardized forms produced by ill-educated scribes. We cannot dismiss macaronic documents as debased or degenerate without investigation, nor should we underestimate the evidence they present for the development of the English language. The contemporary importance of these documents is attested by their sheer number - it is easier today to find macaronic business documents from the late medieval period in record offices than it is to find monolingual texts.The book focuses on terminology surrounding the River Thames to present a study of the medieval dialect of London. The vocabulary survey lists many words which had previously been lost to us, and the illustrative extracts from the texts present a fascinating picture of life in medieval times on the River Thames. The author's analysis covers the orthography, phonology, and morphology of the dialect as revealed in these texts.

This wide-ranging volume explores the tension between the dietary practice of veganism and the manifestation, construction, and representation of a vegan identity in today’s society.Emerging in the early 21st century, vegan studies is distinct from more familiar conceptions of "animal studies," an umbrella term for a three-pronged field that gained prominence in the late 1990s and early 2000s, consisting of critical animal studies, human animal studies, and posthumanism. While veganism is a consideration of these modes of inquiry, it is a decidedly different entity, an ethical delineator that for many scholars marks a complicated boundary between theoretical pursuit and lived experience. The Routledge Handbook of Vegan Studies is the must-have reference for the important topics, problems, and key debates in the subject area and is the first of its kind. Comprising over 30 chapters by a team of international contributors, this handbook is divided into five parts: History of vegan studiesVegan studies in the disciplinesTheoretical intersectionsContemporary media entanglementsVeganism around the worldThese sections contextualize veganism beyond its status as a dietary choice, situating veganism within broader social, ethical, legal, theoretical, and artistic discourses. This book will be essential reading for students and researchers of vegan studies, animal studies, and environmental ethics.

This wide-ranging volume explores the tension between the dietary practice of veganism and the manifestation, construction, and representation of a vegan identity in today’s society.Emerging in the early 21st century, vegan studies is distinct from more familiar conceptions of "animal studies," an umbrella term for a three-pronged field that gained prominence in the late 1990s and early 2000s, consisting of critical animal studies, human animal studies, and posthumanism. While veganism is a consideration of these modes of inquiry, it is a decidedly different entity, an ethical delineator that for many scholars marks a complicated boundary between theoretical pursuit and lived experience. The Routledge Handbook of Vegan Studies is the must-have reference for the important topics, problems, and key debates in the subject area and is the first of its kind. Comprising over 30 chapters by a team of international contributors, this handbook is divided into five parts: History of vegan studiesVegan studies in the disciplinesTheoretical intersectionsContemporary media entanglementsVeganism around the worldThese sections contextualize veganism beyond its status as a dietary choice, situating veganism within broader social, ethical, legal, theoretical, and artistic discourses. This book will be essential reading for students and researchers of vegan studies, animal studies, and environmental ethics.

Using a wide range of twentieth-century literary prose Laura Wright and Jonathan Hope provide an `interactive' introduction to the techniques of stylistic analysis. Divided up into five sections; the noun phrase, the verb phrase, the clause, text structure and vocabulary, the book also provides an introduction to the basics of descriptive grammar for beginning students.* Presumes no prior linguistic knowledge* Provides a comprehensive glossary of terms* Adaptable: designed to be used in a variety of classroom contexts* Introduces students to an enormous range of 20th century literature from James Joyce to Roddy DoyleA practical coursebook rather than a survey account of stylistics as a discipline, the book provides over forty opportunities for hands-on stylistic analysis. For each linguistic feature under discussion the reader is offered a definition, a text for analysis, exercises and tasks, in addition to a suggested solution.Stylistics: A Practical Coursebook is genuinely `student friendly' and will be an invaluable tool for all beginning undergraduates and A-level students of language and literature.

Writing "Out of all the Camps": J. M. Coetzee's Narratives of Displacement is an interdisciplinary examination--combining ethical, postcolonial, performance, gender-based, and environmental theory--of the ways that 2003 Nobel Prize-winning South African novelist J. M. Coetzee, primarily through his voicing of a female subject position and his presentation of a voiceless subjectivity, the animal, displaces both the narrative and authorial voice in his works of fiction. Coetzee's work remains outside of conventional notions of genre by virtue of the free indirect discourse that characterizes many of his third-person narrated texts that feature male protagonists (Life & Times of Michael K, The Master of Petersburg, and Disgrace), various and differing first-person narrative accounts of the same story (Dusklands, In the Heart of the Country), the use of female narrators and female narrative personas (Age of Iron, The Lives of Animals), and unlocatable, ahistorical contexts (Waiting for the Barbarians). The work has broad academic appeal in the established fields of not only literary studies--postcolonial, contemporary, postmodern and environmental--but also in the realm of performance and gender studies. Because of its broad and interdisciplinary range, this text bridges a conspicuous gap in studies on Coetzee.

Writing Out of all the Camps: J. M. Coetzee's Narratives of Displacement is an interdisciplinary examination--combining ethical, postcolonial, performance, gender-based, and environmental theory--of the ways that 2003 Nobel Prize-winning South African novelist J. M. Coetzee, primarily through his voicing of a female subject position and his presentation of a voiceless subjectivity, the animal, displaces both the narrative and authorial voice in his works of fiction. Coetzee's work remains outside of conventional notions of genre by virtue of the free indirect discourse that characterizes many of his third-person narrated texts that feature male protagonists (Life & Times of Michael K , The Master of Petersburg , and Disgrace ), various and differing first-person narrative accounts of the same story (Dusklands , In the Heart of the Country ), the use of female narrators and female narrative personas (Age of Iron , The Lives of Animals ), and unlocatable, ahistorical contexts (Waiting for the Barbarians ). The work has broad academic appeal in the established fields of not only literary studies--postcolonial, contemporary, postmodern and environmental--but also in the realm of performance and gender studies. Because of its broad and interdisciplinary range, this text bridges a conspicuous gap in studies on Coetzee.

There are many questions yet to be answered about how Standard English came into existence. The claim that it developed from a Central Midlands dialect propagated by clerks in the Chancery, the medieval writing office of the king, is one explanation that has dominated textbooks to date. This book reopens the debate about the origins of Standard English, challenging earlier accounts and revealing a far more complex and intriguing history. An international team of fourteen specialists offer a wide-ranging analysis, from theoretical discussions of the origin of dialects, to detailed descriptions of the history of individual Standard English features. The volume ranges from Middle English to the present day, and looks at a variety of text types. It concludes that Standard English had no one single ancestor dialect, but is the cumulative result of generations of authoritative writing from many text types.

There are many questions yet to be answered about how Standard English came into existence. The claim that it developed from a Central Midlands dialect propagated by clerks in the Chancery, the medieval writing office of the king, is one explanation that has dominated textbooks to date. This book reopens the debate about the origins of Standard English, challenging earlier accounts and revealing a far more complex and intriguing history. An international team of fourteen specialists offer a wide-ranging analysis, from theoretical discussions of the origin of dialects, to detailed descriptions of the history of individual Standard English features. The volume ranges from Middle English to the present day, and looks at a variety of text types. It concludes that Standard English had no one single ancestor dialect, but is the cumulative result of generations of authoritative writing from many text types.

Alexander Roman wants nothing to do with the controlling rulers of his vampire breed, but as a new threat to the pureblood vampires emerges, Alexander's ties to the past are forced upon him, and without warning, he finds himself disoriented, terrified and near death at the door of a stranger.Dr Sara Donohue is dedicated to removing the traumatic memories of her patients - like those of the stranger at her front door. But what he tells her of his past is too astonishing to be anything more than the delusion of a madman. Then, as their worlds collide, Sara and Alexander are bound as one becomes hunter and the other prey. And Sara's only chance of survival is to surrender to the final - and most unimaginable - desire of her life.

His father unknown, his mother dead, Nicholas Roman was raised by the vampire Breed with one wish: to live as a normal vampire. But once he's transformed against his will into a gifted immortal, Nicholas now has one goal: to stop the Eternal Order of vampires from controlling his life. Then comes a beautiful stranger with a startling secret . . . Vampire Kate Everborne claims she's sheltering Nicholas's long lost son. If this is true, then who is the mother? And how endangered are they if, indeed, Nicholas does possess the bloodline so coveted by the Order? These are questions that with every seductive whisper and every silken touch draw Nicholas and Kate intimately closer, and nearer still to the truth.

Lucian Roman knows he must stay away from Bronwyn Kettler for sanity's sake. Since feeding her his blood, he can think of nothing else but possessing her - fighting an uncontrollable desire to kill her, if need be, and the vampire she has sworn to wed.Bronwyn, a brilliant vampire genealogist, can never escape her connection to Lucian. He sustained her when she was starving. He still rules her dreams. And when the nights get dark enough, she still craves him, but although his essence still courses through her body, she has found a true mate in someone else.But when a dangerous enemy threatens Bronwyn, only Lucian - bound to her for ever by blood - can save her life. Even if it means sacrificing his own . . .

This study examines how postcolonial landscapes and environmental issues are represented in fiction. Wright creates a provocative discourse in which the fields of postcolonial theory and ecocriticism are brought together.Laura Wright explores the changes brought by colonialism and globalization as depicted in an array of international works of fiction in four thematically arranged chapters. She looks first at two traditional oral histories retold in modern novels, Zakes Mda’s The Heart of Redness (South Africa) and Ngugi wa Thiong’o’s Petals of Blood (Kenya), that deal with the potentially devastating effects of development, particularly through deforestation and the replacement of native flora with European varieties. Wright then uses J. M. Coetzee’s Disgrace (South Africa), Yann Martel’s Life of Pi (India and Canada), and Joy Williams’s The Quick and the Dead (United States) to explore the use of animals as metaphors for subjugated groups of individuals. The third chapter deals with India’s water crisis via Arundhati Roy’s activism and her novel, The God of Small Things. Finally, Wright looks at three novels—Flora Nwapa’s Efuru (Nigeria), Keri Hulme’s The Bone People (New Zealand), and Sindiwe Magona’s Mother to Mother (South Africa)—that depict women’s relationships to the land from which they have been dispossessed.Throughout Wilderness into Civilized Shapes, Wright rearticulates questions about the role of the writer of fiction as environmental activist and spokesperson, the connections between animal ethics and environmental responsibility, and the potential perpetuation of a neocolonial framework founded on western commodification and resource-based imperialism.

This study examines how postcolonial landscapes and environmental issues are represented in fiction. Wright creates a provocative discourse in which the fields of postcolonial theory and ecocriticism are brought together.Laura Wright explores the changes brought by colonialism and globalization as depicted in an array of international works of fiction in four thematically arranged chapters. She looks first at two traditional oral histories retold in modern novels, Zakes Mda’s The Heart of Redness (South Africa) and Ngugi wa Thiong’o’s Petals of Blood (Kenya), that deal with the potentially devastating effects of development, particularly through deforestation and the replacement of native flora with European varieties. Wright then uses J. M. Coetzee’s Disgrace (South Africa), Yann Martel’s Life of Pi (India and Canada), and Joy Williams’s The Quick and the Dead (United States) to explore the use of animals as metaphors for subjugated groups of individuals. The third chapter deals with India’s water crisis via Arundhati Roy’s activism and her novel, The God of Small Things. Finally, Wright looks at three novels—Flora Nwapa’s Efuru (Nigeria), Keri Hulme’s The Bone People (New Zealand), and Sindiwe Magona’s Mother to Mother (South Africa)—that depict women’s relationships to the land from which they have been dispossessed.Throughout Wilderness into Civilized Shapes, Wright rearticulates questions about the role of the writer of fiction as environmental activist and spokesperson, the connections between animal ethics and environmental responsibility, and the potential perpetuation of a neocolonial framework founded on western commodification and resource-based imperialism.

This inescapably controversial study envisions, defines, and theorizes an area that Laura Wright calls vegan studies. We have an abundance of texts on vegans and veganism including works of advocacy, literary and popular fiction, film and television, and cookbooks, yet until now, there has been no study that examines the social and cultural discourses shaping our perceptions of veganism as an identity category and social practice.Ranging widely across contemporary American society and culture, Wright unpacks the loaded category of vegan identity. She examines the mainstream discourse surrounding and connecting animal rights to (or omitting animal rights from) veganism. Her specific focus is on the construction and depiction of the vegan body—both male and female—as a contested site manifest in contemporary works of literature, popular cultural representations, advertising, and new media. At the same time, Wright looks at critical animal studies, human-animal studies, posthumanism, and ecofeminism as theoretical frameworks that inform vegan studies (even as they differ from it).The vegan body, says Wright, threatens the status quo in terms of what we eat, wear, and purchase—and also in how vegans choose not to participate in many aspects of the mechanisms undergirding mainstream culture. These threats are acutely felt in light of post-9/11 anxieties over American strength and virility. A discourse has emerged that seeks, among other things, to bully veganism out of existence as it is poised to alter the dominant cultural mindset or, conversely, to constitute the vegan body as an idealized paragon of health, beauty, and strength. What better serves veganism is exemplified by Wright’s study: openness, debate, inquiry, and analysis.

This inescapably controversial study envisions, defines, and theorizes an area that Laura Wright calls vegan studies. We have an abundance of texts on vegans and veganism including works of advocacy, literary and popular fiction, film and television, and cookbooks, yet until now, there has been no study that examines the social and cultural discourses shaping our perceptions of veganism as an identity category and social practice.Ranging widely across contemporary American society and culture, Wright unpacks the loaded category of vegan identity. She examines the mainstream discourse surrounding and connecting animal rights to (or omitting animal rights from) veganism. Her specific focus is on the construction and depiction of the vegan body—both male and female—as a contested site manifest in contemporary works of literature, popular cultural representations, advertising, and new media. At the same time, Wright looks at critical animal studies, human-animal studies, posthumanism, and ecofeminism as theoretical frameworks that inform vegan studies (even as they differ from it).The vegan body, says Wright, threatens the status quo in terms of what we eat, wear, and purchase—and also in how vegans choose not to participate in many aspects of the mechanisms undergirding mainstream culture. These threats are acutely felt in light of post-9/11 anxieties over American strength and virility. A discourse has emerged that seeks, among other things, to bully veganism out of existence as it is poised to alter the dominant cultural mindset or, conversely, to constitute the vegan body as an idealized paragon of health, beauty, and strength. What better serves veganism is exemplified by Wright’s study: openness, debate, inquiry, and analysis.

Ecocriticism and Appalachian studies continue to grow and thrive in academia, as they expand on their foundational works to move in new and exciting directions. When researching these areas separately, there is a wealth of information. However, when researching Appalachian ecocriticism specifically, the lack of consolidated scholarship is apparent. With Appalachian Ecocriticism and the Paradox of Place, editors Jessica Cory and Laura Wright have created the only book-length scholarly collection of Appalachian ecocriticism.Appalachian Ecocriticism and the Paradox of Place is a collection of scholarly essays that engage environmental and ecocritical theories and Appalachian literature and film. These essays, many from well-established Appalachian studies and southern studies scholars and ecocritics, engage with a variety of ecocritical methodologies, including ecofeminism, ecospiritualism, queer ecocriticism, and materialist ecocriticism, to name a few.Adding Appalachian voices to the larger ecocritical discourse is vital not only for the sake of increased diversity but also to allow those unfamiliar with the region and its works to better understand the Appalachian region in a critical and authentic way. Including Appalachia in the larger ecocritical community allows for the study of how the region, its issues, and its texts intersect with a variety of communities, thus allowing boundless possibilities for learning and analysis.

Ecocriticism and Appalachian studies continue to grow and thrive in academia, as they expand on their foundational works to move in new and exciting directions. When researching these areas separately, there is a wealth of information. However, when researching Appalachian ecocriticism specifically, the lack of consolidated scholarship is apparent. With Appalachian Ecocriticism and the Paradox of Place, editors Jessica Cory and Laura Wright have created the only book-length scholarly collection of Appalachian ecocriticism.Appalachian Ecocriticism and the Paradox of Place is a collection of scholarly essays that engage environmental and ecocritical theories and Appalachian literature and film. These essays, many from well-established Appalachian studies and southern studies scholars and ecocritics, engage with a variety of ecocritical methodologies, including ecofeminism, ecospiritualism, queer ecocriticism, and materialist ecocriticism, to name a few.Adding Appalachian voices to the larger ecocritical discourse is vital not only for the sake of increased diversity but also to allow those unfamiliar with the region and its works to better understand the Appalachian region in a critical and authentic way. Including Appalachia in the larger ecocritical community allows for the study of how the region, its issues, and its texts intersect with a variety of communities, thus allowing boundless possibilities for learning and analysis.

Compelling evidence exists to support the hypothesis that both formal and informal mentoring practices that provide access to information and resources are effective in promoting career advancement, especially for women. Such associations provide opportunities to improve the status, effectiveness, and visibility of a faculty member via introductions to new colleagues, knowledge of information about the organizational system, and awareness of innovative projects andnew challenges. This volume developed from the symposium "Successful Mentoring Strategies to Facilitate the Advancement of Women Faculty" held at the 239th National Meeting of the American Chemical Society in San Francisco in March 2010. The organizers of the symposium, also serving as the editors of this volume, aimed to feature an array of successful mechanisms for enhancing the leadership, visibility, and recognition of academic women scientists using various mentoring strategies. It was their goal to havecontributors share creative approaches to address the challenge of broadening the participation and advancement of women in science and engineering at all career stages and from a wide range of institutional types. Inspired by the successful outcomes of the editors' own NSF-ADVANCE project thatinvolved the formation of horizontal peer mentoring alliances, this book is a collection of valuable practices and insights to both share how their horizontal mentoring strategy has impacted their professional and personal lives and to learn of other effective mechanisms for advancing women faculty.

The rulers of London in the late middle ages sought to safeguard the future of their important river crossing by placing its administration in the hands of a specially created institution. By the mid-fourteenth century the "BridgeHouse", as it became known, had been endowed with a large portfolio of properties which provided the bulk of the revenue needed for the frequent, and often urgent, repairs to London Bridge's structure: as many as 130 shops stoodon the bridge itself. As well as providing information on the technicalities of bridge-building or wider issues concerning urban crafts and productive processes, the accounts and rentals from the institution's archive provide useful snapshots of the bridge at various points in its often turbulent history.

Edition and translation of a copy of a vastly significant document for our understanding of fourteenth-century England, long believed lost.In the summer of 1376 a spirit of reform was abroad in the city of London. A number of measures were taken to make those who were elected to govern the city more responsible to its citizens as a whole. A committee was set up to examine the ordinances at the Guildhall and present to the Commonalty those that were "profitables" and those that were not. Two years later, the committee produced a volume known officially as the Liber de Ordinancionibus, but popularly as "The Jubilee book", because it had been initiated in the jubilee year of Edward III's reign. But the reforming measures introduced in the book caused so many controversies and disputes that eventually, in a bid to restore order in the city, in March 1387 the "Jubilee Book" was taken outside the Guildhall and publicly burnt. Historians have long debated the possible contents of this contentious but hugely significant volume, widely believed to be lost. However, recently a fifteenth-century copy of the "Jubilee Book", possibly of an earlier draft put together in the course of the two years, but superseded by the final version, was discovered in a manuscript held at Trinity College Cambridge (Ms O.3.11).