Laurence Goldstein - Böcker

Brevity in conversation is a window to the workings of the mind. This book brings it into prominence as both a multifaceted topic of deep philosophical importance and a phenomenon that serves as a testing ground for theories in linguistics, psycholinguistics, and computer modeling. Brevity is achieved in a variety of ways. Speakers use elliptical constructions and exploit salient features of the conversational environment in a process of pragmatic enrichment so as to pack as much as possible into a few words. They take account of what has already been said in the current and previous conversations, and tailor their words to what they know about the beliefs and personalities of the people they're talking to. Most of the time they do all this with no obvious mental effort. The book, which brings together distinguished linguists, philosophers, and cognitive scientists, is the product of an interactive multidisciplinary research project that extended over four years. The questions dealt with concern how speakers secure understanding of what they mean when what they mean far outstrips the literal or compositional meanings of the sentences or sentence fragments that they use. Brevity sheds new light on economy in discourse. It will appeal to linguists, philosophers, and psychologists at advanced undergraduate level and above.

"This is the first work to survey the myths created by the modern literary imagination about technology." —Herbert Sussman" . . . succeeds admirably, fascinatingly on all counts . . . " —American Literature" . . . a landmark in the study of literary and technological history." —NMAH" . . . fascinating . . . a welcome addition to the growing scholarship about the impact of technology on the modern imagination." —Journal of Modern Literature Annual ReviewThis book chronicles precisely how the flying machine helped to create two kinds of apocalyptic modes in modern literature.

This collection of essays by leading critics and poets charts Robert Hayden’s growing reputation as a major writer of some of the twentieth century’s most important poems on African-American themes, including the famed “Middle Passage” and “Frederick Douglass.” The essays illuminate the themes and techniques that established Hayden as a modernist writer with affinities to T. S. Eliot, Federico Garcia Lorca, and W. B. Yeats, as well as to traditions of African-American writings that include such figures as Countee Cullen and Langston Hughes.Robert Hayden: Essays on the Poetry is the first and only book to collect significant essays on this distinguished poet. Covering sixty years of commentary, book reviews, essays, and Hayden’s own published materials, this volume is an invaluable contribution to our understanding of the poet’s vision of experience, artistry, and influence. The book includes forty different works that examine the life and poetry of Hayden, the first African-American to serve as Consultant in Poetry to the Library of Congress (the post now called Poet Laureate) and to receive the Grand Prix de la Poesie at the First World Festival of Negro Arts, Dakar, Senegal, in 1966.

Is there such a thing as Los Angeles poetry? How do we assess a poem about a city as elusive of identity as Los Angeles? What features do poems about this unique urban landscape of diverse peoples and terrains have in common? Poetry Los Angeles is the first book to gather and analyze poems about sites as different as Hollywood, Santa Monica and Venice beaches, the freeways, downtown, South Central and East L.A. Laurence Goldstein presents original commentary on six decades of poets who have contributed to the iconography and poetics of Los Angeles literature, including Elizabeth Alexander, Jimmy Santiago Baca, Dorothy Barresi, Victoria Chang, Wanda Coleman, Dana Gioia, Joy Harjo, James Harms, Robert Hass, Eloise Klein Healy, Garrett Hongo, Suzanne Lummis, Paul Monette, Harryette Mullen, Carol Muske-Dukes, Frederick Seidel, Gary Soto, Timothy Steele, Diane Wakoski, Derek Walcott, and Charles Harper Webb. Forty poems are reproduced in their entirety.One chapter is devoted to Charles Bukowski, the celebrity face of the city’s poetry. Other chapters discuss the ways that poets explore “Interiors” and “Exteriors” throughout the cityscape. Goldstein also provides ample connections to the novels, films, art, and politics of Southern California. In clear prose, Poetry Los Angeles examines the strategies by which poets make significant places meaningful and memorable to readers of every region of the U.S. and elsewhere.

The American Poet at the Movies: A Critical History presents a series of case studies that shows how poets perceived the new technology of cinema as a rival threatening to their prestige, but also as a sister art deserving of encouragement. Each chapter places a key poem at the center and takes up the issues arising from the engagement of these two art forms, such as the poets' mixed feelings about living in a national culture dominated by visual media. Whether it is Hart Crane writing on Chaplin, Delmore Schwartz on Marilyn Monroe, Frank O'Hara on James Dean, or Louise Erdrich on John Wayne, poets have made sense of their own time by reference to film icons and values shared by all Americans thanks to the dream factory, Hollywood.As an increasingly popular genre of modern poetry, and one that permits a unique view of this century's dominant art form, the movie poem has needed an explanatory book like this one. As cinema and television continue to wield extraordinary influence over the lives of all Americans, the efforts of poets to understand the visual culture will come to be appreciated as central to the task of modern and postmodern literature. This critical history is an important and timely contribution to the study of American literature and American institutions."One of the impressive things about the book is that while pursuing the seemingly narrow category of poems-about-movies, Goldstein is able to raise and illuminate virtually all the key issues surrounding the poetry of the period." - Roger Gilbert, Cornell University". . . a discerning book, combining criticism and social history. It satisfies scholarly standards while appealing to general readers." - Philip French, coeditor of the Faber Book of Movie Verse"In this work, [Goldstein] provides a new way of looking at American poets, both familiar and neglected. The approach is chronological and thematic, and films are seen from black, gay, Jewish, and feminist as well as middle-class white perspectives." Library JournalLaurence Goldstein is editor of the Michigan Quarterly Review and Professor of English, University of Michigan.

Key Concepts in Philosophy is a series of concise, accessible and engaging introductions to the core ideas and subjects encountered in the study of philosophy. Specially written to meet the needs of students and those with an interest in, but little prior knowledge of, philosophy, the books open up fascinating, yet sometimes difficult ideas. The series builds to give a solid grounding in philosophy and each book is also ideal as a companion to further study. An understanding of logic is fundamental to the study of philosophy. This stimulating and thorough guidebook offers clear explanation and exploration of the central issues and questions addressed when studying logic. The topics covered include: Reason and unreason; Proving a point; Entailment; Truth; The logic of components of speech and language. This is an invaluable resource for those studying logic for the first time, this text provides a sound grasp of a fascinating, but often complex - and even daunting - component of philosophy.

First published in 1990 The Philosopher's Habitat introduces the subject by investigating a variety of the problems which are currently engaging philosophers, and which can be made intelligible to an absolute beginner. Rather than introducing philosophy by examining, in the traditional way, the writings of great philosophers, the author has inverted this procedure. The idea is that the reader will become absorbed in these dramas, will thereby come to appreciate the ways in which the stage was set by the great writers of the past, and will feel the urge to participate. Questions at the end of each chapter encourage the reader to push beyond the text. This book is a must read for students of philosophy.